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Title: The Brading Collection
Author: Wentworth, Patricia [Elles, Dora Amy] (1878-1961)
Date of first publication: 1950 [U.S.], 1952 [U.K.]
Edition used as base for this ebook:
   London: Coronet Books, Hodder Paperbacks Ltd., 1975
   [second printing of the original 1971 Coronet edition]
Date first posted: 10 March 2014
Date last updated: 10 March 2014
Project Gutenberg Canada ebook #1164

This ebook was produced by: Alex White
& the Online Distributed Proofreading Canada Team
at http://www.pgdpcanada.net






                         The Brading Collection

                           Patricia Wentworth





                              CHAPTER ONE


Miss Maud Silver picked up her knitting. She was using the odds and ends
of wool left over at various times from jumpers knitted for her niece
Ethel Burkett, stockings for the Burkett boys, woolly frocks and
cardigans for little Josephine, and combining them in a striped scarf
which she considered really "very tasteful, very artistic". As she
knitted a narrow lemon-coloured stripe, her hands low, her needles held
in the continental fashion, she allowed her glance to dwell with reserve
upon the visitor who had just been ushered in. She judged him to be
about fifty-five years of age, of no more than medium height, and very
upright, spare, and grey. There was no look of ill health, but the
greyness was noticeable in the well-cut suit, in the close-cropped hair,
in the cool eyes, and even in the tinge of the skin. Miss Silver was
reminded of one of those slim fishlike insects which sometimes emerge
disconcertingly from between the leaves of an unused book. The card
which he had sent in lay on the small table at her elbow.

                           Mr. Lewis Brading
                                 Warne House
                                     Ledstow

Ledstow lay between Ledlington and the sea. She knew all that part of
the country well. Randal March, an old pupil of hers, was now the Chief
Constable of the county. She had been a governess before transferring
her interest to detection. Her friendship with the March family was most
affectionately maintained.

A number of her cases had taken her into Ledshire. She thought that she
had heard Mr. Brading's name, but the connection eluded her. She made no
attempt to pursue it, her attention being required for Mr. Brading
himself. Like so many of her visitors, he was at the moment regretting
that he had come. She had no means of judging whether the stiffness of
his manner proceeded entirely from this cause, or whether some part of
it was natural to him, but that he was embarrassed, uncertain, and
engaged in wondering why he had come was plain enough to an experienced
observer. Some of her clients were voluble, but whether they had too
much or too little to say, most of them in that first five minutes would
have been glad to be on the farther side of the front door with the bell
unrung and the errand which had brought them there not yet committed to
words.

The "Private Enquiries" which were her professional occupation had
brought Miss Maud Silver some strange confidences and taken her into
some dangerous places. They had also provided her with the modest
comforts of her flat in Montague Mansions. They had bought the
peacock-blue curtains, now drawn back from the two windows, and the
carpet in a matching shade which had weathered the war years but was now
beginning to show signs of wear. They had also indirectly provided the
photographs which thronged the mantelpiece, the top of the bookcase, and
any other place upon which a frame could be induced to stand. While the
frames were old-fashioned--plush, or silver filigree upon velvet--the
photographs were for the most part quite modern pictures of babies.
Sometimes a young mother was included, and there was a fair sprinkling
of girls and young men, but very few older people. Every photograph was
an offering of gratitude from someone who stood in safety or lived in
happiness and contentment because Miss Maud Silver had fought a
successful battle for justice. If the battle had been lost, most of
these babies would never have been born.

Lewis Brading had been diagnosed correctly. He was wishing that he had
not come. The room reminded him of schoolboy visits to his Forrest
aunts. Yellow walnut chairs whose contorted legs and bad carving were
scarcely atoned for by their wide, capacious laps. The same type of
wallpaper, the same outmoded pictures--_The Soul's Awakening_, Millais'
_Huguenot_, _The Monarch of the Glen_. The same litter and clutter of
photographs. An old maid's room, and Miss Silver herself the period old
maid in a state of perfect preservation.

It was at this point that his interest as a collector was awakened. Not
his line of course, but he could recognise a museum piece when he saw
one. The dowdy, old-fashioned clothes--where in heaven's name did anyone
get such garments nowadays? The net front with slides of whalebone in
the collar, the thick stockings, the shoes exactly like old Cousin
Mary's, beaded toes and all, the rigidly netted hair with its Alexandra
fringe, the cameo brooch with its head of a spurious Greek warrior, the
neat features, the mild deprecating air, the eternal knitting, made up a
picture as disarming as it was out of date. His momentary feeling of
embarrassment displaced by a convincing sense of male superiority, he
said,

"I have been told a good deal about you, Miss Silver."

The change of mood did not go unnoticed. Miss Silver was aware of it,
and of a flavour of condescension in Mr. Brading's not very pleasing
voice. She did not care about being condescended to, she did not care
about his rather grating tone. She coughed slightly and said,

"Yes, Mr. Brading?"

"From the Marches, I think you know them."

"Oh, yes."

The rather indeterminate coloured eyes remained fixed upon his face. He
began to feel annoyed with Randal March, and with the situation. Not
that March had sent him here--he hastened to make that clear.

"He doesn't know that I have come to see you, and I shall be obliged if
you will not mention it. He is, as you know, our Chief Constable. It so
happens that I met him at dinner the other night, and the subject of
detection having come up, he gave it as his opinion that the best
detective he knew was a woman. He did not mention your name, but one of
the other guests did. There was some talk about a case in which you had
been concerned--the Melling murder--and I was sufficiently interested to
remember your name and to look you up in the telephone directory."

As he spoke he was recalling not so much what Randal March had said as
his manner. It had impressed him. In retrospect he found it impressing
him again.

Miss Silver regarded him thoughtfully.

"You were interested enough to make an appointment. You have kept it.
What can I do for you, Mr. Brading?"

He made an abrupt movement.

"Does my name convey anything to you?"

She hesitated.

"I feel that it should do so, but for the moment--no, of course I should
have remembered at once--the Brading Collection."

The interest in her voice was mollifying. It made amends for a momentary
lapse of memory.

He said, "Yes", with justifiable pride.

Miss Silver had finished the lemon-coloured stripe which she had been
knitting, and was now attaching a thread of dark blue wool. This
accomplished, she said,

"But of course--that was very stupid of me. Your Collection is quite
famous. I have often felt that it would interest me to see it. Jewels
with a history--that opens up a very wide field."

"A little too wide. I have some reproductions of famous jewels, but the
Collection is limited for the most part to articles of jewelry which
have some connection with crime. The exceptions are a few pieces of
family interest."

She continued to knit, and to look at him.

"The Collection must be a valuable one."

His laugh had that grating sound.

"I have sunk a good deal of money in it. I sometimes ask myself why.
When I am gone no one will value it."

Miss Silver said,

"I fear that is often the case. Each generation has its own tastes and
interests. But I suppose that you have formed yours in order to please
yourself, and not for the sake of your children."

He said still more harshly,

"I have no children--I am not married. My present heir would be a
cousin, Charles Forrest, who would, I imagine, immediately convert the
more valuable items of the Collection into cash."

Miss Silver's needles clicked. The striped scarf revolved. She said,

"You are in some anxiety, are you not? Perhaps you will tell me how I
can help you."

Up to that moment he had not really made up his mind. He was not
conscious of making it up now, but he said,

"Anything I tell you will be in confidence?"

"Of course, Mr. Brading."

March had said she was discretion personified. He frowned.

"I haven't anything very definite to say. I am uneasy, and I think I
have grounds for this uneasiness. It really does not amount to more than
that. I had better begin by telling you how I am placed."

Miss Silver inclined her head.

"I will be glad if you will do so."

He went on speaking, sitting rather stiffly upright, his right hand
moving a little on the arm of his chair, the fingertips sometimes
following the pattern of the carved acanthus leaves which bordered the
upholstery, sometimes tapping with a nervous movement.

"Until recently I owned Warne House, near the village of Warne in
Ledshire. It is a very small village about three miles out of Ledstow.
When I became seriously interested in jewels I realised that to house a
valuable collection would require some thought. Eventually I decided to
build an annexe to the house which should be virtually a strong-room. I
had experts down, and in the late nineteen-twenties such a strong-room
was constructed. It is not built on to the house, but is connected with
it by a thirty-foot passage which is kept brightly lighted at night. A
hill rises up sharply on that side, and the annexe is partly built into
it. I won't trouble you with technical details, but as far as concrete
and steel can make a place burglar-proof, the annexe is burglar-proof.
There are no windows, their place being taken by a first-class
air-conditioning plant, and there is only one entrance--from the glazed
passage, which terminates in a steel door. When that is opened there is
still a small lobby and another steel door before the main building can
be entered. Have I made myself clear?"

"Perfectly, Mr. Brading."

She was reflecting that he had the lecturer's manner, though fortunately
it was not every lecturer who addressed his audience with so much
dryness and precision.

He brought his fingertips together and resumed the address.

"Once you are inside the main building the plan is a very simple one.
There is the large room which houses my Collection, with my secretary's
bedroom and a bathroom opening from it on the left. Facing you as you
come in, there is another door which leads to a passage, and opening
upon this passage is my own bedroom, a second bathroom, and a
laboratory. I am engaged upon some interesting experiments with
stones--but that is by the way. The whole structure has been designed to
be, and I believe is, quite impregnable."

Miss Silver had continued to knit. She said,

"Why are you telling me all this, Mr. Brading?"

His hand went back to feeling the pattern of the acanthus leaves. The
platform manner wavered.

"Because I wish you to understand that every precaution has been taken."

"But you are not satisfied?"

He said with a drag in his voice,

"My reason should be."

"Pray continue."

"I have taken every precaution. During the war I had the Collection
removed to a place of greater safety inland. I was myself occupied in
the Censorship--I am a considerable linguist. When the war was over I
found myself no longer interested in keeping up Warne House. It was much
too big for me. There were the consequent staff difficulties, and--in
short, I was not interested. It was suggested to me that it was
admirably suited for conversion into a country club. A syndicate was
formed to purchase it, and I moved into the annexe. I hold a proportion
of the shares, and I have retained my old study, which is situated on
the same side of the house as the annexe and lies just to the right of
the door which opens upon the glazed passage. To sum up, my secretary
and I have all our meals in the club, and I keep my study, but the
Collection is housed in the annexe and we both sleep there. A woman
comes over from the club to clean, but she is never alone in the
building. It is one of my secretary's duties to superintend her."

Miss Silver was accustomed to clients who expended themselves in detail
upon non-essentials because they wished to defer the moment when
something unpleasant must be said. The dark blue stripe finished, she
returned to the lemon-yellow.

"You have been very lucid, Mr. Brading. You have taken all these
precautions which you describe, but there remains the human element.
This building in which you live with your Collection is not remote, but
it is isolated by the very nature of the precautions which you have
taken. In this isolation you live with another person. My attention is
naturally focused upon this person, your secretary. Who is he, what are
his antecedents, and how long has he been with you?"

Lewis Brading leaned back in his chair and crossed one leg over the
other. A very slight smile just changed the set of his lips. He said,

"Exactly. Well, here you are. His name is James Moberly, his age is
thirty-nine. He started life in humble circumstances, took a
scholarship, went in for experimental chemistry, and became involved in
some rather ingenious proceedings of a fraudulent character."

Miss Silver said, "Dear me!" She continued to knit.

Lewis Brading's fingers began to tap out a little tune upon the acanthus
leaves. He was not exactly smiling now, but he looked pleased.

"He was employed by a man who was engaged in the perpetration of a
series of frauds. Articles of jewellery were stolen and some of the
stones replaced by very clever copies. The reward offered by the
insurance company was then claimed and a double profit made. The whole
thing came to light during the war. The principal was a Frenchman who
operated from Paris. He disappeared at the time of the collapse of
France. The affair came my way through my work in the Censorship. I made
it my business to follow it up. James Moberly served in the army--I
don't think he ever got beyond being a clerk at the base. I kept track
of him, and when he was demobilised I offered him a job as my secretary.
That surprises you?"

Miss Silver said gravely, "I believe that you expected it to do so."

He gave his dry laugh.

"Undoubtedly. And now I will give you my reasons. James Moberly has the
technical qualifications which I require for my experiments. They are
not so common as you may suppose. He served a useful fraudulent
apprenticeship with M. Poisson--known, I believe, amongst his criminal
associates as _Poisson d'avril_, I imagine on the principle of _lucus a
non lucendo_, since he was by no means a fool."

Miss Silver showed that she had taken the allusion. In the manner of the
governess who commends a pupil, she murmured,

"_Poisson d'avril_ being, of course, the French equivalent for an April
fool."

A slight bleak pinching of the lips replaced the slight bleak smile. He
had a feeling that he had been set down, but could not believe that that
had been her intention. Miss Silver's gaze remained mild and enquiring.
He said,

"In addition to Moberly's technical qualifications, I considered that
his antecedents would give me a useful hold over him. He had never been
brought to book, and if he behaved himself in my employment he would not
be, but if he put a foot wrong, if he abused his position in the
slightest degree, he would expose himself to prosecution."

Miss Silver said, "Dear me!" again. The busy needles checked for a
moment in the middle of the lemon-coloured stripe. She observed,

"It seems to me that you have embarked upon a very dangerous course."

The eyebrows rose. He laughed.

"He won't murder me," he said. "You must give me credit for a little
intelligence, you know. If anything were to happen to me, James
Moberly's dossier would come into the hands of my cousin Charles
Forrest, who is also my executor. If he is not satisfied that everything
is above-board, the dossier will go to the police. There is a letter
with my will instructing him to that effect, and James Moberly knows
it."

Miss Silver's needles moved again. She did not comment. To anyone who
knew her it would have been evident that she disapproved.

If Mr. Brading was not aware of this, it was because it did not occur to
him that there was matter for disapproval. He was, in fact, quite
pleased with himself and his expedient for ensuring his secretary's
fidelity. He even invited applause.

"Quite a good idea, don't you think? I've got the whip hand, and he
knows it. As long as he stays honest and does his job, I pay him well
and he is all right. Self-interest, you see. That's as powerful a motive
as you can have. It pays him to be honest and to do his job to my
liking. You can't have a stronger motive than that."

Miss Silver reached the end of her row. She said in a tone of great
gravity,

"You are engaged upon a dangerous course, Mr. Brading. I think you must
be aware of this yourself, or you would not be here. Why have you come
to see me?"

He had a sudden frown.

"I don't know. I have been--how shall I put it--obsessed. Yes, I think
that is the right word--" he repeated it with a good deal of
emphasis--"_obsessed_ with the idea that something is going on behind my
back. I am neither nervous nor imaginative, but I have that feeling. If
there is any foundation for it, I should like to know what it is. If
there is none--well, I should like to be assured about that."

Miss Silver said,

"Have you nothing more to go upon than a feeling?"

She saw him hesitate.

"I don't know--perhaps--perhaps not. I have thought--" He broke off.

"Pray be frank with me, Mr. Brading. What have you thought?"

He looked at her, at first curiously, and then with some intensity.

"I have thought once or twice that I have slept rather too heavily--and
I have waked with the feeling that something has been going on."

"How often has this happened?"

"Two or three times. I have no certainty about it--it just presents
itself as a possibility. I have had the feeling that someone else has
been in the annexe--" He broke off with a shake of the head. "No, that's
putting it too strongly. I can't get further than what I said before--it
presents itself as a possibility."

Miss Silver made an almost imperceptible movement. It did not get as far
as being a shake of the head, but to anyone who knew her--let us say, to
Inspector Abbott of Scotland Yard--it would have conveyed
dissatisfaction if not dissent. She said after a slight preliminary
cough.

"You will forgive me, Mr. Brading, if I do not see why you are
consulting me."

"No?"

She repeated the word in a quiet thoughtful manner.

"No. You seem to have some vague suspicions, and I assume that these are
directed against your secretary."

"I did not say so."

She laid down her knitting for a moment and said briskly,

"No, you did not say so. But you and Mr. Moberly are alone in this
annexe which you have described. I suppose, like yourself, he has a
key?"

"Yes, he has a key."

"Then what you have said amounts to this. You suspect that he admits, or
has admitted, someone to the annexe after taking the precaution of
drugging you."

"I have not said any of those things."

"You have implied them. May I ask what you had in your mind when you
asked me to see you? In what way did you think I could be of any
service?"

The smile was still there. If it afforded any evidence of pleasure, it
was not the kind of pleasure of which Miss Silver could approve. He
lifted his hand and let it fall again.

"I thought it might not be a bad thing to have Moberly watched."

Miss Silver had resumed her knitting. She was upon a grey stripe rather
wider than either the lemon or the blue. Over the needles she
contemplated Mr. Brading and his smile.

"I am afraid I cannot be of any help to you there. The case would not be
at all in my line. I could give you some advice, but before I do
so"--she broke off--"there is a question I should like to ask."

"What is it?"

"Your secretary, Mr. Moberly--has he ever asked you to release him?"

"He has."

"Recently?"

"Oh, yes."

"Urgently?"

"You might put it that way. And now what is your advice?"

"That you should let him go."

The hand lifted again.

"I'm afraid that wouldn't suit me."

She said with some urgency.

"Let him go, Mr. Brading. I do not know what your motive may be, but you
are keeping a man against his will, and you are keeping him by means of
a threat. That is not only wrong, it is dangerous. I have said this
before. If I repeat it now, it is because I feel it my duty to warn you.
Resentment may pass into hatred, and hatred produces an atmosphere in
which anything may happen. You would, I think, be well advised to house
your Collection in a museum and adopt a more normal way of life."

"Really? Is that all?"

She looked at him steadily.

"Opposition stiffens you, does it not, Mr. Brading? Is that why you came
to me? Did you, perhaps, feel the need of something to stiffen you? If
that is the case, I think it is a pity that you came."

She laid her knitting down upon the table at her side and rose to her
feet. The audience was over.

Lewis Brading had no choice but to follow her example. He took a formal
leave and went out. A good deal against his will and his intention, he
had been impressed.




                              CHAPTER TWO


Stacy Mainwaring stood at the window looking out. She stood because she
was feeling too restless to sit, and she looked out because she was
expecting a client and she wanted to see her arrive. Sometimes you can
get quite a good idea of what a person is like from walk, carriage,
manner of approach. When two people meet, each is to some extent
affected by the other, neither is quite the same as when alone. Stacy
had a fancy to see Lady Minstrell before they met.

She looked down from her third-floor window and saw the London street,
very hot in the afternoon sun. It was a quiet street, the tall
old-fashioned houses mostly let out in hastily improvised flats to meet
the pressing need for accommodation. Stacy had two rooms and the use of
a bath. A great many people only had one, and thought themselves lucky.

She looked along the street and wondered if the woman in the bulging
coat was going to be Lady Minstrell. Even if the temperature was nearing
ninety, London could always produce a fat woman swathed to the chin in
furs. If this particular woman stopped at No. 10, Stacy was going to say
no. Perhaps she would say no anyhow--she hadn't made up her mind. Ever
since Lady Minstrell had rung her up and made the appointment she had
been trying to make up her mind, but it just wouldn't play. Every time
she got within sight of saying yes or saying no it balked and she had to
start arguing with it all over again. Ledshire was a big county. You
could probably live for years in Ledshire and never run up against
Charles Forrest. You might even live there for years and never run up
against anyone who knew him. On the other hand you might meet him
point-blank in Ledlington High Street any day of the week, or find
yourself at a cocktail party or having tea with people who were
discussing the divorce. "I see Charles has got rid of that girl. What
was her name? Something rather odd, but I don't remember what" ...
"Walked out and left him, didn't she? Something rather new for old
Charles--what? It's generally been the other way on." That was the sort
of thing people said, and if she went down into Ledshire to do a
miniature of old Mrs. Constantine she might have to hear them saying it.

Her right hand closed hard upon itself. So what? If you did things,
people talked, and if they talked, you had just got to get used to what
they said. What did it matter? She had left Charles and he had divorced
her for desertion. What of it? It was three years since she had seen
him. She had kept her head above water, she was making a name with her
miniatures. There was no reason on earth why she shouldn't go down into
Ledshire and paint Mrs. Constantine. There was, in fact, every reason
why she should. The old thing was a celebrity. It would be a feather in
her cap, she could do with the money. And London was baking hot. Quite
suddenly she felt as if she couldn't bear it any longer. Two rooms, and
a row of grey houses to look at. Her feet ached at the mere thought of
the August pavements. The hand which she had clenched relaxed. If she
took this on, there would be a garden--grass, trees, shade. What did it
matter if she met Charles or didn't meet him? They could say "Hullo!"
and get on with whatever they were doing. They didn't matter to each
other any longer. They weren't married any more.

A taxi came up the street and stopped at No. 10. A tall woman got out.
Stacy saw the crown of a small black hat, the flutter of a thin flowery
dress, and that was all. She stepped back from the window and waited.
After all, the first view had told her nothing.

Lady Minstrell came into the room like a ship in full sail. If she
hadn't had the money and the sense to put herself into the hands of a
first-class dressmaker she would have been just a big raw-boned woman.
As it was, she was imposing--a good six foot of her, with a lot of
vigorous dark hair just threaded with grey and a set of handsome
features. She made Stacy feel inconsiderable and wispy. When she spoke
she had the carefully trained voice of the class into which she had
married. No one could have found any fault with it, except that it might
have been any other woman's voice.

"Miss Mainwaring--I am so glad you were able to arrange to see me.
Letters are so unsatisfactory, don't you think, and a conversation on
the telephone always seems so one-sided." She settled herself without
haste, fixed her dark eyes on Stacy, and went on as if there had been no
interruption. "You see, as I was trying to explain, this is not just an
ordinary case of commissioning a portrait. My mother has always refused
to have her portrait painted. Of course when she was on the stage she
used to be photographed, but only in character. She has never had a
private photograph taken in her life, and my sister and I are naturally
most anxious to--to--" she broke off and made a little gesture with her
hands--"I am sure you understand."

Stacy said, "Yes, of course." Her voice sounded cool and detached. Three
years ago it would have been different. She could hear the difference
herself. She hated it, and it pleased her. If you don't wear armour you
get hurt, but sometimes the armour feels stiff and not to be borne.

Lady Minstrell went on talking.

"My mother saw some of your work in an exhibition. There was a miniature
of an old man--Professor Langton. She liked it very much, and when she
came home she said, 'You are always pestering me to be painted. Well, if
you can get hold of that young woman, I don't mind if I do.' " She made
the same little gesture as before. "I hope you don't think I'm too
blunt, but the fact is my mother is a character and that's the way she
talks. It wouldn't be any good your going down to paint her if you
thought she was going to be like other people, for she never has been
and she never will be."

Stacy found herself laughing.

"I shouldn't want to paint her if she were!"

"Do you want to paint her? I do hope you do."

"You are making me want to."

"Oh, I'm so glad! That is just what I hoped, because it's such an
opportunity. My mother is really interested. She still has the most
wonderful energy, you know. If you had said no, she would have been
perfectly capable of coming up to town and planting herself in this
chair until she had persuaded you to say yes, so it will be much less
tiring all round if we can come to an arrangement. Now, what about it?
When could you come?"

Something in Stacy said, "I can't--"

The voice was a fainting one. When she told it not to be a fool it died
away. She felt quite a little glow of triumph as she settled with Lady
Minstrell about the fee and arranged to go down to Burdon in two days'
time.

"It's seven miles from Ledlington, and we will meet the
three-forty-five."




                             CHAPTER THREE


When Lady Minstrell had gone Stacy went down and borrowed a map of
Ledshire. Colonel Albury on the ground floor had all the maps in the
world. In the days when he had a car he had driven it at a high rate of
speed over most of the roads which were marked upon them. Now that he
couldn't drive any more he spent a good many hours a day going over his
maps, calculating things like mileage, and just where you could save
petrol by coasting down a slope. Stacy did not want to become entangled
in these calculations, so she was glad to catch Mrs. Albury, who gave
her the map without asking any questions and was only too anxious to
hurry back to the washing, or the cooking, or the cleaning, which she
did so badly, and which took up all her time.

Back in her own room, Stacy unfolded the map and laid it out on the
piece of furniture which was a sofa by day and a bed by night. She
certainly had two rooms, but the one at the back was too small and hot
to sleep in.

She spread out the map and kneeled down to look at it. There was
Ledlington, with Ledstow seven miles away and a wavy line of coast
beyond. Burdon wouldn't be marked, but the village was Hele, and that
was seven miles from Ledlington too. She found it almost at once, on the
opposite side from Ledstow, and drew in her breath. That would make it a
good fourteen miles from the coast. Warne lay right on the coast. Even
if Charles was there, she could go down to Burdon with a light heart.
Fourteen miles was quite a long way. Besides, why should Charles be at
Warne? He couldn't possibly afford to live at Saltings.

She stopped for a moment to think about the big grey house standing
amongst the old trees which screened it from the Channel winds. She
wondered if it was sold, or let, or parcelled out into flats. She
wondered whether Charles would mind if it were. If he did he would never
show it. He never showed anything. Perhaps that was because there was
nothing to show. He kept a smiling face to the world and charmed it at
his will, but whether he cared for anything more than that it should be
charmed, she had not known and she would never know.

Stacy got up quickly. She bundled the map together and pitched it on to
a chair in a manner which would have made Colonel Albury see red.
Granted she was a born fool, she wasn't quite such a fool as to be all
maudlin over a map and start thinking back about Charles. It didn't
matter to her what had happened to him or to Saltings. She was going to
Burdon to paint old Myra Constantine, and Burdon was fourteen miles from
Warne.

She made herself very busy for the rest of the day. There was plenty to
do if she was to get off in two days' time. She did it in a rush of
energy which sent her to bed so tired that she fell asleep almost as
soon as her head was on the pillow. And then she must needs dream about
Saltings.

It was a most extraordinarily vivid dream. She was walking on the cliff
path. There really was a cliff path, and she had hated it because the
drop went down so steeply to the sea and the way was narrow, but in her
dream it was narrower still. The drop was sheer, and on the landward
side instead of a bank easy and sometimes no more than head high there
towered a long unbroken wall. There was quite a lot of light, but she
couldn't see the sea or the top of the wall. She could hear the waves
come crawling up across the sand and go dragging back into the sea, and
she could hear a landward wind that buffeted the wall, but she couldn't
see the tide or feel the wind. She had to walk straight on. She didn't
know why she had to--she was compelled, without knowledge or choice. The
wall was Colonel Albury's map standing up on end with all the towns and
roads and rivers marked on it. The cliff path was marked on it. Every
step her feet were taking was marked. She had passed Saltings, and
presently the path would bring her to Warne. The path would stop there,
because the cliff dipped to the village. Any minute now it would begin
to run downhill and she would see the trees which protected Warne House,
and the roofs of the village houses below. Only there was something
wrong--the path kept going on and not getting anywhere. A voice called
from high overhead, "Where, Stacy--where?" and she said, "To Warne." The
voice said, "Don't go. I'm warning you--don't go to Warne." Then it died
away, and she saw Charles coming towards her along the narrow path. They
would meet if neither of them turned. They couldn't turn, because the
path had shrunk to less than a foothold, to one of those narrow lines
traced upon Colonel Albury's map. Charles smiled at her as he used to do
and she fell down the face of the rustling map and woke.

For a moment she had no sense of where she was. There should have been
rocks, and the sea. They were gone, and Charles was gone. All her armour
was gone too. She put her face into her pillow and wept.




                              CHAPTER FOUR


Stacy sat in the train and felt elated. She had drowned all the things
which had tried to put her off, and here she was, on her way. She had a
right to feel pleased. Even that morning Edith Fonteyne had said on the
telephone, "_My dear_", with about six exclamation marks when Stacy
murmured that she was going to Burdon to paint a miniature of Myra
Constantine. The exclamation marks had been followed by a gasp.

"You're _not_!"

"Why shouldn't I?"

"My _dear_!" Edith was still gasping. "Well, if you don't _mind_--"

"What is there to mind?"

"Well, I should have thought--"

Stacy lost her temper.

"Oh, don't think!" she said, and banged the receiver down.

Edith might be a cousin, but she was one of the most irritating women in
the world. What she really wanted was to hold Stacy's hand and say,
"Confide in me." It was not the first time by a good many that the
receiver had been jolted back in a hurry. As a rule Stacy was sorry
afterwards, because Edith had known her in her cradle and she meant to
be kind. But today she merely experienced a glow of triumph. She had
downed Edith just as she had downed her own misgivings and that really
damnable dream. You could down things if you tried hard enough.

Someone had once told Stacy that doing things in a hurry was her
besetting weakness. She couldn't remember who it was, but it was
probably Edith's mother, old Cousin Agatha Fonteyne. Yes, it was. Stacy
could hear her saying it--"You are always in too much of a hurry, my
dear. If you see something you like you must have it at once. That dress
you came home with last week--not in the least suitable or practical,
but you had to rush in and get it without giving yourself time to think.
And now this marriage--"

Of course, that had been the text, a whirlwind courtship and a lightning
marriage--"Marry in haste and repent at leisure", and all the rest of
it. Charles, like the offending dress, was neither suitable nor
practical. An old place hanging round his neck, army pay and very little
else, expensive tastes, and a good deal more charm than was good for
him. Too much for Stacy, who had married him in haste and repented
before the honeymoon was over.

A little hot spurt of rage made her face glow. Charles again! Bobbing up
in such unlikely company as Agatha Fonteyne! She thought of them, and
had to laugh. And there she was, back to being pleased with herself.

When she got to Ledlington there were a good many people on the
platform, some getting out, and some getting in because the train went
on to Ledstow. In the crowd, head and shoulders above the ruck, Lady
Minstrell looked even more imposing than she had done in the flat. As
soon as she saw Stacy at the window she came forward, met her at the
open door, and with no more than a murmured greeting stepped up into the
train and ensconced herself in a corner seat.

"I hope you don't mind--we're going on to Ledstow. I hadn't time to let
you know."

Before Stacy could answer or do anything except feel completely out of
her depth a porter thrust two suit-cases into the carriage and followed
with a hamper of fruit. By the time Stacy had said, "Ledstow?" he was
helping three children up the steps and hoisting a very stout woman in
after them. The children all wanted to wave to someone on the platform,
and when the stout woman had finished mopping her face she stood looking
over their heads and waved too.

Stacy got as close to Lady Minstrell as she could. Her mouth was dry.
She said, "Ledstow?" again, and then something like. "I can't--"

The children were shouting farewells to a group of assorted relatives.
Lady Minstrell raised her voice and said,

"My mother has gone to Warne."

It was like a bad dream. She couldn't possibly go to Warne, but in about
half a minute the train would begin to take her there. No, that was
nonsense. It couldn't take her any farther than Ledstow, and what she
had to do was to get out there and go back to town. She could even get
out now. She half rose from her seat, and as she did so, a porter
shouted, "By your leave!", flung the door open with one hand, and
pushing the children back with the other, made room for a wiry
middle-aged woman to dart through the opening. As he banged the door on
her and shouted, "All right, George!" the train gave a preliminary jerk,
the children squeaked and giggled, the newcomer cleared two of them out
of the corner opposite Lady Minstrell and, sitting down, said briskly,

"Hullo, Milly! Nice to see you. Where are you off to?"

Lady Minstrell said,

"Warne. Mama had a sudden urge. You know how she is." She turned to
include Stacy. "This is Miss Mainwaring whom we have persuaded to come
down on a visit. She is going to do a miniature. Miss Mainwaring, this
is our friend Miss Dale. I expect you know Miss Mainwaring's work,
Dossie. Mama admired it so much that she has given way and is going to
sit to her."

Theodosia Dale took a good sharp look at Stacy. She not only knew her
work, but she knew all about her. She knew that she had married Charles
Forrest and left him, and that they were now divorced. If there was
anything to know about anyone she always knew it. She had,
unfortunately, been away from home at the time of Stacy's brief visit to
Saltings as Mrs. Forrest. If she had been on the spot she would
naturally have made it her business to know why the honeymoon had come
to such a disastrous end. Of course the girl had found Charles Forrest
out--that went without saying. But just what she had found out was what
nobody seemed to know. There were plenty of stories, but she did not
feel sure that any of them were true. Lilias Grey? Nonsense! She was his
adopted sister, and though she was obviously a fool about him, Theodosia
was prepared to eat her sensible felt hat if Charles was, or ever had
been, in love with Lilias. Of course quite idiotic to bring the girl he
had married down to Saltings with Lilias still in the house and a
general clutter of relations knocking about. He probably thought they
were all going to be bosom friends. Men were like that. Stupid beyond
belief.

As these thoughts went through her mind, she glanced sharply at Stacy
sitting over the way from her by Milly Minstrell. The children--very
badly behaved--had come to blows over a piece of chocolate, and two of
them were screaming. Conversation was for the moment quite impossible.
She sat stiffly upright in the iron-grey tweeds which matched her quite
abundant hair, the thick country shoes, the sensible hat, and looked at
Stacy Forrest who had gone back to calling herself Miss Mainwaring. Not
very tall, not very anything. Brown hair made the most of--girls spent
all their money at the hairdresser's nowadays. Grey eyes rather widely
set. Good lashes, with none of that filthy mascara on them. A clear,
pale skin, and a reasonable shade of lipstick. A neat blue linen dress.
The girl looked like a lady. Good hands and feet, good ankles. But just
why Charles Forrest should have fallen for her was past guessing. No
particular figure--just slim. Probably never had a decent meal. Girls
were just as stupid as men, only in less revolting ways. This--what was
her name--Stacy? Ridiculous! She probably ate in snack bars perched up
on a high stool with her feet off the ground. Lunacy!

The wails of the combatants had died away. The stout woman was fanning
herself with a pair of black kid gloves, and all three children were
smearing their faces with fresh pieces of chocolate. Lady Minstrell went
on speaking as if there had been no interruption.

"Mama is like that--if she wants anything she wants it at once." She
turned to Stacy. "I would have let you know about the change in our plan
if there had been time, but there really wasn't. My mother just suddenly
took it into her head that she had been long enough at Burdon and that
what she wanted was sea air, so she packed up and went off to Warne this
morning. She didn't even let me know. I just came down and found she'd
gone, and by that time it was too late to ring you up, so I thought the
best thing I could do was to get into your train."

Stacy felt amused, angry, relieved, all at the same time. She began to
say, "Oh, but then of course--" but Lady Minstrell caught her up.

"No, no, there is no change about the sittings. My mother has gone, as
she always goes, to Warne House."

Stacy's hand contracted in her lap. Lewis Brading's house! And she was
to go and stay there, presumably as his guest, and paint Mrs.
Constantine! She had a quick picture of him in her mind, thin and grey,
with dislike in his eyes, and one of his famous jewels held out for her
to see--the sapphire ring which had belonged to Marie Antoinette.

Theodosia Dale leaned a little forward from her upright position and
said dryly,

"Warne House has been turned into a country club."

Stacy thought, "She knows me. She wouldn't have said that if she didn't
know me."

And then Lady Minstrell was going on.

"It belonged to a Mr. Brading, a friend of ours. But of course much too
big for him, so he very wisely decided to sell. He keeps the annexe
which he had built to house his Collection, and he lives there and has
all his meals in the club. It saves him a lot of trouble. The annexe is
quite shut off of course, with steel doors, steel shutters--all that
kind of thing. Because his Collection is immensely valuable--jewels of
historic interest. That is one of the things that takes my mother to
Warne. She loves fine jewels, and some of Mr. Brading's are very fine.
The annexe is really like a strong-room, but I shouldn't like to have so
much valuable stuff about."

Miss Dale gave a short laugh.

"Like it! Sticking your neck out, that's what I call it! Lewis will be
getting himself murdered one of these days, and then what good will all
that junk be to him?"

Lady Minstrell sounded shocked. She said, "Dossie!" and Miss Dale tossed
her head.

"Much better collect postage stamps. Something abnormal about a man
going soft in the head over jewels."

Stacy found her voice.

"I'm afraid I couldn't undertake to do a miniature of Mrs. Constantine
in an hotel--it really wouldn't be possible."

She caught a sardonic gleam in Miss Dale's eye. And then Lady
Minstrell's hand was on her arm.

"Oh, please don't say that--it's all been so difficult! But do let me
explain. It isn't an hotel, it's a club, and my mother has her own suite
of rooms. You wouldn't know you weren't in a private house."

Theodosia watched them. The girl would like to get out of it, but Milly
wouldn't let her. Nice hot water she'd be in with old Myra if she turned
up at Warne without the tame artist. After refusing to so much as have
her photograph taken for about forty years Myra had swung round and was
all set to be painted. Snatch her miniaturist away at the last moment
and there would be the devil to pay.

She watched Milly being soothing, and the girl hanging back. And then
they were at Ledstow, with Myra Constantine's chauffeur on the platform
touching his cap and saying,

"The car is outside, my lady."




                              CHAPTER FIVE


In the car Stacy told herself that she had behaved like a mesmerised
rabbit. But what on earth could she have done? Impossible to go on
saying no without giving a reason. Impossible to explain in the
interested hearing of Theodosia Dale, a fat woman, and three children
eating chocolate. She hastened to make amends to herself. Much better to
do as she had done. She could go up to Warne House, put the case quietly
before Mrs. Constantine, and catch a morning train. It wouldn't hurt her
to spend the night in Lewis Brading's house. She need not even come down
to dinner. Much better and more dignified than having a scene at the
station.

Lady Minstrell's voice came through her thoughts.

"Dossie and I were at school together. Her father was the Rector. She
has a little old house in the village, and she knows all about everyone.
I have asked her to come up this evening. My mother likes to know about
everything too."

Stacy couldn't think of a thing to say.

Lady Minstrell flowed on--schooldays, Dossie's good heart, Dossie's
sharp tongue.

"She really is the best friend in the world, but of course she wants
knowing. She never wears anything but those thick coats and skirts
winter and summer. I don't know how she does it in this heat.
There--we're coming to Warne now--down in the dip. Such a pretty
village. Really it was a pity Dossie was having tea in Ledstow, or we
could have given her a lift, but there is quite a convenient bus
service. Look--that is Warne House, half-way up the slope on the other
side among the trees. It is very tiring travelling in this heat, don't
you think? We shall both be glad of some tea."

Stacy felt as if it was going to take more than a cup of tea to get her
through arriving at Warne House. Lewis Brading was the sort of cousin
who had always been there. She and Charles had dined with him, driving
over from Saltings on a summer evening, turning in between the trees as
they were turning now, and just as they came in sight of the house
Charles had taken his hand off the wheel and touched her lightly on the
cheek.

"Cheer up, darling, it'll be all the same by tomorrow. Anyhow, what's
the matter?"

"He doesn't like me."

His smile flashed out, fleeting, impish, charming.

"He doesn't like anyone--much. What used to be his heart is completely
bunged up with the Collection--there really isn't room for anything
else."

"How grim."

She could hear him laugh.

"Cheer up! It takes all sorts to make a world."

The whole scene came back in a flash, the two of them all warm and
happy, and sorry for Lewis Brading who was out in the cold. That cut
deep, because two days later Stacy was out in the cold too--the bitter
freezing cold that kills your heart.

"Here we are," said Lady Minstrell in a tone of relief. "We'll go
straight up to my mother. She is longing to see you."

Mrs. Constantine's sitting-room looked over the tree-tops to the sea,
unbelievably blue and still under a cloudless sky. Mrs. Constantine
herself sat well up to the window in the largest armchair with her feet
resting upon an embroidered footstool. They were pretty feet, and she
was inordinately proud of the "only bit of prettiness I ever had, so no
wonder". Stacy saw them before she saw anything else--pretty, elegant
feet in pretty, elegant shoes. And then a shapeless incongruity of
figure, and the clever, ugly face with its flattened features, big chin,
wide mouth, and astonishingly brilliant eyes.

In that first glance she was reminded of a toad--something about the big
hunched body, the forward thrust of the head, the wide mouth, and the
eyes, not bulging like a toad's but with something about them, something
that reminded her--

All at once she knew what it was. Words flowed into her mind: "But like
the toad, ugly and venomous, wears yet a precious jewel in his head."
Myra Constantine's eyes were like the fabulous jewel, full of black
fire. A voice that was almost as deep as a man's said,

"Well, Milly?" And then, "How do you do, Miss Mainwaring?" She put out a
hand that felt square and strong. "I don't get up, because it is rather
a performance. Come and sit down and have a good look at me. I'm an ugly
old devil, but I daresay you get tired of painting pretty-pretties.
Girls are all too much alike, especially nowadays--clothes, figures and
complexions planned, controlled, and mass-produced. Het, ring for tea!"
She waved a hand. "My daughter Hester." Then, with a grimace, "Miss
Constantine."

Stacy shook hands with a tall, limp woman. There was a look of Lady
Minstrell, but no more--older, meek, bullied, without colour or
individuality. Stacy gave her a glance, and realised that that was all
Hester Constantine would ever get from anyone whilst her mother was in
the room. If she had worn scarlet to old Myra's black, she wouldn't have
been noticed. But it was Myra who flaunted the loose coat of cherry silk
over a gay flowered dress. She fixed her brilliant eyes on Stacy.

"Well, what about it? Are you going to paint me?"

This was the moment to explain that she simply couldn't stay, and it was
quite impossible to do it. Myra Constantine had asked her in so many
words if she was too ugly to paint, and if she came out with "I've got
to get back to town", it was as much as to say, "Well, yes, you are".
And it wouldn't be true. She'd be the most marvellous subject, just as
she was, in that red coat, with the fuzz of white hair standing up in a
golliwog frill. The artist in Stacy took charge. Her eyes shone as she
leaned forward and said in most convincing tones,

"Oh, _may_ I? I'd love to! You'd be marvellous to paint!"

Myra Constantine chuckled.

"That's the stuff! And now you and me'll have a talk." She turned her
head for a moment. "Milly, you and Het can go and have your tea in the
lounge. Me and Miss Mainwaring's going to have a talk."

The tall, imposing Lady Minstrell came to lay her hand on her mother's
shoulder, and said, "Yes, Mama", in the voice of an obedient little
girl. And then the tea came in and she and her sister went out.

Mrs. Constantine took charge. It was a substantial tea. When she wasn't
pouring out she was eating with gusto, and whether she was pouring or
eating she hardly ever drew breath.

"Now you must make a good tea. I've always liked my tea, and always
shall. 'You may keep your cocktails,' that's what I said when they come
in. 'Keep 'em and welcome,' I said, 'I'll stick to a nice cuppa.' " She
shot a malicious glance at Stacy. "Vulgar old woman, ain't I? Well, I
can talk common, and I can talk fine if I want to." Voice and manner
altered in a flash. "I'm sure you must have had a dreadfully hot
journey, Miss Mainwaring. Let us each take one of these small sandwiches
and talk about the weather." She dropped back with a grin. "There--I can
talk exactly like the Minstrells if I want to. Milly's in-laws, you
know--perfectly well bred and damnably dull. She's made herself over to
suit. 'Yes, Mama. No Mama. Dear Mama, it's time for your rest.' " The
mimicry was perfect.

"Tchah!" said Myra Constantine with violence. And then, "Oh, well, she's
a good daughter, and so is Het. The bother with me is I can't stand
being bored."

As she tossed off a cup of almost boiling tea, those black eyes of hers
were searching Stacy's face. "Are you going to be any good?" they said.
"Are you going to amuse me? I don't know, but I'm going to find out. Can
I shock you? I don't know that either, but I'm going to see."

She set down her cup and filled it again.

"Not ready yet?"

Stacy said, "Mine's too hot." Her eyes met the questing look, wide and
clear with a little laugh in them. What she would have liked to say was
"Do go on talking."

Said or unsaid, Myra Constantine obliged, this time with a sharp
question.

"Well, what do you know about me?"

"You are Myra Constantine--"

"So what?"

"The greatest variety artist we've ever had."

Myra nodded.

"I knocked 'em," she said. "And do you know where I started? In a slum.
Drunken father--bullied, worn-out mother--seven kids one after another
as quick as they could come. Quads hadn't been invented then, or I
daresay she'd have had 'em. Poor Mum. Nine of us in a basement
kitchen--kids getting dragged up somehow." She gave a short laugh. "If
it had been Milly or Het, they'd have stayed there. But I got
out--pushed my way into panto. Can you see me as a fairy? That's how I
started. 'Keep that kid well out of the way at the back! She's ugly
enough to scare the crows', that's what the stage manager said. So they
put me in the back row, and I made faces at the kids that made fun of
me. Like this." The wide mouth widened and curled up to show remarkable
teeth, strong, white, and sharp. The eyes looked inwards in a horrifying
squint, the ears under the golliwog thatch wiggled horribly.

"I can still do it," said Myra Constantine in a complacent voice. "After
three kids had had highstrikes they hauled me out and asked me what I'd
done, so I did it again. Old Sim Purell saw it--he just happened to be
passing. He took his cigar out of his mouth and said, 'Put her in as an
imp, damn her! She won't want any make-up.' So they did, and I had a
sort of hop-skip-and-jump dance and made faces. After a bit it got
worked up into a kind of take-off of the fairy dance. Brought the house
down every time. That's where I got my start, and that's where I learned
that it paid to be ugly so long as you were ugly enough." She paused,
and added in a deep meditative tone, "I was damned ugly. Have another
cup of tea, my dear."

The laughter was clearly in Stacy's eyes. She said, "Do go on" and
passed her cup.

Myra Constantine gave a sort of grunt.

"You'll have plenty more," she said. "I couldn't stop talking if I
tried, and I don't try. Only turn and turn about's fair doos. Why did
you walk out on Charles Forrest?"

Stacy felt exactly as if she had been slapped in the face. She said,
"Oh--" and, "You _know_!" The sort of thing you say, and the minute
you've said it you can hear for yourself how idiotic it sounds. She had
the full cup in her hand. She had to put it down because it shook.

"Know?" said Myra Constantine. "Of course I know! That's why I went to
see your stuff. I said to Het, 'A girl that can walk out on Charles
Forrest, she's got guts--that's what. And I'll go and see her stuff,' I
said. And when I saw it I liked it. There was an old man you'd
done--like an old cross tyke snarling over a bone. 'Clever,' I said to
Het right away. 'I wouldn't mind letting that girl do _me_.' And she
said, 'Oh, Mama--' same as she always does. And I rang up Milly and told
her to fix it. I'll say one thing for my girls, they do what they're
told. And now are you going to tell me why you walked out?"

Stacy had got her balance again. She picked up her cup of tea.

"Did you really think I would?" she said.

Myra chuckled.

"You never can tell."

Stacy's colour rose. This time it was because she was angry.

"I should never have come if I had known that you were going to be at
Warne. I ought to have gone straight back to town from Ledstow."

"Why didn't you?"

"Miss Dale was there, and the chauffeur. I thought--"

The black eyes were mocking her.

"Yes?"

"I meant to come up here and explain--to you."

"But just now you were all for painting me."

"I got carried away."

The square ugly hands were clapped, a big diamond flashed. The wide
mouth grinned.

"That's how I got where I am--I carried 'em away. That's better than
letting them shunt you, you may take my word for it. Somebody started to
hiss me once--a put-up job. Shall I tell you what I did? Stamped my foot
and said, 'Don't be damfools! I'm a lot better than you think I am! I'll
show you!' _And_ I showed 'em. I had 'em shouting before I'd finished."
She dropped to an affable conversational tone. "Well, are you going to
let 'em drive you away?"

"I don't see how I can stay."

Myra shrugged.

"Have it your own way. The job's be a big advert--you know that as well
as I do. Funk if you like, but you've got as much right to be here as
anyone else, haven't you?"

Stacy was being carried away again. She didn't want to be, but she was.
She tried to hold on to being angry, but it wasn't any good. She wanted
to paint Myra Constantine in her cherry-coloured coat--she wanted it
more than she had wanted anything for the last three years. She threw
out her hands and said,

"It's not fair--and I ought to go. But I won't. I've got to paint you."




                              CHAPTER SIX


They went down to dinner in a party, and sat at a table in the window.
It was the best table, and it had the best view. You could see out over
the lawn to the gap in the trees which framed a breadth of hyacinth sea,
and you could look all down the long room and watch everyone who came
and went, or sat talking at the other tables. Nobody was in evening
dress, just light summer things.

Theodosia Dale came in and joined them. She had taken off the black felt
hat, but was still wearing the iron-grey tweeds which matched her hair.
Nobody could say it was becoming, but somehow it was so much part of her
that it was difficult to imagine her in anything else. That she had once
danced in this room in a frock of rose-coloured tulle was one of those
incredible things that the mind rejects, but it was in the memory of a
good many of the people present that they had expected her to be the
mistress of Warne House and Lewis Brading's wife. He had given a ball
for her here, and had had a famous ruby set for her engagement ring. It
was all a very long time ago.

She came up the room, giving a nod here and there, slid into a chair,
waved away the soup and, scanning the menu, said she didn't care what
she had as long as it was something cold.

"Lobster mayonnaise," said Myra to the waiter. "Yes, everyone--except
Miss Constantine. I can't think where she gets her weak stomach from.
Thank God, I've always enjoyed my food. Didn't get enough of it when I
was a kid. There's nothing like not enough crusts to go round in a
cellar to give you a relish for lobster."

Lady Minstrell said, "Mama, _darling_!" and Lewis Brading came into the
room and walked to a small table against the wall. Myra waved. He looked
over at them, bowed formally, and sat down.

Theodosia Dale had taken no notice at all. She was disentangling her
lobster from its shell. If he had come up to the table, she would have
said, "Hullo, Lewis!" and gone on with what she was doing. When you live
in a village, you have to get over feeling awkward about meeting someone
whom you once thought you were going to marry.

Stacy didn't know whether she had been recognised or not. He was cool
and bored, but then he always was cool and bored except when he was
talking about the Collection. He looked as he had probably looked for
the last twenty-five years or so, thin, upright, and rather
distinguished. There wasn't any likeness to Charles, but there was
something that made Stacy deny it every time she looked at him. All the
Forrests were dark like that, and his mother had been a Forrest. But the
Forrest charm had certainly passed him by. He looked as if he had
swallowed a cold poker, and pokers do not charm. His glance had passed
over her as if she were not there. Well, what did she expect--that he
would rush up to her and say, "Why, Stacy--how marvellous!"? She
couldn't help a quick unwilling laugh.

Myra Constantine looked up from the salad which she had deluged with
mayonnaise and gave her deep throaty chuckle.

"Makes you laugh, don't he? Think of the women all over the world that'd
give their eyes to have the diamonds and things he's got locked up next
door--and he can't wear one of 'em!"

"Mama, _darling_!" said Lady Minstrell.

Hester Constantine only spoke twice. She ate in a picking sort of way.
She left a good deal on her plate, and once she asked for salt, and once
for vinegar.

Theodosia Dale talked a great deal. She had a complete catalogue of
births, engagements, marriages, and deaths, with such additional items
as who wasn't getting on with whom, why, what they had said and done,
and what their friends thought about it.

Right in the middle a party of four came in by the door in the left-hand
wall and made for the empty table on their right. There were two women
and two men. One of the women and one of the men were strangers to
Stacy. She saw red hair, a black dress, a string of pearls--broad
shoulders, an expanse of ruddy sunburn, bright blue eyes, and a
good-natured air. And then Lilias Grey, with her flaxen hair piled high,
her fragile, delicate look, and behind her the tall dark ugliness of
Charles. Lilias was in white. She was much better looking than she had
been three years ago--better made up, better dressed, better groomed.
Nobody would have guessed that she was three years older than Charles.
Her whiteness, her fairness, and the scarlet thread of her lips were a
swimming blur on the air in front of Stacy's eyes. When it cleared she
saw Charles. He looked just the same. It was unbearable that he should
look just the same.

He said, "Hullo, Lewis!" as he passed the table where Lewis Brading sat
alone. And then Myra Constantine was waving, and he came right on into
the window.

Myra's voice could be heard all over the room.

"Now if this isn't nice! But what are you doing here? Don't they make
you work in the Army any more?"

He said, "We get a spot of leave sometimes when there isn't a war on."
Then he looked past her and said in a pleasant ordinary tone, "Hullo,
Stacy!"

Just for a moment it was like being in a trap with the steel teeth
cracking down. And then she was too angry to feel anything else, because
Myra Constantine had set the trap, and she had walked into it like the
rabbit she had called herself this afternoon. Well, if they thought she
was going to let them see she minded they could think again. She looked
at Charles, and she said in quite a good kind of casual voice, "Hullo,
Charles, how are you?" and that was all.

He said, "Going strong," and then he had turned away and was sitting
down by Lilias Grey.

"Well, if that wasn't a surprise!" said Myra Constantine. She looked
across at Theodosia Dale. "Did you know he was here, Dossie?"

Miss Dale nodded briskly.

"Came two days ago. He's on leave."

Myra called across to the other table,

"Where are you staying, Charles?"

"Up at Saltings. I keep a flat there."

Myra said, "Of course. Must have somewhere to put one's things." She
came back to the conversational range of her own party. "They've made a
very nice job of those Saltings flats--two rooms--three--four--and a
kitchenette. You pay your money and you take your choice. Miss Grey's
got a three-roomer." She raised her voice again. "What's your flat,
Charles--two rooms or three?"

The smile which made his ugliness more attractive than other men's good
looks jerked at Stacy's heartstrings. It always had, and she supposed it
always would. It had nothing to do with love, or respect, or even
liking--just a physical reflex. Just Charles.

He called back,

"Two. But quite palatial. Kitchen and bath thrown in."

Lady Minstrell said,

"Darling Mama!"




                             CHAPTER SEVEN


There was dancing later on in the room which used to be the library. The
books were still there, big handsomely bound sets like Gibbon's _Decline
and Fall of the Roman Empire_ and the _Encyclopedia Britannica_, with
the Victorian novelists in their serried rows--Trollope, Charles Reade,
Dickens, Thackeray, and the rest. There was no dust on them--Warne House
was much too well run for that--but it was probably close on fifty years
since anyone had taken one of the volumes down to read.

Stacy, with every intention of slipping away upstairs, found herself
supporting Myra Constantine on one side whilst Lady Minstrell held her
up on the other. It was Hester Constantine who had managed to slip away.
Myra weighed fifteen stone if she weighed an ounce. She was not exactly
lame, but as she put it herself, a bit apt to go over at the knees. She
had to be walked slowly up and down the terrace for a constitutional,
after which she signified her intention of going in to watch the
dancing.

On two sides of the room there were windows, set back among the shelves,
deeply embayed and furnished with comfortable seats. They had hardly
reached the particular bay selected by Mrs. Constantine, when she hailed
a man who was coming towards them.

"Moberly--you're the person I wanted to see! Where are you off to?"

He was a thin man who stooped a little, dark and rather hollow about the
cheeks. The features were good, but the lines about the eyes and mouth
were too deeply drawn for his age, which might have been thirty or
thirty-five, or perhaps five years more. A man should not be so lined at
forty. When he spoke there was something in his voice which suggested
that he might have had to learn his pleasant way of speech.

"What can I do for you, Mrs. Constantine?"

"I'm breaking Miss Mainwaring's arm. You can come and let me down with a
thud. Some day I'm going to break one of these settees. There--that's
better. Milly's used to it, but Miss Mainwaring isn't, and that's a
fact."

Mr. Moberly performed his part with skill. It was, perhaps, not a first
appearance. As he straightened up, Myra caught him by the sleeve.

"Are you dancing?"

"Forrest asked me to join his party, but there was something I had to
finish for Mr. Brading, and I see they have a fourth."

"Arrived at the last moment--friend of Charles', name of Constable. They
had the table next to ours--that's how I know. No need for you to
huff--he wasn't expected till tomorrow."

"I assure you, Mrs. Constantine--"

She laughed good humouredly.

"No need for that either. And if you want a partner, here's Miss
Mainwaring."

Stacy said sweetly, "I'm afraid I'm not dancing."

She might just as well have held her tongue. Myra said,

"Of course you are! You don't want to sit and talk to a fat old woman
all the evening. Milly and me'll do fine as a pair of wall-flowers."

"Mama darling--"

Myra went on without taking any notice.

"You shan't say you've not been properly introduced. This is Mr. James
Moberly who is Lewis Brading's secretary. He knows all about diamonds,
and emeralds, and rubies, and sapphires, and pearls. Makes your mouth
water, don't it? There--go along and dance!"

"If I may have the pleasure," said James Moberly.

He could hardly have done less, and short of making a scene Stacy had
very little choice. She was divided between sheer rage and a desire to
laugh as they took the floor. In the hope of finding that her sentiments
were reciprocated she looked up and met a polite and anxious eye.

"You are staying with Mrs. Constantine, Miss Mainwaring?"

"I've come down to paint her. I do miniatures."

"That must be very interesting."

Mr. Moberly was a fair dancer, you couldn't put it higher than that.
Effortless floating on air would not be achieved in his company. Charles
and Lilias, who were dancing together, were definitely floating. "And I
dance better than Lilias--a whole lot better," said Stacy to Stacy in a
horrid cattish way. Aloud she enquired after the Collection, and learned
that some interesting items had been added to it.

They passed Charles and Lilias for the second time. They were laughing
at something Charles had just said. They floated away together, warm and
gay.

Stacy felt frozen with boredom. What did she care whether Lewis Brading
had discovered the missing links which had been wrenched from the Albany
necklace when it was stolen in '68? James Moberly told her all about it
in an earnest voice, and when he was being earnest his dancing wasn't
even fair.

"There they were amongst the odds and ends in a country jeweller's shop,
with a label, 'Everything on this tray one and six'. There was just a
small bow and a couple of links. The necklace, you know, has a pattern
of true lover's knots. It was the shape of the bow that caught my
attention. I went in and asked if I could have a look at the tray. There
was an elderly woman behind the counter, and of course I saw at once
that she didn't know anything at all. The shop was her father's, and he
had just died. The stuff in the tray was rubbish he had picked up at the
last sale he went to--just a lot of junk thrown in with a clock he
wanted. She said there was always a good sale for clocks. Well, of
course I bought the bow, and when I got back and showed it to Mr.
Brading I don't know when I've seen him so excited, 'The Albany
necklace!' he said at once. And when I got it out, there it was--the
missing bit without a shadow of doubt." He lost step, trod upon Stacy's
foot, and said, "I'm sure I beg your pardon!" After which he went on
talking about the Collection.

The longest dance comes to an end. Unfortunately, the ice now being
broken, Mr. Moberly had no wish to part with his audience. It was just
as Stacy was beginning to feel that she could bear no more that Charles
Forrest came over to them.

"Hullo, Moberly!" he said. "So you've got here. I see Stacy's been
taking pity on you. Now we can shuffle round a bit. You go and take
Lilias for the next dance. Jack Constable seems to have got off with
Maida." He turned to Stacy. "That's the redheaded girl. Name of Maida
Robinson. She's a newcomer up at Saltings. She's got the flat next to
Lilias. Some sort of a widow, but whether grass or real, I haven't
gathered. You'd better have a shot at cutting Jack Constable out,
James."

James Moberly crossed the floor in a patient manner. Charles looked
after him for a moment, murmured, "On with the dance, let joy be
unconfined," and then turned back.

"Going to dance with me, Stacy?"

That the party had been shuffled to this end was obvious. She felt an
agreeable glow as she said,

"I don't think so."

His eyebrows went up.

"Too lame? I saw him hack you. Come along! Think how amusing it will be
for everyone! Spread a little happiness as you go by! I don't suppose
our steps go any worse together than they always did."

As the record started, his hand was at her waist. They slid into the
rhythm. Now it was she and Charles who were floating together as they
used to do. She heard him take a long, soft breath.

"Two minds with but a single thought. You've still got all the others
beat."

She looked up gravely.

"You say that to everyone you dance with, don't you?"

The corner of his mouth twitched. He said,

"With variations. Only in your case it happens to be true."

"That being one of the variations, I suppose?"

He shook his head.

"Oh, no, darling--that's the original air. All the rest are just me
making myself agreeable. One's first social duty. I'm considered to do
it quite well."

She said, "Oh, yes", still with that grave look.

They floated the length of the room before he said,

"What are you doing here?"

Her colour rose. Infuriating, because there was nothing in the world to
make it rise. She explained in a voice which she hoped was merely bored,

"I'm doing a miniature of Mrs. Constantine. And of course I thought she
was at Burdon. I was actually getting out of the train at Ledlington,
when Lady Minstrell got in and said her mother had suddenly taken the
idea of coming down to Warne."

Charles nodded.

"She comes here a good deal. Actually, I believe, she holds most of the
shares in the club. It's quite a good show--much better than Burdon,
which can't be run on a present-day staff. You're well out of it."

"I wouldn't have come if I'd known, and I didn't mean to stay, but I
couldn't explain in the train because there were other people there. And
then when I saw Mrs. Constantine I felt I'd give practically anything to
paint her."

"She being a first-class advertisement--or am I being earthy?"

She couldn't help an answering glint of laughter. It didn't get beyond
her eyes, but of course he knew it would be there. She said in a
reproving tone,

"You are rather. It's a bit of incredible luck getting a subject like
that." Then, after the least possible pause, "I didn't know you were
going to be here."

"You can look upon me as a bonus. Fortunate, aren't you? Well, now that
you are here, and I am here, I think we'd better have a business talk."

"We haven't any business to talk about."

"You mayn't have any, but I have. Let us make an assignation. What about
tea in Ledlington tomorrow? There's a caf there where the
sixteenth-century interior is plunged in almost total gloom and the buns
are still quite good. If you take the bus from here at a quarter past
two and get off at the next halt beyond Ledstow station, I will pick you
up. Unless, which of course would be much simpler but not so much like
an assignation, you just let me call for you here in a perfectly
ordinary way."

She was startled into another change of colour.

"No--I won't do that."

His odd crooked eyebrows went up.

"Not a breath of scandal? All right, darling--your lightest wish and all
the rest of it. The first halt beyond Ledstow."

Stacy's colour ebbed.

"I don't think so. We have nothing to say to each other."

"My sweet, we haven't drawn breath. Personally I could go on without
repeating myself for a month of Sundays. There will be no need for you
to compete. Didn't Solomon say that a silent woman was like an apple of
gold in a frame of silver?"

"No, he didn't!" said Stacy indignantly. "You made that one up!"

"Perhaps, but how profoundly true. And so beautifully easy. I will
discourse, and you shall sit and eat buns."

"No!"

"Well, I think you'd better. I really have got something to say. I'll be
at the first halt."

The music stopped. Stacy felt robbed. They ought to have danced, not
talked. There was no divorce between their steps. The smooth, gliding
rhythm could have carried them away for those few minutes at least. But
she wouldn't dance with him again. She said abruptly.

"I'm going up now. I don't want to dance any more."

Charles kept his hand on her arm.

"Oh, but you must give Jack Constable a turn. He can't just monopolise
Maida. I want to have a look in myself. I always fall for red-heads,
especially the green-eyed kind. Attractive, isn't she? What I can't make
out is the immediate status of Robinson--whether disembodied, looming,
or relegated to being a mere provider of alimony. Take Jack off her
hands and give me a chance to find out. By the way, what are you calling
yourself? Did I hear Myra say 'Miss Mainwaring'?"

"I expect so."

Charles said, "Damn silly!" He looked down at her left hand and found it
bare. "So you've taken off your ring?"

"Three years ago."

He had his hand on her arm, steering her across the emptying floor. As
she said, "Three years ago," they fetched up beside the red-haired Maida
and Jack Constable. Still holding Stacy, Charles took him also by the
arm.

"Here, Jack I want you to meet Stacy Mainwaring. She dances like a
dream. Have this one with me, Maida?"




                             CHAPTER EIGHT


Major Constable was a hearty soul and a good if daring dancer.

"Look here, I'll show you a new step you can do to this tune. Rather
amusing--picked it up in Chile. I danced it with the belle of the local
party, and her boy friend got so worked up he ran a knife into me."

Stacy said,

"You must find Warne dull--no new steps, no boy friends with knives."

"But a much better floor."

He had missed his chance to say, "A much better partner". It seemed to
come over him suddenly. He dodged between two couples in a very agile
manner, and said,

"I missed my cue there, didn't I? Take it as said. You really are a
better partner than the girl friend."

Stacy couldn't help being amused, but she thought she would probably
have to watch her step. One of those fast workers. She said, "Thank
you", and put a touch of frost into her voice. More to change the
subject than for any other reason, she added,

"Have you known Charles long?"

Because if he had, it was odd that she hadn't heard of him before.

It appeared that they had knocked about together in the desert--Tobruk,
Hell Fire Corner, Alamein, and so forth. He sounded all over Charles,
and began to tell her stories about him, the sort that had made it so
easy to fall in love with him three years ago, concluding with,

"Very dashing fellow. And always something to say to make you see the
funny side. Pity about that girl he got tied up with."

Stacy said,

"Perhaps girls are always rather a pity."

He laughed.

"Oh, well, Charles likes them. She wasn't the first, and she won't be
the last."

Conversation with Jack Constable seemed to involve a constant change of
topic. Her colour becomingly heightened, Stacy enquired whether he was
staying at Saltings. It appeared that he was.

"I ran into old Charles the other day in town, and asked myself down. I
say, he's done pretty well out of converting the house into flats. Lucky
to have had the capital to do it with." Stacy's heart did a horrid sort
of sidestep. But he hadn't any capital, he hadn't any capital at all.
That was just the trouble. She said,

"I thought he sold Saltings."

Jack Constable shook his head.

"Oh, no, he did much better for himself than that. Sold the family
diamonds or something and put the proceeds into converting the place.
He's made an awfully good job of it. Haven't you been up there to see?"

Stacy said, "I only came this afternoon." She leapt for yet another
subject. "Talking of diamonds, have you seen Mr. Brading's Collection?"

He laughed.

"Sounds like the sort of thing nobody's got enough money for nowadays.
Who is he--and what about it?"

She made the Collection last until the dance was over.

She did get away after that. Pausing to say goodnight, she had a brief
interchange with Mrs. Constantine, who wanted her to stay, but finished
up with saying,

"All right, all right--you go and get a good night's rest. There's
always another day tomorrow, isn't there? There was a little German Jew
fellow played the piano in a road-show I was in, he used to say that--in
German, you know, '_Morgen ist auch ein Tag_'," She produced an accent
fearfully and wonderfully British. "Sounds funny, don't it? All right,
my dear, off you go! And you can start doing my picture tomorrow. Half
past ten, if that suits you."

As Stacy looked back at the room before she left it she saw Jack
Constable dancing with Lilias, and Charles with the red-haired girl in
his arms. Lewis Brading was standing against the wall watching them.

Her room was the small one at the end of Mrs. Constantine's suite. It
was really the dressing-room of a bigger room next door. Hester
Constantine slept there, and Myra had the bedroom and dressing-room
opposite, with the sitting-room beyond. Like her bedroom it looked out
towards the sea. Stacy's room looked sideways to the annexe, built
against the hill to house Lewis Brading's Collection. Thirty feet of
bare glazed passage connected it with the house, and in that passage a
light burned all night long.

When Stacy was ready for bed she pulled back the curtains and looked
out. It would not be dark for half an hour yet, and she was in no hurry
for sleep. She looked out to the annexe and the dark trees surrounding
it. There were no windows. Electric light and an excellent
air-conditioning plant did away with the need for natural light and air.
Even the light-hearted Stacy of three years ago had found something
rather horrid about that. And Lewis Brading didn't live there then. Now,
she gathered, he did, or at any rate slept there--he and the humourless
secretary who had stepped on her feet. Gosh--What a party!

She went on thinking about Lewis Brading because she didn't want to
think about Charles. It had been dislike between them at first sight,
and she wondered why. Most people liked her all right. Charles had loved
her. Or had he? Had she ever really been the theme, or just one of the
variations with which he amused himself? At any rate he hadn't married
any of the others.... "For God's sake--are you priding yourself on that?
The worst day's work you ever let yourself in for. Why do you want to go
and rake it all up now when you've got clear of it?" Jack Constable's
voice came back--"He's made a good job of the house.... Sold the family
diamonds." She had a quick horrifying picture of Charles with the
diamonds in his hand and the life freezing at her heart. How many times
could you die?

Horrible to have it come back like that. She picked up a book which she
had bought for the train and began to read aloud from it quick and low.
You can think if you are reading to yourself, but you can't think if you
are reading aloud. That was one of the things she had found out three
years ago. She hadn't had to do it for a long time now, but she had to
do it tonight. She stood there in the light breeze from the open window
and heard her voice go monotonously on and on without sense or meaning.
It didn't need to have sense or meaning. It was just a barrage against
thought.

She put down the book at last with a deep sigh. The wind from the sea
had freshened, she was cold in her thin nightgown. Her feet were like
ice, and she was deadly tired. It was too late to read any longer. The
passage to the annexe was lighted from end to end. She got into bed,
covered herself to her chin, and almost at once she was asleep.

She didn't know how long it was before she woke up, or what it was that
waked her. One moment she was deeply, dreamlessly asleep, and the next
she was up on her elbow, wide awake in the dark. She stayed like that
for a moment listening, and then got out and went over to the window.
The wind was cold and everything was dark. But it oughtn't to be dark.
Why not? There wasn't any moon. The sky was dark, and the hill, and the
trees. And the annexe was dark because it had no windows to show a
light. But the passage from the annexe to the house--that ought to be
lighted. Myra Constantine had talked about it--"There's only that one
way in, and it's a steel door, so it wouldn't be an easy proposition for
a burglar." But of course she knew all that three years ago. Lewis
Brading's precautions against being robbed were public property and the
more public the better. _Burglars keep out!_

Stacy frowned at the darkness. The passage had been lighted when she
turned from the window to her bed. It wasn't lighted now. And then from
just beneath her there came the smallest possible sound. She thought a
door had been closed, softly and carefully, but the latch had clicked.
She was sure it was that sound and no other, and she was sure that it
came from the door between the passage and the house. Someone had pulled
it to, but the handle had slipped and the latch had gone home with a
click--right there, underneath her window. Quick on that the light in
the passage came on and showed it bare from end to end.

And this time Stacy wasn't sure. She wasn't quite sure. She thought the
steel door to the annexe moved as the light came on. She thought it was
closing too. But she wasn't sure.




                              CHAPTER NINE


The sitting went very well next day, the morning light not too bad, and
Myra Constantine in quite terrific form. The autobiography which had
begun with nine people and a slum basement was carried on in a colourful
manner. Sometimes Stacy listened, sometimes the words passed her by
whilst she registered the play of expression on those dark ugly
features, and the snapping malice, the satyric gleam, the blazing
enjoyment, which looked out by turns from the big black eyes. With each
change she wanted to cry, "Stay!" and felt, between enjoyment and
despair, "If I could only get her just like that!"

"Pity the girls don't take after me, isn't it? When I said that to Tom
Hatton he said, 'Poor little devils--why should they?' 'All right, all
right, Tom,' I said. 'Beauty's skin deep, and you've got your whack of
it, but I'll have the better time all my life.' He drank himself to
death, you know.... Oh, no, he wasn't their father. I married when I was
seventeen. Constantine's my proper name. Clerk in an office, Sid was.
Nicely brought-up young fellow with no money and no constitution. Just
got a cold and died before I was twenty, and left me with two kids on my
hands. Het's his spit and image."

Her face had fallen into heavy tragic lines. Stacy sat waiting, and in a
moment everything was changed. The lines broke up in laughter, the eyes
twinkled outrageously.

"I wasn't having any more husbands after that, and if they wanted
anything different, I'd laugh in their faces and tell 'em I was a
respectable widow and I'd thank 'em to bear it in mind." She cocked her
head and chuckled. "It didn't stop 'em of course. Do you know who asked
me to go off jaunting to Paris with him, and me never going to see fifty
again? Well, maybe I'd better not tell you. But I've always had the men
after me, and that's a fact."

Stacy put up a hand.

"If you could keep that expression, Mrs. Constantine--"

It broke up almost before she had spoken. The big mouth widened in a
laugh.

"Well, I can't, my dear. If you could have seen your face! Did you think
I meant your Charles?"

Stacy laughed too, anger just under the surface.

"He's quite free, if you want him."

"No, thank you, my dear. And as to being free--well, what do you mean by
that? He's still fond of you--sticks out all over him when he looks at
you."

Stacy put a little distance into her voice.

"Charles looks at everyone like that. It doesn't mean a thing. He'll
tell you so himself."

"Have it your own way," said Myra Constantine. "You needn't believe me
if you don't want to, but I'm never wrong about this sort of thing. I
remember when Henry Minstrell began coming around. I told Milly he was
going to ask her, and she said he'd never think of it. 'Well, _someone_
had better think about it,' I said. 'He'll freeze you, and starch you,
and make you over to suit his family, and it won't be what I should call
a gay life, but that's your look-out, only you'd better get down to it
and make up your mind if that's what you want.' So she did." She threw
up her head with a jerk. "Lord--I'd have died of it in a week! But she's
Sid's daughter, not mine--she likes it well enough. Only trouble she's
got is there's no boy--just a couple of girls at boarding school." She
smoothed all the expression out of face and voice. " 'Yes grandmama--no,
grandmama.' " Her hands came together with a smacking clap, her
shoulders rose in a shrug. "No blood in 'em, only nice pretty
manners--poor Sid to the life, with a good shiny coat of Minstrell
varnish! Well, as I've said more times than I can count, what's the odds
so long as you're happy?"

The sitting might be considered to be going well. But which of all these
fleeting expressions, these vigorous sudden changes of countenance, was
Stacy going to lure to the ivory? She made a dozen sketches on paper,
looked at them in despair, and made a dozen more. Myra was vastly
pleased with them.

"Ugly old devil, aren't I? Hit me off to the life, these do. You just go
on and you'll see it'll come, and it'll be a smasher. And now you go off
and amuse yourself for the rest of the day."

Before this advice could be taken Stacy was called to the telephone. She
felt a little surprised, for she could not imagine who could have
tracked her here--so unless it was Charles--

It wasn't Charles. The sort of voice that suggests horn-rimmed glasses
and an intellectual brow enquired,

"Is that Miss Mainwaring?"

Stacy knew it at once. As a matter of fact a large portion of the
English-speaking public would have known it, since it was in the habit
of making announcements to them over the air, not on the most important
occasions, but in what may perhaps be described as the donkey-work
section.

"Tony! How on earth did you know I was here?"

Mr. Anthony Colesfoot sighed and said,

"Elementary, my dear Watson. You said you were going to Burdon.
Enquiries gave me the number. The number said you had come to Warne
House. So here we are."

"Where are you?"

"I have an aunt who lives at Ledstow. I've got three days off and I'm
staying with her. I suggest that you dine with me tonight. There is, I
believe, a place in Ledlington where the food doesn't exactly poison
you." He spoke in a gentle, drawling manner and broke off to cough. "I
beg your pardon, as they say on the air. I keep on doing it, which is
really why I'm here. What about my calling for you at seven? I'll rake
up a conveyance."

Stacy hesitated.

"Well, it's very nice of you, Tony. Look here, I'm going out in the
afternoon, and I don't know when I shall get back, and I shall have to
dress. I think you'd better make it half past."

"Say the quarter."

"All right."

She was just turning away, when the bell rang again. It was probably for
someone else, but with just the chance that Tony might still be on the
line she picked up the receiver and heard Lilias Grey say,

"Can I speak to--Miss Mainwaring?"

There was just the little significant pause before the name. With an
inward feeling of having stepped back a pace Stacy said in what she
could hear was a really horrid telephone voice,

"Speaking."

There was an involuntary "Oh!" And then, "It's Lilias Grey."

"How do you do, Lilias?"

"Oh, how do you do?"

Lilias was fluting, a sure sign that she was nervous. Her voice became
higher, and sweeter with every sentence.

"My dear, I didn't have a word with you last night. It wasn't possible
at dinner, and then you disappeared. But I do so want to see you, and to
show you what we have been doing to Saltings."

The "We" was a little barbed arrow that drew blood. Stacy found an arrow
too.

"Yes--Charles was telling me."

"Yes? So nice we can all be friends, and such a relief, isn't it? It
does simplify everything, don't you think? So much more civilized. That
is why I felt I could ring up like this. I do want you to see my flat
and all we've done up here, so I wondered if you would come and have tea
this afternoon."

"I'm afraid I can't this afternoon. I'm going out."

"With Charles? Of course--how stupid of me! Then what about Saturday? He
won't be here, I'm afraid--some tiresome business or other. But if you
can put up with just me--"

Stacy made an angry child's face at the telephone and said,

"It would be very nice."

"Then about half past four. You know where to get off the bus. There's
one every twenty minutes as long as the holidays last." She rang off.

Stacy stamped her foot, looked at the receiver rather as if it were a
snake in disguise, and hung it up in a despising manner. Lilias might or
might not be a snake. The mere fact that she was in love with Charles
didn't make her one. Adopted sister or no adopted sister, she had always
been in love with Charles. They both had flats at Saltings. And Lilias
had said "We". Why on earth had she said she would go there to tea? If
there was a place in the world she ought to stay away from, it was
Saltings. If you've been put to the rack, you don't go and have tea in
the torture chamber. Or do you? The plain fact was that she hadn't had
the guts to say right out, "I never want to see the place again--or
you--_or you_." Because Lilias had looked on whilst she was tortured.
Kindly? Sympathetically? Regretfully? There was a question in each of
these words, and it was a question to which Stacy had never been able to
find an answer. It didn't matter now. What mattered was that Lilias had
been there--she had seen her on the rack.

And yet--and yet--she would go to Saltings tomorrow. Lilias would show
her "what we have done" to the place which was to have been her home
with Charles. In the name of folly, why?

The answer came out of deep places, "Because I'm a fool--because I can't
keep away."




                              CHAPTER TEN


Stacy took the quarter past two bus to Ledstow. She wore a printed linen
dress in shades of grey and blue, and nothing on her head except a good
deal of really pretty brown hair. Brown hair can be very pretty indeed.
Stacy's had lights in it and glints, and it curled because it was curly.
It was, in fact, her one undeniable beauty. She knew as well as anyone
else that she had neither Features nor a Complexion. Not in the sense in
which these words constitute a claim to beauty. She had a nice skin and
a pair of quite good grey eyes. Sometimes when she didn't see them
herself they had rather a charming expression--something young,
sensitive, aware, and rather sweet. For the rest--forehead, nose,
cheeks, and chin--there wasn't very much to be said. They were there,
just a forehead, a nose, two cheeks, and a chin. The mouth was red and
not too small. When she smiled it showed nice white teeth. No, she had
reason to be grateful about her hair.

The conclusion arrived at after an unusually prolonged study of her
reflection in the not very flattering club mirror went with her to
Ledstow. After that it merged into a distracted feeling that she was a
fool to be going to meet Charles, and the cold bedrock conviction that
she couldn't have stopped herself.

At the first halt clear of the town she got out feeling shaky about the
knees. Charles must have been following the bus. He came up with her
before she had walked a dozen yards, pushed open the door of his car,
and said,

"Hullo, darling!"

It wasn't the old shabby car of their honeymoon, but a postwar
Armstrong. Charles was doing well for himself, as Jack Constable had
said last night. He looked right on the top of the wave. And all of a
sudden she was there with him. They were on the top of the wave together
and everything in the garden was lovely--warm sun, a breeze from the
sea, and the two of them going off into the blue. It wouldn't last of
course. It was just an interlude in the business of living, a breakaway
from the shape and substance of reality, no more responsive to the past
or future, no more substantial than a dream. What they did or said
wouldn't matter, because it wouldn't really be said or done. The burden
of responsibility was gone, and the burden of decision. Everything in
her softened and relaxed.

Charles Forrest said,

"We can leave the car at the top and go down into Wakewell Cove. People
don't go there much. The bathing's dangerous, and the path looks steeper
than it is."

It was quite steep enough. They scrambled, she slipped, Charles caught
her, they laughed together and he scolded her.

"You don't look where you're going."

"I do!"--indignantly.

"It's those idiotic shoes."

"But I didn't know I was coming on a beach. You said Ledlington."

Charles' arm across her shoulders, shaking her lightly, teasingly.

"Men were deceivers ever!"

Then they were down on a beach of shell and shingle, with the sea a long
way out and not a soul in sight, and Charles was saying,

"Business first, pleasure afterwards. We'll have a nice talk about
alimony, and when that's given you a really good appetite we'll go and
have buns at the Cat and Mouse."

Stacy sat on the fine ridged shingle. She ran her hands into it and
brought up shells and small translucent stones. One of the shells was
like a little cap of purple and mother-of-pearl. She frowned at it and
said,

"That's nonsense. There's nothing to talk about."

Charles sounded lazy and amused.

"Think again, darling. The governing word is alimony. I think you must
have missed it. There is almost no end to the avenues of conversation
which it opens up."

Stacy went on looking at the pearly shell.

"I'm not interested in any of them."

He hummed under his breath,

    " 'No, I will not walk, no, I will not talk.
    No, I will not walk nor talk with thee.'

Come, come, let the blessed word alimony persuade you."

He saw the blood come up into her face. She said in a quick angry voice,

"There isn't any question of alimony! You didn't leave me--I left you."

"And you'd do it again tomorrow--a very proper spirit! You rise just
like you always did. Now we laugh and start all over again. I'm doing
very well out of Saltings. The flats have caught on, and people
positively fight for them. All very pleasant and profitable, and a nice
change from wondering where the next lot of rates and property tax are
coming from. Well, that being that, and quite without prejudice, I would
like you to have a look-in on it. I expect it's slipped your memory, but
I did endow you with all my worldly goods."

Stacy sat up glowing.

"It seems to have slipped your memory that we've had a divorce."

She met a disturbing look.

"Think so? Well, you always go on reminding me! Now, to come down to
brass tacks--I want you to take three hundred a year."

"Charles--of course I won't!"

He said in quite a serious tone,

"I'd feel a great deal more comfortable if you would."

Stacy's right hand closed on the little shell and broke it.

"I couldn't possibly! You ought to know that without being told!"

He was smiling.

"Go on--get it off the chest! There's a whole lot more, and I know it
all by heart--'I can support myself without your help! I'd rather starve
than touch your money!' "

"Oh!" It was a pure breath of rage.

Charles continued to smile in a manner generally considered to be
charming.

"All quite effective in melodrama, but not really up your street. For
one thing it demands the flashing eye, the classic cast of feature, and
either the Grecian or Roman nose. Now with a little flub nose like
yours--"

"It isn't!"

"Oh, definitely. I'm not saying anything against it, you know--I've
always found it pleasant. I should never, for instance, have married a
classic mask. It's what I should describe as an agreeable nose for
comedy or the domestic hearth. But not calculated to carry off lines of
the unhand-me-villain type."

Her mouth twitched, a dimple appeared. She broke into angry laughter.

Charles said, "That's better. It's always a pity to miscast yourself.
And you might, you know, without me at hand to warn, to threaten, and
command. You'll have to watch yourself."

"_Really_, Charles!"

"Definitely, my sweet. The--we won't call it alimony if you'd rather
not--allowance sounds much less divorce court, doesn't it? It will be
paid into your account quarterly."

"No, it won't! I'm not joking, and I can't possibly take it!"

Charles was sitting up hugging his knees. He said with a note of reproof
in his voice,

"Quite right--you should never joke about money. I wouldn't dream of it.
Nor would you if you knew how many midnight forms I had to fill up
before they'd let me get down to converting Saltings into flats. All
honest-to-Ministry-of-Health toil, involving enormous mental strain. You
know, the people who make out government forms are really wasted in the
back rooms of the Civil Service. They ought to be drawing much larger
salaries making up cross-word puzzles, then they'd be applauded and
admired instead of being damned into heaps every time anyone fills up a
form."

Stacy's dimple trembled in and out again.

"But I'm not going to take it, Charles."

He released his knees and with a sudden movement reached forward and
took her by the wrists.

"Now you just listen to me!"

"I can listen quite well without you holding. _Charles--that hurts!_"

"It was meant to. That money will be paid into your bank every quarter.
You can go on the razzle-dazzle with it, or chuck it over Waterloo
Bridge, or squander it on the undeserving poor, or you can leave it
lying in the bank--I don't care a damn. But you can't stop me paying it
in. I won't have you exercise your pride at the expense of my peace of
mind. If miniatures boom, a miserable three hundred can be properly
despised. If the bottom drops out of painting--well, I'd like to feel
you had a herring and a crust."

"Charles--let go!"

He took his hands away at once, laughed, and said,

"No bruises, darling. And now let's talk about something else."

She shook her head.

"I can't stop your paying the money in--"

"Too true."

"But I shan't touch it."

"That's your affair. Let us abandon it and talk about me. Does it
interest you at all to hear that I'm within measurable distance of being
disinherited?"

"How--?"

"Oh, not Saltings--that's round my neck for life. It's my Great
Expectations. I believe Lewis to be contemplating matrimony."

"At his age!"

"Well, he's only about fifty-five, you know, and he's never been quite
such a dried-up stick as he looks. He was engaged to Dossie Dale
somewhere about twenty years ago. I'm told they split when he discovered
that her Dossie should have been spelt with a B. One of the
upper-hand-or-die brigade. Then of course there was his affair with Myra
Constantine. Don't tell me you've been there nearly twenty-four hours
and she hasn't told you all about it. He made strictly dishonourable
proposals and suggested an unofficial honeymoon in Paris. She told him
she was well over fifty, and if he was ten years younger, he was plenty
old enough to know a respectable woman when he saw one. After which I
believe he went the length of asking her to marry him, and she burst out
laughing and said if she'd been going to marry again she could have done
it twenty times a year for the past thirty years or so. They stayed good
friends, and that's a feather in Myra's cap. Lewis is the sort that
might bear malice, but she didn't let him."

"And who is he proposing to now?"

"You saw that red-haired girl last night?"

"Of course I saw her. You don't mean to say--"

He nodded.

"Her name is Maida Robinson. Her hair, as you have observed, is red. She
has a very pronounced 'Come hither' in her eye, and she has more or less
got Lewis where she wants him. Up to last night the status of Robinson
was in doubt, but during our third dance she confided artlessly that she
had divorced him a year ago. There is therefore no just cause or
impediment to her annexing Lewis."

"But they weren't taking any notice of each other last night."

"Lovers' quarrel, darling. You may have seen her look at me
affectionately."

"Why should she?"

"Lewis was being shown that there were other good fish in the sea. Maida
knows her stuff all right. Lewis was all ready to eat out of her hand by
the time she let him have a dance. He's getting to know his place. He
can adore her, and she can adore the Collection. I only hope he will
have enough strength of mind to restrain her from wearing the Marsden
rubies. She'll want to of course--red-haired women always hanker after
crimson. And Dossie had them--someone is bound to have told her that.
She wore them at the ball he gave for her when they were engaged. They
were supposed to be unlucky. Some dancer was stabbed when she was
wearing them--a girl called Lisa Canaletti--in Paris under the second
Empire. George Marsden bought them a dozen years later. His wife wore
them for twenty years before she was killed in a carriage accident, and
then her daughter had them, and she was killed in an air raid. After
which the necklace sat in a bank until Lewis bought it. The middle ruby
is very fine, and the story appealed to him."

"Charles what is that Collection worth?"

He laughed.

"Quite a lot! But it won't come _our_ way."

When he said _our_ like that, she felt as if she had been touched upon
the heart. And he didn't mean anything--he didn't mean anything at all.
She heard him say,

"Just the stones themselves have a considerable market value. And then
there are other morbid blokes besides Lewis who will pay a fancy price
for a thing with a story pinned to it."

Something knocked at the door of Stacy's mind. She said,

"Isn't it dangerous having all that stuff?"

Charles had a fleeting frown.

"Everybody's been saying that for years, but nothing happens. Of course
the stuff wasn't there during the war, but he got it back again as soon
as he could. The whole annexe is really a strong-room, and the special
things are in a safe over and above that. No windows, only one way in,
and a light burning all night long in the passage from the house. It
ought to be safe enough."

Stacy said quickly, "The light went out last night."

"Nonsense!"

"Charles, it did."

She told him about hearing the door click.

"I heard it, and I looked out of the window, and the passage was all
dark."

"Are you sure?"

"Of course I'm sure. And then whilst I was looking the light came on
again, and I'm practically certain the door of the annexe was just being
shut. It was still moving."

"What time was this?"

"I don't know--late--very late--I'd been asleep a long time."

Charles broke out laughing.

"James Moberly was coming home after a night on the tiles! He would have
to come through the house, because there's no other way to the annexe,
and he left the light off to avoid a snooping eye."

"I haven't got a snooping eye! I was just looking out. And--Charles--he
couldn't have come through the house, because the door is bolted after
the last guest has gone. I know, because I asked this morning in case of
dining out. I said could I have a key, and they said I could, only you
have to warn in or the door would be bolted."

"Perhaps he did warn in."

"No, he didn't, because I asked if anyone was out last night, and they
said no, and that everyone had gone home by twelve o'clock."

Charles looked at her curiously.

"Bit of a nosey parker, weren't you, my sweet?"

She flushed.

"It wasn't like that. I thought I'd just find out about having a key."

"In case I asked you out! How provident!"

"In case I wanted to go out, and--well, then everything just came along
of itself. Charles, I didn't think it was anyone coming out of the house
and going through the glass passage to the annexe--I didn't really."

"What did you think?"

"It's all vague, you know--just an impression. But I thought--I really
did think it was someone coming from the passage into the house."

"But you said you saw the annexe door move when the light came on."

She nodded.

"Yes, I know. But I thought there was someone there with the door open,
waiting for the person in the passage to get into the house and then
shutting their own door and putting on the light."

Charles was looking at her hard.

"But you didn't see anyone doing those things?"

"No."

"And it might have been the other way round--someone coming out of the
house, going into the annexe, and turning on the light when they got
in?"

Her voice dragged and hesitated as she said,

"I suppose so."

"In which case it was probably James Moberly or Lewis himself."

"Then why was the passage dark? If there wasn't anything wrong, I mean."

"It was broad daylight when they came over to the house and they forgot
to switch it on. Even Lewis is human. It doesn't switch on from the
house, you know. It used to, but when Lewis turned the place over he had
it changed. The switches are all on the annexe side."

Stacy put her hand up to her cheek. The colour had brightened there.

"Then it was the way I said, because the light was on all right when I
got into bed. It wasn't quite dark outside, but the passage was lighted
from end to end. Only someone in the annexe could have turned it out
after that."

Charles frowned and looked away.

"James absent without leave, I should think," he said rather shortly.
Then, after a pause, "There's probably nothing in it. But I'll tell
Lewis the light was off."




                             CHAPTER ELEVEN


It was later on when they were heading for Ledlington that Charles said
in an airy voice,

"Who is the unfortunate chap?"

Stacy said, "What do you mean?"

"The object of all the staff work about the key--the current boy
friend--the fellow who's going to take you out on the razzle-dazzle."

"Well, you said it was going to be you."

"Oh, no, you put in the staff work before I came along. You needn't have
any inhibitions--I'm all friendly attention. Who is he?"

Stacy said,

"Why do you call him unfortunate?"

The words came tumbling out, and the moment they were said she knew that
she had let Charles score. He did it easily, lazily, with a smile for
his own reflection in the driving-mirror.

"Fellow feeling, darling."

Stacy bit her lip. She ought to have bitten her tongue off before she
gave him that opening.

The easy voice went on.

"Are you having him for keeps? You must let me know when you've got the
day fixed. Not quite good taste for me to come to the wedding--but some
little offering perhaps. I get a nice line of saucepans at wholesale
rates for the flats. They're all furnished you know. Much more
lucrative, and you can get rid of people if you don't like them. What
about an aluminium set, with a double saucepan thrown in, and some
appropriate lines on a card attached by a silver ribbon--'Thanks for the
memory', or something like that?"

She was almost too angry to speak, but she wasn't going to let him score
again.

"It sounds delightful. I'll remember when it's your turn. I suppose you
will be marrying almost at once?"

"I suppose so. Do you mind telling me who I am going to marry? I should
rather like to know."

Stacy looked sideways. He was looking straight ahead at the Ledlington
road as if he would like to murder it. Charles in a temper was Charles
in a temper, a most ugly, black and exhilarating sight. Stacy felt very
properly exhilarated. She said,

"Lilias, I suppose."

The car swerved right across the road. Charles swore, straightened out,
and burst out laughing.

"Another crack like that and you'll have us in the ditch! Lilias--"

"It's no use your saying she's your sister, because she isn't. Your
mother adopted her, which is a very different thing. The Archbishop of
Canterbury would marry you tomorrow."

"I don't think so, darling. He's got views about divorce."

"Well, she isn't your sister."

"As you say. But there are about twenty million other women in England
who are not my sisters either. Almost any of them would be more likely
than Lilias, you know. Because when you've been brought up to the
brother and sister business it gets in your bones, so to speak." He
laughed again. "The fierce light that beats upon a throne is nothing to
the light that beats upon a nursery. One has had all the quarrels, heard
all the fibs--what would be the point of getting married?"

Under the jesting tone there was something, she didn't quite know what.
She said in a hurry,

"I never told you any lies."

"You hadn't much time, darling, had you? Life's full of these wasted
opportunities. Never mind, there are lots of good fish in the sea."

"I don't tell lies!"

"A neglected education. But it's never too late to mend."

He turned into the Market Square and drew up in the parking-place
beneath the statue of Sir Albert Dawnish. The first of the famous Quick
Cash Stores had struggled into being in one of the old houses in the
direction of which he now waves a podgy hand. It has been said that he
wears the worst suit of any statue in Britain. He liked an easy fit, and
the sculptor had rendered it with heroic realism. But Ledlington reveres
his memory, dances in the hall he built, and sends its sons to compete
hopefully for the scholarships he endowed.

Charles locked the car, took Stacy by the elbow, and proceeded across
the cobblestones to the Cat and Mouse. Only the name was new--a mere
twenty-year-old upstart with a wrought iron sign upon which a fierce
green-eyed cat curved horrid claws about a small and shrinking mouse.
The house had been a mercer's shop when James I was on the throne. Great
ladies of the county had bought changeable silks there, and fine Lyons
velvet. It was now a tea-shop, with as many of its small rooms thrown
together as was compatible with safety.

Charles had not exaggerated the gloom, but he threaded it with some
assurance and arrived at the farther side of the long straggling room.
Here privacy was catered for by orange curtains and palms in tubs. Each
small screened cubicle contained a hard wooden settle, a table, and two
chairs. Only the slim and agile could get round the table to the settle.
A dim orange light lurked here and there between the black beams of the
old ceiling.

Stacy achieved the settle, and was deserted. Charles had murmured,
"Personal selection of buns", and disappeared. She was left to think
what a fool she had been to put the idea of Lilias into his head.
Perhaps she had--perhaps she hadn't. If Charles had been passionately in
love with Lilias and going to marry her next minute he might have put on
just that kind of act. Carefree indifference--that was the line. But he
had swerved and very nearly run the car off the road. Charles didn't do
that for nothing. Something had got right home--he had very nearly lost
control of the car. And then he laughed. She tried to remember just what
she had said.

She was still trying, when from the other side of a bristly palm and
some dusty orange curtains a voice said,

"Oh, yes, Charles will play if I want him to." There was a pretty,
enraging laugh.

If Stacy had been in a more normal frame of mind she would have
reflected that Charles is one of the commoner English names. She didn't
reflect at all--she jumped to a conclusion. The voice was one of those
low, husky ones rendered popular by the films, and she thought there was
a red-haired sound about it. The conclusion to which she jumped was that
only a cheap orange curtain and a leaf or two of palm separated her from
Maida Robinson, and that Maida was talking about Charles Forrest. She
thought about coughing, she thought about moving the table, but she
didn't do either. There was the indistinguishable murmur of a male
voice, and then the woman again.

"It'll be all right. You needn't worry--he'll play--" There was just
about half of some other word, interrupted by an exclamation.
"Gosh--here he comes! What do we do?"

This time the man's reply was audible.

"We're only having tea. Even Lewis--"

She said, "Shut up! We'll go. We've finished anyway."

Stacy sat where she was and saw them emerge. She had been perfectly
right. Maida Robinson it was, in white linen, her hair glinting copper
under the orange lights. And the man was Jack Constable. Encountering
Charles midway amongst the little tables, they greeted him gaily,
fleetingly, and were gone.

Charles came on and set a plate of buns on the table. Stacy wondered
what it was all about and held her tongue.

She had plenty of time to dress before Tony Colesfoot came to call for
her. He was in fact a little late, and more than a little sorry for
himself. Long before they reached Ledlington it was evident that the
evening was not going to be a success. Arrived at the Crown and Sceptre,
he complained about the draught from the tall dining-room windows, which
were all open at the top and could only be shut by the united efforts of
three waiters. After changing their table twice he hunched his shoulders
and shivered ostentatiously.

The dinner wasn't good, but it wasn't bad. Tony shuddered some more, and
began to tell her all about the influenza he had had last winter, and
just where it differed from the influenza he thought he was getting now,
drawing the gloomy conclusion that he was in for a much worse go. He ate
nothing, drank three cups of black coffee, and at twenty past eight
announced that he thought he had better go home to bed.

"My aunt said I wasn't fit to come out."

Stacy found herself agreeing with Miss Colesfoot. She wasn't quite
prepared to find herself cast as the vamp who had lured poor Tony from
his bed, but one glance at the angry solicitous lady who opened the door
to them was enough to tell her that this was, in fact, her role.

"He should never have gone! I told him so, but he said he must keep his
appointment. Most thoughtless, I must say. No, there isn't anything you
can do, Miss Mainwaring. Straight to bed, Tony! I have the kettle on,
and you shall have a boiling drink and two hot-water bottles."

There was really nothing to be said or done. Tony was coughing his head
off, and Miss Colesfoot, stout and formidable, would have been glad to
fry her in boiling oil. Thankful to find that the taxi had waited, Stacy
climbed back into it and was driven to Warne House.




                             CHAPTER TWELVE


She meant to go straight to bed, but as she came into the hall there
were quite a lot of people there. They were apparently coming out of the
drawing-room and moving in the direction of the annexe, shepherded by
Lewis Brading. He wore an air of importance. Even before Lady Minstrell
slipped a hand inside her arm and spoke, Stacy guessed that the
Collection was on view.

"I don't know if you've ever seen it, but it's well worth while. Lovely
things--most of them with stories attached. And models of all the really
famous jewels."

Before Stacy could answer, she was calling to Lewis.

"Miss Mainwaring has just come in. May I bring her too?"

He turned, and Stacy met his cold, disliking eyes--even colder and more
disliking than they had been when she was Charles' wife. He inclined his
head in the slightest of bows, said, "Certainly", in that rather grating
voice, and they were all moving down the passage. She did murmur
something about going up to bed, only to hear Myra Constantine say,
"Nonsense!" just behind her.

She looked round and saw her, quite square in crimson brocade, with Jack
Constable on one side of her and her daughter Hester on the other. Myra
said heartily,

"You've seen 'em before, and so have I, but I can always do with seeing
them again. Gives me something to covet. It's as good as a tonic."

The door at this end of the glass passage was like any garden door at
the side of a house, the upper half of it glass, so that the whole
length of the passage beyond could be seen from the hall of the house.
It was not lighted yet, because it was still broad daylight, but Stacy
could hear Lewis explaining.

"I take my precautions, you see. At sunset we light the passage up....
We? Oh, Moberly or I. I have a sitting-room over on this side in the
house.... Yes, this door on my right. It was my study, and I've kept it.
But Moberly and I both sleep in the annexe.... No, there aren't any
windows, but it's all air-conditioned."

They were in the passage now. A fine steel chain swung from his hand. He
fitted the key to which it was attached and opened a door at the far
end. It was very different from the one through which they had just
come--a metal door painted green--not a house door at all, the door of a
safe. There was a small lobby, and then a second door equally strong.

Lewis went on explaining.

"The whole building is guaranteed burglar-proof. This is the only way
in. The glass passage was my idea. Anyone having a shot at these doors
would be a bit conspicuous. And the light is projected from inside this
building--it can't be tampered with. Quite ingenious, I think."

The second door swung in. He touched a switch, and they came into a
brightly lighted room, long and narrow in shape and hung from ceiling to
floor with curtains of black velvet. Round the sides there were
glass-topped show-cases, and in the middle, set about with chairs, a
long narrow table like an old-fashioned trestle table covered by a black
velvet cloth. The effect was macabre. The change from the brightness of
the summer evening, where the blue of sea and sky were shot through with
golden light, was so great as to produce a mental shock. It was bright
enough in this strange room, but there was no life in the brightness.
The impression made upon Stacy three years ago was repeated. Now, as
then, a shiver went down her spine and she had a childish impulse to run
away. A breath stirred her hair. Charles' voice murmured at her ear,

"The mortuary chamber--"

She very nearly screamed. She hadn't heard him come in, she didn't know
there was anyone behind her. She stopped the scream, but she hadn't time
to stop her body jerking with the start she gave.

Charles' hand came down on her shoulder. He said in the same murmuring
way as before,

"Stupid little thing--you needn't jump right out of your skin."

His hand felt warm through the thin silk of her dress. He left it there
for a moment, and for that moment everything in her rocked. Whatever
Charles was or whatever he had done, he had only to touch her and the
past was back again. The thought was there and gone. She wrenched from
looking after it.

Lewis Brading was continuing the personally conducted tour.

"Those two doors on the left as we came in lead to Moberly's bedroom and
the bathroom. The one on the long side of the room gives on to a passage
which serves my bedroom and the laboratory. Now here--" he led the way
to the show-case--"here is a very interesting part of the
Collection--models of famous stones." He paused and quoted, as he always
did at this point, " 'Too dear for my possessing.' " The self-conscious
note in his voice robbed the words of their poetry and made a pun of
them.

Everyone crowded forward to look where he was pointing.

"They are only models, of course, without the fire and brilliance of the
originals. The Star of the South, found in eighteen-fifty-three in the
mines of Bogagan by a poor negress. It weighed two hundred and
fifty-seven and a half carats before cutting. It is, as you see, faintly
tinted with rose, and must be one of the most beautiful diamonds in the
world.... The Koh-i-noor weighed seven hundred and eighty-seven and a
half carats before cutting according to Tavernier who saw it at the
court of Aurungzeb. It has, of course, been re-cut, and can be seen in
the Queen's crown at the Tower.... Here is a model of the famous Rajah
of Mattan's diamond. It was found in Borneo, and weighs three hundred
and eighteen carats. It is, as you see, shaped like a pear and without
facets."

He continued to enumerate the diamonds. The Nizam. The Regent, carried
by the first Napoleon in the hilt of his state sword. The Sancy, lost on
the battlefield by Charles the Bold, found by a Swiss soldier and sold
for two francs, recovered from the dead body of a faithful servant who
had swallowed it to prevent it falling into the hands of thieves. The
Pigott. The Orloff, shaped like half an egg, and once the eye of a
famous idol. The triangular Nassac. The famous Hope diamond, blue as a
sapphire.

All this information was being punctuated by questions and cries of
admiration. Myra Constantine's deep voice commented on the Sancy.

"Well, I shouldn't fancy wearing a thing that had come out of a dead
body--not myself, I wouldn't. Anyhow, I've never been all that struck on
jewellery. Never had the face nor the figure for it--perhaps that's why.
What's going to happen to all these pretty things, Lewis?"

"I have left this part of my Collection to the Ledlington museum. It is,
of course, of great interest, but of no particular monetary value."

His grey face had no expression. Without further comment he passed on to
the next show-case and began to discourse on rubies. From there to the
sapphire, the emerald, the topaz, the amethyst, to famous engraved
stones.

Stacy had heard it all before. It brought a horrid feeling that there
had been a kind of time-slip--that they had been caught back again, she
and Charles, to where they were three years ago. It was, of course,
sheer nonsense. The one thing nobody could do to you was to make you
live the past over again. She turned and said to Charles,

"I want to get out."

His eyes smiled into hers.

"Too, too reminiscent?"

"No. There's no air."

He laughed a little.

"Lewis will be mortally offended--he's frightfully proud of his
air-conditioning. And you know you'd like to see the real stuff. He'll
be getting round to it any time now."

"I don't--want to--"

"Darling, I promise to catch you if you faint."

She could not have looked less like fainting. Her cheeks burned. She
moved abruptly away from him as Lewis passed behind one of the velvet
curtains and disappeared from view. James Moberly followed him. After a
moment or two they could hear an unseen door swing back, and then the
two men came out again, carrying between them a long tray covered with
black velvet and heaped with jewels.

This was the moment which Lewis Brading particularly enjoyed. He liked
to hear his guests draw in their breath, he liked to watch awe and greed
come up in the women's eyes. The whole thing was, of course, very
carefully stage-managed. These necklaces, bracelets, pendants, and rings
had each its own place on the shelves of his inner safe, but when he was
going to show his Collection it pleased him to produce this Arabian
Nights effect.

Stacy found Charles at her elbow again.

"Nubian slaves are indicated, don't you think? I always feel that James
and Lewis strike a jarring note. But there's going to be a Sultana all
right. Just watch!"

Her eyes followed his. James and Lewis had set down the glittering tray
just at the centre of the long table. Maida Robinson faced them across
the narrow black velvet strip which covered it. Everyone had moved that
way, but it was she who held the eye. Her black dress melted into the
background. Her arms, her neck, and her dazzling copper hair stood out
against it. She was leaning forward, her two hands on the table, her
eyes on all those shining stones. For a moment Stacy had a flash of
recognition. The hazel eyes had gone green. They had a slitted look. She
thought of a cat watching a bird. It was gone in a moment, but it was
horrid while it lasted.

Maida broke into a low laugh, lifted her hands from the table, and
clapped them softly.

"Ooh--how lovely! And now you must tell us all about them."

Lewis was more than ready to oblige.

"Well, if you'll sit down first--I think there are enough chairs--then
everyone will be able to see without crowding."

Maida sank gracefully into the chair behind her, pulled it up close, and
leaned forward across the table, her arms bare to the shoulder without
the least stain of sunburn to spoil their milky beauty. Some red-haired
women tan easily, and freckle too, but there are others upon whom the
sun has no effect. Maida was one of them. She could bask the whole
summer through upon the beach without acquiring a single freckle or the
least shade of brown. Since sunburn was the rage, she sometimes applied
it artificially, but for the past few weeks she had left her skin to
nature and been rewarded by Lewis Brading's approbation. Certainly
against all this black velvet and under the bright overhead lights she
made a very dazzling effect. Charles appeared to think so. He said
lightly, "Breathtaking, isn't she?" and went to take the place beside
her. She had glanced round for a moment. Perhaps the look had beckoned
him.

Stacy sat down at the end of the table. She had Hester Constantine on
her right. There were some people called Brown beyond her, of the sort
of young middle age that is by way of keeping up with all the things
their children do; then Charles, Maida, Jack Constable, Lilias Grey,
Myra Constantine, and Lady Minstrell. All this brilliance was not
becoming to Lilias. The jewels, Maida's glowing vitality, gave her a
drained, colourless look. Ugly old Myra came out of it better than she
did.

Myra said in her deep voice,

"Come along, Lewis, get a move on! Ring up the curtain!"

She didn't exactly sing the last words, but the sound of the _Pagliacci_
tune came through.

Lewis turned and made her an odd stiff little bow.

"But you have heard it all before," he said in a deprecating voice.

She laughed enjoyably, crinkling up her eyes.

"Nothing new under the sun, they say. But I don't get tired of the old
things--old songs, old friends, old times--so stop being modest and get
the goods out from under the counter!"

Lewis came back with, "Hardly _under_ the counter, my dear Myra," and
dipping into the glittering heap before him, he brought up a ring. The
square emerald caught the light between flashing diamond shoulders.

Maida stretched out her hands and said, "Ooh!", and before half a dozen
pairs of envious eyes Lewis dropped it into her palm.

"Put it on and let's see what it looks like."

She slipped it on to the third finger of her left hand. It looked
magnificent. Lewis nodded his approval.

"Women with your colouring should always wear emeralds--it brings out
the green in their eyes."

She lifted her long dark lashes.

"But my eyes aren't green. They're supposed to be hazel."

They might have been alone. He said,

"I have seen them look green. If you were to wear emeralds--"

"I haven't any." Her eyes went again to the ring.

Lewis raised his voice from the low confidential tone which it had
taken.

"Now that is a very fine stone, and it has an interesting history. You
remember the Greystairs murder? You will, Myra."

Myra Constantine nodded.

"The girl asked for it," she said. "Nineteen-seventeen, wasn't it?
Johnny Greystairs got a spot of leave and came home to find his wife
carrying on with another chap. Shot them both, and jumped out of a
fifth-floor window as the police broke in. I used to know Johnny--not a
ha'porth of vice in him till she drove him crazy. You don't mean to
say--"

Lewis Brading smiled.

"Yes, it was her engagement ring. My latest purchase. So there's
something you haven't seen!" He leaned across the table and drew the
ring from Maida's finger. "Now, this bracelet--" he lifted a solid gold
band about two inches wide encrusted with diamonds and rubies--"This
went down with the _Birkenhead_. I bought it twenty-five years ago from
the granddaughter of the woman who was wearing it. And this--no, it's
not beautiful or valuable. It's just a little hair brooch with a pearl
border, but it was worn on the scaffold by Mrs. Manning the poisoner.
She was hanged in black satin, and no one would wear it for a
generation."

Hester Constantine, drooping beside Stacy, said in a quivering voice,

"I wouldn't wear any of those things if you were to pay me."

Stacy couldn't have agreed with her more. Every one of the things which
Lewis displayed with so much pride had a story, and every story was
heavy with blood and tears. Not that he gave them in a dramatic manner.
Murder, retribution, jealousy, hatred, revenge--his dry voice brought
them all down to the commonplace, and in a way that made it more
dreadful, because it is in the commonplace that we all live and move.
The great, the devastating passions are all very well on the other side
of the footlights in the never-never land of drama and romance, but when
murder comes down off the stage, sits beside you in the gallery or the
stalls, and walks back with you into your own respectable suburb, then
it has a bare, stripped terror to chill the heart.

As Lewis went on with his recital, Stacy felt her heart being chilled.
This necklet had belonged to quite an ordinary girl from a safe and
pleasant home. She had shot a man because he was leaving her for another
woman ... This scintillating buckle had clasped the cloak of a famous
courtesan of Victorian times. She had started life as a poor girl in a
milliner's workroom. She ended it on the filthy straw of a debtor's
prison. At some point between these two places she had dazzled the eyes
and wrung the hearts of countless fellow women.

"I hate them," said Hester Constantine in that shaking voice.

Lewis Brading must have heard what she said. He looked sideways at her
with a cold resentment which was very unpleasant. Hester hardly seemed
to notice it, but Stacy felt a shiver go over her. There was something
about Lewis Brading--

He had picked up a glittering brooch.

"Very few women could hate this," he said. "Of course diamonds do not
suit everyone." His glance touched Hester cruelly and came back to the
jewelled brooch. "Beautiful--isn't it? The Marziali brooch--five
perfectly matched brilliants of four carats set on a bar. A
wedding-present from her husband to Guilia Marziali in 1817. She was
wearing it when he stabbed her and her lover three years later. The
affair made a great sensation in Rome, but as the Count committed
suicide he was never brought to justice. She was a great beauty, of a
noble Sardinian family. Strange to think that these bright stones were
drowned in her blood."

Hester Constantine said, "Don't!"

The Browns beyond her, without going so far, opined that they wouldn't
really care about having things like that.

"Very handsome, and must have cost a lot of money," said Mr. Brown in
his hearty voice. "But I wouldn't care to give my wife anything with
such unpleasant associations." To which Mrs. Brown responded with a
shudder, "And I wouldn't wear it, Tommy, if you did."

Maida looked round at her for a moment.

"Wouldn't you?" she said. Then, with a darting glance at Lewis, "Are you
going to take her at her word? You'd better not--she might think again.
And I warn you, don't count on me to refuse anything because someone got
murdered in it. I _adore_ these lovely things." Her voice made the word
really sound like adoration. Her hands went out to the necklace he was
picking up. "Oh, Lewis, let me put it on--_please_--just for a moment!"

He let her take it and snap the clasp. Diamonds in a light linked
tracery of roses, the flowers flat and formal, each with an emerald at
its heart. Stacy looked at them, and couldn't look away. She heard Lewis
say,

"Well, no one was murdered in this. It belonged to my several times
great-grandmother, Damaris Forrest, who was a lady-in-waiting at the
court of Queen Anne. She was beautiful, she was virtuous, she lived to a
ripe old age, and died lamented by a numerous family. All the Forrest
women have been good-looking and good."

Lewis had his showman's patter by heart. It was word for word what he
had said three years ago when he had brought out the necklace to show
her and Charles had fastened it about her neck. She couldn't flatter
herself that it had looked as well there as it did on Maida Robinson,
but she had run to the long plain mirror at the end of the room and
admired herself in her white dress with the diamonds and emeralds making
little rainbows under the light. Her eyes had been bright above the
stones, and her cheeks rosy with happiness, and Charles had looked as if
he loved her with all his heart. The picture came back as Maida sprang
up and ran, just as Stacy had run, to the mirror which hung between two
of the velvet curtains. And then it was blotted out by that other
picture, the one she could never forget--two nights later, and Charles
in his pyjamas standing with his back to her in front of the bureau in
his dressing-room. Just the one light on overhead, and Charles standing
there with the necklace in his hand. Midnight and no one stirring, her
nightdress falling away from one shoulder, her bare feet, cold on the
carpet. And Charles with Damaris Forrest's necklace in his hand.

She came back with the feeling that everything was sliding from under
her feet. Because the necklace was here. Lewis Brading had it again. It
was flashing from Maida's reflection in the mirror at the end of the
room.

Maida turned. They heard her take a long sighing breath. She came to her
seat again with a floating step, a lovely, vital creature, her eyes as
green as the emeralds. She put up reluctant hands to the clasp, held the
necklace dangling, her eyes caressing it, and with an impulsive gesture
thrust it across the table to Lewis Brading.

"Oh, take it, take it! And you'd better be quick, or I shan't be able to
bring myself to give it up."

He met the extravagance with the faintest of smiles.

"Well, it suits you," he said.

Stacy saw their glances meet. She thought, "It won't be very long before
she has it for keeps."

Lewis delivered the rest of his lecture. But Stacy never got past the
Forrest necklace. She was back to three years ago, and she was wondering
what she had done.




                            CHAPTER THIRTEEN


It was strange to come out into the daylight. They had only been in the
annexe for an hour, and there was still sunlight on the sea. Charles
found himself taking Maida home. It was just one of those things. He
certainly hadn't planned it, but it was happening. Jack Constable had
been neatly paired off with Lilias, and Charles manoeuvred into handing
over his car to them. It had all been very smoothly done by way of
"Charles darling, if I don't have some fresh air I shall pass out. And
_honestly_, if somebody doesn't positively march me home, I shall come
back to those emeralds like a moth and be found all battered and smashed
against that horrible steel door. Too paralysing for poor Lewis. And of
course there isn't any need for me to break up the party. Lilias,
Jack--all the rest of you--it's just that I simply can't take in any
more. It's been too wonderful. I feel like the Queen of Sheba--just
completely gone down the drain with looking at so many marvellous
things." She ran back to where Lewis stood on the threshold of the
annexe, both her hands stretched out, her voice low and husky. Snatches
of what she said drifted to Stacy--"You do understand what I feel, don't
you?" Then a murmur, and then, "A good opportunity really. I'll break it
gently. You stay here and put your heavenly things away." There was a
final murmur before she broke away to link arms with Charles and cry,

"Let's get out into the air! It looks too lovely!"

They went off together.

Lewis stepped back and shut his door. Stacy went up to her room.

The cliff path to Saltings runs just as Stacy had seen it in her dream,
only without the high wall she had imagined. It twists and turns along
the cliff, with a drop to the beach which is sometimes quite sheer and
giddy. When the tide is in you look down upon the water, when it is out
there are rocks, but on the landward side there is only a bank which
seldom rises more than a dozen feet. Here and there the bank hollows
into a bay, and there is a seat. A pleasant walk for a summer evening.

Charles was wondering why he had been cut out and carried off. Not to
make Lewis jealous, since Maida had been at some pains to soothe him. He
thought he would leave her to play the game her own way.

He was telling her what had always been considered a good story, when
she waved it away, and said,

"Charles, I want to talk to you."

Drama? Well, it was her game. He would have preferred.... He had no time
to pursue the theme, for she came out plump with,

"Lewis has asked me to marry him."

He nodded gravely.

"Which of you do I congratulate?"

"I haven't said I will--not yet."

"Then perhaps I congratulate him."

She flared.

"How can you be such a beast? But you won't make me lose my temper!"

"An admirable resolution. Let me help you out--I will congratulate you
both."

"For what?"

His crooked eyebrows rose.

"For your hesitation, reluctance, or whatever it is."

"Charles, you _are_ a beast!"

"For suggesting that you will probably make each other damned unhappy?"

"Why should we?"

He looked at her with a hint of mockery.

"You can't live on emeralds--or can you?"

"They'd go quite a long way," said Maida Robinson.

"In that case it's your funeral."

As if the word had rung a bell, she said almost eagerly,

"He has made a will in my favour."

Charles allowed himself to smile.

"This time I really do congratulate you."

She changed colour vividly.

"I didn't plan it--it was all on the spur of the moment. I was going to
make a will myself--I had one of those will-form things. I asked Lewis
if he would witness it, but when he found I was leaving him something--"

"A most artistic touch!"

She met him with bravado.

"Yes, it was, wasn't it? Anyhow he said he couldn't, as he was an
interested party, and--and--well it ended in his asking me to marry him.
And he took the will-form and he filled it in, leaving everything to me,
and he said he would get two people to see him sign it--somewhere
outside the club, so as not to make talk."

Charles gave her an enigmatic look.

"But it isn't signed yet. I'm surprised you didn't strike while the iron
was hot."

There was a brilliant triumph in her eyes.

"Oh, he'll sign it all right. He's mad about me. Anyhow it's really only
a gesture. He'll make a proper real will next week when he goes up to
see his lawyers--settlements, you know, and all that sort of thing. This
is just--well, what I said, a gesture, and in case of getting run over
by a bus, or anything like that. It's as well to be on the safe side,
isn't it?" She tilted her head and looked up at him. "Well?"

"Well, what?"

"Haven't you got anything to say? Don't you _care_? Aren't you going to
do anything about it?"

He gave her his charming smile.

"I could push you over the cliff of course--that would be one way out."

Her voice softened, her eyes held his.

"There might be another way--"

Charles cursed all red-haired women with green eyes. "_Les yeux verts
vont  l'enfer._" He said lightly.

"I can't think of one." Then, with a complete change of manner, "Look
here, Maida, this is your show, and I don't want to butt in. Lewis can
marry anyone he pleases, and he can leave his money and that damned
Collection to anyone he likes. If you're fond of him, go ahead and marry
him. You'll look very well in the emeralds. If you're not fond of him, I
should advise you to think again. I've known Lewis for a good many
years, and you won't change him. When the first effervescence is over
you'll take second place to the Collection. That's what he's really
married to, you know--any woman is just a temporary diversion. He's had
flutters before, but he always comes back to what he really loves. I can
tell you quite honestly, I don't believe he's capable of love for
anything else. He'll go on living in that mausoleum with his ghoulish
gewgaws, and you'll be just another acolyte. He's got James Moberly,
poor devil. But James can't wear the jewels--you can. One acolyte to
tend the stuff, another to show it off. I seem to remember that the
women captives in a Roman triumph used to be loaded with jewels. Well,
that would be more or less your place in Lewis's scheme of things."

She kept her eyes on his. They really were very beautiful eyes, large
and full of light, neither grey nor brown nor altogether green. They had
the shoaling play of colour that water has in a green place. She said,

"_Charles--_"

He dragged his eyes away. A light sweat broke on his temples.

"Well," he said, "you have been warned."

They had been standing. The sun was very low. A little cool breeze came
in from the sea. It was grateful. He began to walk on again, and she
fell into step.

After a moment she said in the voice of an angry child,

"What's the good of warning me? I've got to have _something_. You don't
suggest anything else."

"I'm only the looker-on. He sees most of the game, you know."

"But he doesn't play?" Her voice made the words an invitation and a
caress.

Charles said, "Oh, no, he doesn't play. He has his own game, you see. It
wouldn't do to mix them."

She broke into odd angry laughter.

"Then I'll just have to be a cousin to you, darling!"




                            CHAPTER FOURTEEN


Stacy went up to her room and locked the door. When she had done that
she stood irresolute. Time went by. Presently she went over to the
window and sat there. The window looked to the annexe and to the hill
against which it was built. Very little air came in. She would have
liked to feel the breeze, but it didn't come this way.

All at once she knew that she was cold. She would have liked to feel the
air, but she was cold. She got a coat and pulled it close about her, but
there was a cold shaking inside her which went on. She had broken her
marriage because of Damaris Forrest's necklace. Because Charles had
stolen it. Because she couldn't be married to a thief. But now Lewis
Brading had it back. Charles must have given it back. Perhaps Charles
had put it back, and Lewis had never known. That didn't make any
difference. It was what she knew herself that mattered--it was what she
knew about Charles. And Charles was a thief. Slowly, painfully,
straining, she could listen to Lilias saying, "He's always done it, but
it's never been found out. We've managed--we've put things back. It
broke his mother's heart--it's breaking mine. That's why I wouldn't
marry him. He oughtn't to have married anyone. I hoped you'd never
know." She had to strain to catch the words because they came on such
low, broken breath. She had had to strain--there, in the half light,
three years ago, with Lilias turned away from her and saying, "He's
always done it."

Looking back at that young, crude Stacy was like looking at someone
else. You didn't live with a thief. Charles was a thief--she couldn't go
on living with Charles. She couldn't see him--she couldn't tell him--she
couldn't talk about it ever. Even to think about it made her hot with
shame. She must get away--she must get away at once. The thing that
wanted to stay was her body. You could make your body do what you told
it to do. She could make her hand take a piece of paper and write on it,
"I've made a dreadful mistake. I oughtn't to have married you. I can't
talk about it. Don't try to make me come back. I _can't_."

He had tried all the same. First an angry, "What's all this nonsense?",
and so on through, "At least let us meet and talk it out", to the last,
"Very well--just as you like. I won't ask you again. We have to wait
three years for a divorce."

She had hidden herself and she hadn't answered any of the letters--not
really answered them, because all she had done was to write those first
lines over again and say, "I can't ever come back." She had always known
that she couldn't hold out if she and Charles were face to face. If he
looked at her, if he touched her, she would give way--and despise
herself and him for ever. You can't live with a thief.

She sat there and looked at herself, and Charles, and Lilias. There was
something in each of them that was a kind of bedrock self, the thing
which couldn't be changed. She supposed that everyone had a bedrock
self. When you lived with people you found out what it was. Suppose,
when you got down to it, there was no rock but only shifting sand. That
was what had happened with Charles.... Lilias--She wasn't sure....
Perhaps _her_ bedrock was the way she felt about Charles, because she
had always known he was a thief, and she went on loving him. Stacy
couldn't do that. All at once she felt mean and small.

What was the use of thinking about it? It was all over now. She wouldn't
have stayed here five minutes if it hadn't been all quite over. Stop
thinking, stop analysing. It's all past, it's all gone, it's all dead.
Charles' face rose before her so vividly that she very nearly cried out.
His eyes smiled....

She sat a long time after that. Presently, as the room darkened, her
thoughts tangled, drifted a little way and came back, drifted farther
and took her into a dream. She didn't know what it was, or how long it
held her, but she woke from it with a startled sense of fear. For a
moment she did not know where she was. The room was dark, and she was
cold. She shivered in her coat. She had fallen asleep by the window, and
she had had a frightening dream, but she couldn't remember what it was.
Fear had come back with her, but not memory.

She stood up and went to look out of the window, and just as she got
there the light came on in the glass passage below. She stood staring at
it. It hadn't been on when she waked. Everything was quite dark. If the
light had been on, she would have seen the reflection here in her room.
She stepped back to the chair from which she had risen. The glow from
the passage followed her. It threw the pattern of the window across the
floor, it touched her breast, her hands, her feet. It hadn't been there
when she woke up.

With the thought in her mind that someone had come from the annexe to
the house, she made her way to the door. It was not a reasoning thought,
but it took hold of her. She opened the door, and saw the dark passage
run towards a dimly lighted landing. Without stopping to think she went
in the direction of the light. If anyone came from the annexe he must
pass along the passage under this one. He must come out into the
hall--unless he turned into the billiard-room or into Lewis Brading's
study.

She was on the landing before she thought about the study, and all at
once she felt she was making a fool of herself. Anyone coming from the
annexe would be Lewis, or James Moberly. Either of them could have
business in the study. She frowned, standing with her hand on the rail
which guarded the landing and looking down over it into the hall. A
light burned there too. The stairs came up in an easy curve. If James
Moberly or Lewis Brading had business in the house, why should the light
in the glass passage be turned off and then on again? There was only one
answer to that, because there was only one reason for turning off the
light--the person using the passage didn't want to be seen. But only
Lewis or James could turn the light off and turn it on again.

She had got as far as that, when she heard a sound from below. Someone
was walking along the passage from the glass door. She looked down over
the railing and saw Hester Constantine come into the hall. Just for a
moment Stacy did not recognise her. She was in her nightdress, with bare
feet in slippers and her hair loose on her shoulders. She held a
gorgeous embroidered shawl about her. The colours of bright birds and
flowers threw back the light, a scarlet fringe dripped to the floor.

Stacy stared incredulously. The shawl, of course, was Myra's. But this
woman with the loosened hair and the dreaming face, was she really
Hester? She was at any rate ten years younger, and twenty years better
looking. She had a slow smile, and the air of a woman who is content.

Stacy ran back to her room in a hurry and shut the door.




                            CHAPTER FIFTEEN


The morning came up clear and fine--a blue sky, a blue sea, and the
promise of heat. There was nothing to show that the day would be any
different from any other day--an August Friday with the weather set fair
and a warm week-end to follow. The club was going to be full. The
bathing would be perfect, there would be tennis on the hard courts--all
the normal routine of a holiday place in the height of a holiday season.

Stacy lay between sleeping and waking, with an idle wash of thoughts
that came and went like drifting seaweed. Emeralds and Maida's red hair.
Lilias with the pinched look she had last night. Charles going over to
sit by Maida--walking home with her. Lewis like something grey that had
come out from under a stone--she didn't like Lewis Brading any more than
he liked her. Hester Constantine wrapped close in Myra's brilliant
shawl....

She roused herself with an effort, sat up, pushed back her hair, and
began to think about the miniature. Myra would give her a sitting at
ten. Yesterday's sitting seemed a long time ago. She had to fight
against the feeling that the miniature didn't matter as much as it had
mattered yesterday. It had been crowded out, pushed into the background,
swamped by all these people and what they were thinking and feeling. For
three years she had pushed people out of her life. She had shut herself
up from them, not cared what they said or did, and turned all her
thoughts, her interests, her energies into the channel of work. And now
all the things she had shut out were flooding back again. They mattered
again. The cold indifferent feeling was for her work, which no longer
seemed to matter at all.

But everything which happened at Warne House on that Friday was going to
matter. Every single smallest thing, every detail; the exact moment at
which everyone came and went; what they did, said, wore; whether they
spoke to anyone; whether they wrote or received a letter; whether they
telephoned--it was all to matter, down to the last shade of expression,
down to the last turn of the head and tone of the voice. But Stacy
wasn't to know that. Perhaps none of them knew it yet, though even that
was to be in doubt.

It was not to be in dispute that Lewis Brading walked down to the
entrance gate and took the nine-thirty bus which goes to Ledstow and
then on for the seven straight miles into Ledlington. At a quarter past
ten he entered his bank, asked to see the manager, and in his presence
and that of a clerk put his signature to the will-form which left Maida
Robinson his sole legatee. He was very pleasant and smiling over the
business--laughed, and said he might soon be asking for congratulations.

"But at the moment it is all confidential. This is just a stop-gap will
in case of accidents." He laughed again. "I shall be going up to see my
solicitors. The museum will still get part of my Collection. It is just
that--well, one never knows what is going to happen."

The manager was genial, the whole affair very pleasant indeed.

Lewis Brading took the next bus back. At half past eleven he was in his
study with James Moberly. Part of their conversation was overheard. At
five minutes past twelve he went over to the annexe and put through a
couple of calls. At one o'clock he came into the dining-room for lunch,
and about half an hour later returned to the annexe, stopping for a
moment by the table at which James Moberly was lunching alone to say,
"You'd better take the afternoon off. I shan't want you." This was
overheard by half a dozen people, but nobody seems to have heard Mr.
Moberly's reply. He may not have considered that there was anything to
say. He was observed to be looking tired and pale, and it was noticed
that he hardly touched his lunch.

At about half past one he returned to the annexe, following Lewis
Brading after an interval of only a few minutes. There is no means of
knowing whether they met, or what, if anything, passed between them
there. James Moberly was to state on oath that they did not meet, that
he only went back to the annexe to fetch a book, and that he returned
without delay to the club and went into the study, where he spent the
rest of the afternoon.

When lunch has been cleared at Warne House the staff are for the most
part off duty, though there is always someone in the office and a waiter
can be summoned. That afternoon was hot. Miss Sagge, in the office,
wouldn't have minded changing places with Mrs. Constantine who, as
everyone knew, just went to bed after lunch and slept like a baby. Good
thing she did too, as far as the daughters were concerned. Only chance
they ever got. Lady Minstrell went off with a book into the garden. It
would be nice in that old summerhouse up the hill. Her favourite place,
that was. You could see over the sea for miles and a nice cool breeze
off the water. The white dress with its large black spots went out of
the shaded hall and took the bright glare of the sun outside. Very good
clothes Lady Minstrell had--kind of quiet but with a sort of look about
them you never got unless you paid the earth.

Edna Snagge had a nice amiable disposition. She didn't envy other
people, but she would have liked to be going to meet her boy friend
tonight in a dress like that--only perhaps the spots navy blue, because
you're only young once and black is a bit dull when you are twenty-two
and nobody's dead.

Mr. and Mrs. Brown went through the hall carrying towels and bathing
things. Miss Snagge could have done with a dip herself--not too soon
after lunch but round about half past three. Mrs. Brown waved and said,
"Wouldn't you like to be coming too?" which was rubbing it in. Not meant
of course--nothing catty about Mrs. Brown, everyone knew that. It was
just her way, like wearing clothes too young for her and a bit on the
tight side. Even on a girl that pink linen would be rather too much of a
good thing. Funny how the wrong people always went for those strong
pinks. Now a nice navy--

Her thought was broken off by the entrance of Mrs. Robinson and that
Major Constable who was staying at Saltings. The red hair dazzled in the
sun which left the smooth, creamy skin untouched. Maida came into the
hall looking as cool and fresh as if she had just stepped in from a
shady garden instead of having walked along the hot cliff path from
Saltings. It was Major Constable who showed the heat--regularly flushed
with it, he was. It made his eyes look ever so blue. Miss Snagge admired
him. Nice friendly way with him. No airs, but he didn't get fresh either
like some did.

Maida Robinson came up to the open front of the office.

"I'm just going through to the annexe to see Mr. Brading. Be an angel
and give him a ring on the house-telephone. I don't want to stand and
cook in that glass passage whilst he comes to open the door. Mr.
Moberly's out, isn't he?"

Edna Snagge said,

"I didn't see him go."

"Oh, well, just give Mr. Brading a ring." She turned to Major Constable.
"What will you do, Jack? I shan't be long. I don't know what Lewis
wanted to see me about."

Jack Constable laughed.

"Doesn't he always want to see you?"

She made a face at him.

"Don't be silly! Anyhow I shall tell him we're going to play tennis and
then bathe. He doesn't do either, so he can't complain. I'll run in and
find out what he wants and be back again. I can tell him I'll dine with
him--that will keep him quiet."

They spoke with a careless indifference to Edna Snagge. She might have
been a chair, or a table, or a fly on the wall. Bad manners, she called
it. If hers hadn't been any better, she'd have tossed her head as she
picked up the house-telephone and rang the annexe.

Maida Robinson said, "Well, so long," and went off round the corner in
her white dress.

Mr. Brading answered the telephone. That meant Mr. Moberly was off
somewhere, Mr. Brading wouldn't bother if his secretary was there. She
said,

"I'm speaking from the office, Mr. Brading. Mrs. Robinson asked me to
give you a ring. She's just going through to the annexe."

She hung up and looked out into the hall. Major Constable had picked up
a paper and was standing there reading it. She thought if she was Maida
Robinson, money or no money, she would let Mr. Brading go when there
were chaps like that about. Served in the Commandos, someone said.
Horrible what they went through, getting themselves dropped out of
planes and all. Even just to think of it made you feel as if you hadn't
got any inside. Major Constable must be ever so brave. And of course
Major Forrest was too. Shame about him being divorced like that--she
didn't know how any girl could. There was something about him made you
feel you'd do anything he asked you. Funny, her coming down here and
calling herself Miss Mainwaring again, and their seeming quite friendly.
Well, you never could tell with these divorces, could you? There was
always something that didn't come out.

Major Constable put down his paper, walked along the hall to where he
could see right past the study door into the glass passage, and then
walked back again. This time he came up to the office window and said in
a laughing voice.

"When you say you won't be a moment, how long do you generally mean?"

Miss Snagge said demurely,

"It would all depend."

"On what?"

"On who I was talking to."

He laughed again.

"Well, suppose you were talking to Mr. Brading."

She put a little distance into her voice.

"Mr. Brading doesn't talk to the staff."

He glanced up at the office clock, one of those big old wall-clocks
which keep such excellent time.

"Well, she's been gone seven minutes. That's long enough to say you're
going to play tennis and come away again, isn't it?"

As he spoke, Maida came round the corner of the passage. She looked down
at her wrist and said,

"Oh, Jack, I've left my bag. Run back and get it! I'll ring Lewis and
tell him you're coming."

He laughed, humped a shoulder, and went off saying,

"Why do women always leave their bags?"

Maida laughed too.

"We do, don't we?" she said to Edna Snagge. "But then we don't have all
the pockets that men do. If I was plastered all over with the things
like they are, I wouldn't have to have a bag." She gave her husky laugh.
"Oh, well, I suppose I should. I couldn't very well tuck away a
bathing-dress, could I? It would spoil the figure a bit, to say nothing
of being damned wet."

As she spoke she came through into the office.

"I just want to speak to Mr. Brading. Is this the house-telephone? What
do I do? Oh, I think I know. It's this way, isn't it?... Hullo,
hullo!... I say, have I really got it right? Nothing's happening.... Oh,
yes, here he comes.... Hullo, hullo! Is that you, Lewis?... Look,
darling, I left my bag.... Yes--on the table. Jack is on his way to get
it. Just go and let him in.... Oh, has he? Did I? How _awful_ of me!
Don't be too angry--I won't do it again.... Now, Lewis--_really_!... No,
I don't think you ought to talk to me like that. Anyone might make a
mistake--I expect you've done it yourself.... No, I suppose you
wouldn't, but when you were my age ... Oh, Lewis, _don't_ I didn't mean
that. Is Jack there? Because I don't think it's very nice of you to
scold me if he's listening.... Oh, he's started back? Then I'd better
hang up. Well, so long, darling. Be good. See you tonight."

She hung up the receiver and turned to Edna with a face of mock horror.
"He didn't have to let him in, because I'd left the door open! I let
myself out because Lewis was busy, and I suppose I didn't bang the
wretched thing hard enough or didn't bang it in the right way. My
gosh--I hope he's forgotten about it by this evening! It's the world's
worst crime, you know. Could you hear what he said? Did you think he
sounded really angry? We shall have a merry evening if he is!"

Edna Snagge shook her head.

"I couldn't hear any words, only the voice."

Maida laughed and shrugged.

"What's the odds?" she said. "Men get angry a lot more than we do--no
idea of hiding it either. Anyhow I don't think Lewis was really angry.
He just wants me to be properly impressed with the sacredness of the
Collection. Have you seen it?"

"No, Mrs. Robinson."

Maida said in a meditative voice,

"There are some lovely things. Emeralds--I do adore emeralds. What is
your favourite stone?"

Edna Snagge considered.

"I don't know--you have to think what you're going to do--I mean, there
are times and places and what's suitable--"

Maida caught up the word with a laugh.

"_Suitable!_ Gosh--how dull that sounds!"

As she spoke, Major Constable came lounging up with a big white plastic
bag dangling from his hand.

"That right?" he said.

Maida burst out laughing.

"Darling! It wouldn't be Lewis's or James Moberly's, would it? It's got
my bathing things in it. Come along!"

Edna watched them go out into the sunlight, stopping a moment to
retrieve their tennis racquets from the porch. She began to think what
sort of ring she would have if she really got engaged to Bill Morden. It
was all very well for Mrs. Robinson to laugh like that, but if you were
engaged you would be wearing the ring all the time, and you did have to
think of what it was going to look like with your other things. Most of
the time she wore blue. She looked down at her neat linen with the large
white buttons Navy, or butcher, or one of those nice grey-blues--they
always did look good style, and a sapphire would go with them all. If
she got engaged to Bill, she thought she would have a sapphire ring.




                            CHAPTER SIXTEEN


At a little before three Lilias Grey walked up the porch steps and came
into the hall. She wore a blue dress and a pair of dark sun-glasses with
white rims. Her hair caught the light as she paused to put down the
sun-umbrella she was carrying. Edna Snagge, looking up, was confirmed in
her opinion that pale blue was tricky. "Makes you look like a
chocolate-box when you're young enough to wear it, and too much like
mutton dressed as lamb when you're getting on." Everyone knew that Miss
Grey must be getting on a bit. Pretty of course, but getting on. Glasses
always made you look older too.

Lilias stood just inside the hall and took them off. It made a lot of
difference--showed the colour in her cheeks--restored her almost to
chocolate-box stage. When she had put the glasses away in her bag she
came up to the office window and said,

"Good afternoon, Miss Snagge. I'm just going over to the annexe. Mr.
Brading is expecting me."

Then she went on and turned into the passage.

The office was on the left-hand side as you came in. It was just a slice
of the hall, with a counter across the front and some matchboarding run
up all around. Fortunately it took in one of the windows which flanked
the hall door, so that you did get some light and air. The passage
turned off on the opposite side of the hall, but much farther along. As
soon as Miss Grey turned the corner she was out of sight.

Edna Snagge went back to thinking about Bill Morden. He wasn't getting
bad money, but nor was she. Once you'd had your own money, how was it
going to feel having to ask someone else for every penny? Of course she
could go on working, but she didn't really plan to do that when she
married. She planned to have a home and kiddies--a couple anyhow, boy
and girl. Not too quick of course, but it didn't do to wait too long
either--you wanted to have them whilst you were still young enough for
it to be fun. She began to think about names. Bill would want to choose
for the boy, but a girl had a right to something pretty. Not too fancy,
but something a little bit different. Denise, now, or Celia. Celia
Morden--very good style that sounded. She liked it better than
Denise--or did she? She began to toy with the idea of twin girls.

It was ten minutes past three when Lilias Grey came back through the
hall. She had put on her glasses again. She went right through, picked
up her sun-umbrella in the porch, and down the steps with the light
catching her hair again.

As Edna turned back from seeing her go, Miss Hester Constantine was on
the stairs. She had on the new dress she had bought the last time she
went into Ledlington, a flowered silk, not very suitable and a bit too
bright for her with all those colours. She'd always be difficult to
dress. You'd have to make her hold herself up a bit better before
anything would have a chance of looking right. She hadn't bad hair if
someone would show her how to do it. She came down the stairs poking her
head and looking worried to death, and off round the corner and down the
passage. She might be going to the billiard-room, or the study, or the
annexe. Wherever she was going, she looked worried to death, and she
didn't come back again.

It was about ten minutes later that Charles Forrest ran up the steps and
said,

"Hullo, Edna! How's everything?"

Edna Snagge came back from planning her kitchen. She wanted one of those
cabinets--everything right up to date--and a fridge. She gave a little
start and said,

"Oh, you made me jump!"

He laughed.

"Asleep--or only dreaming? Look here, is Mr. Brading in?"

"So far as I know. He's quite popular this afternoon--people in and out
to see him all the time."

"Anyone there now?"

"Not unless it's Miss Constantine--but she'd be more likely--" She broke
off, her colour rising.

Charles laughed and said,

"Hush--not a word!" And then, "Unfortunate James!"

"Major Forrest, I never said a thing!"

"Nor did I--wash it out! One man's poison is another man's meat. Well,
well, it's a sad world, and we needn't make it any sadder. How's Bill?
Going out with him tonight?"

"I might."

"He's one of the lucky ones. Tell him I said so. Be good!"

He went off whistling.

The breeze that had been coming in through the window had dropped. Edna
got out her compact and powdered her nose. She wished that she had done
it before Major Forrest came through. Definitely shiny, that's what it
was, and would be again before you could turn round if everything went
on getting hotter every minute the way it was doing.

Down in Ledstow it was a good five degrees hotter than it was on the
hill. The heat was coming down out of the sky and up off the pavement
without so much as a breath to stir it. The police station looking due
south got all its share and a bit more. The brick with which it was
faced was as hot as an oven door, and inside--well you could carry out
the simile for yourself. Constable Taylor didn't know when he had been
hotter. He was a large young man with a rosy face, and his uniform was
tighter than it had been six months ago. He undid a button or two, laid
down his pen, and leaned back in his chair. He had no intention of
dropping off. He would not have admitted that he had done so. It was a
hot afternoon, and he might have closed his eyes. He was thinking about
his marrows. No doubt of it, they'd beaten Jim Holloway's to blazes. And
a much handsomer marrow. And still growing. And likely to.

In that moment when his eyes were shut the marrows all had faces on
them. The biggest had a ginger moustache like the Super. Regular fierce
expression too. There was a little dark green one with a gimlet eye for
all the world like old Ma Stevens. She'd got a hand-bell in her skinny
old hand and was ringing it something wicked--fair went through your
head. His eyes came open with a jerk, and the marrows weren't there any
more. The room was a bit swimmy, but no marrows and no Ma Stevens, only
the bell was still ringing. After a couple of blinks he got that
straight. It was the telephone-bell, and it was fair ringing its head
off. He picked up the receiver, subdued a yawn, and said, "'Ullo!"

A familiar voice said, "That Ledstow police station?"

Constable Taylor's jaw ached with his effort not to yawn again. "Ledstow
police station"--that's what he ought to have said first go off when he
lifted the receiver. He said it now with the feeling that it sounded
flat. The voice that had seemed familiar became Major Forrest's voice.
He couldn't think why he hadn't known it at once after all the cricket
they'd played.

The slow-moving thought was cut sharply across.

"Major Forrest speaking from the Warne House Annexe. There's been an
accident here--to Mr. Lewis Brading. I'm ringing Dr. Elliot, but I'm
afraid it's no use--he's dead."

Constable Taylor found his voice.

"What kind of an accident, sir?"

Charles Forrest said, "He's been shot", and slammed down the receiver.




                           CHAPTER SEVENTEEN


It was Miss Silver's practice to open her letters before she looked at
the morning papers. There had been times during the war when she had
departed from her usual custom, but except under the pressure of a
national emergency she would deal with her correspondence before she so
much as scanned the headlines. On this Saturday morning London was even
hotter than Ledstow. The thermometer in her bedroom already registered
75, and would certainly pass the 80 mark by midday.

She took up her letters and sorted them through--one from her niece
Ethel Burkett; one from Ethel's sister Gladys, a selfish young woman for
whom she had no great affection; a third in a handwriting which she had
seen before but could not immediately identify, the postmark Ledstow.
Her brows drew together in a slight frown. The writing was that of Mr.
Lewis Brading. He had made an appointment and paid her a visit about a
fortnight ago, and she had not been favourably impressed--oh, not at
all.

She put his letter aside and opened Ethel Burkett's.

    "Dearest Aunt Maud,

    The scarf is just lovely...."

Miss Silver's eyes rested fondly upon the page. Dear Ethel--always so
affectionate, so grateful. And the scarf was really nothing at all--just
made up out of the odds and ends she had left from Ethel's last two
jumpers and one or two of the frocks she had knitted for little
Josephine. Such a pretty, healthy little girl, and so good in spite of
having three brothers to spoil her.

Returning to the letter, she read with concern that Josephine had had a
cold--"so trying in this weather"--and with relief that "it has now, I
am glad to say, completely disappeared and she is getting her colour
back". The boys were enjoying their holidays--Ethel's husband was the
manager of a bank in a Midlands county town--but, "we are hoping to get
a fortnight at the sea in September. Mary Loftus has offered to exchange
houses. She has that tiresome business of her Uncle James's furniture to
go into. And, dearest Auntie, you must keep the time clear and come to
us. September 2nd-17th. With love from us all, Ethel."

Miss Silver gave a slight pleasurable cough. A fortnight by the sea with
dear Ethel and the children--how really delightful. She must do her best
to keep the time clear.

She turned to Glady's letter with a good deal less warmth. Gladys never
wrote unless she wanted something, and she thought of no one but
herself. All through the war she had managed to preserve this attitude.
She had married a well-to-do man of middle age because she disliked
having to earn her own living. At first the advantages had outweighed
the disadvantages. Now that income tax was so heavy, the cost of living
so high, and domestic help almost unobtainable, Gladys was having to
work again--to cook, to clean, to polish. The advantages had
disappeared, and the disadvantages remained. The elderly husband was ten
years older than when she married him, and she was feeling very badly
treated. "It isn't as if I couldn't get a job, and a good one. I'm sure
the money some of these girls get makes you open your eyes. And it
wouldn't be cooking and cleaning, and that sort of thing either. Really
I'm nothing but an unpaid _servant_...."

Miss Silver read to the end with deep disapproval. Not the letter of a
gentlewoman. And the postscript! Piling Pelion on Ossa, Gladys had
written, "Next time you go away, do give me a ring. I could come up and
look after the flat and do some theatres. Andrew is so sticky about my
being out at night."

Miss Silver pressed her lips together as she laid the letter down.

She opened Lewis Brading's envelope with a feeling of distaste. She had
not liked him--oh, not at all. "Self-interest--there is no stronger
motive"--a really shocking statement! And his treatment of that
unfortunate secretary. Very dangerous, and really not very far off
blackmail. She unfolded his letter and read:

    "Dear Madam,

    I am writing to ask you to reconsider your decision. There have
    been developments. The matter is confidential, and I do not wish
    to go to the police--at present. This is a pleasant country
    club. I have reserved a room for you, and must beg you to come
    down immediately. You may name your own fee. If you will ring me
    up and let me know by what train you will be arriving, I will
    see that you are met at Ledstow.

                                                      Yours truly,
                                                    Lewis Brading."

Miss Silver sat and looked at the page. Curious writing, formal and
precise. But the lines sloped upwards and the signature was blotted. The
letter had been written in a hurry and under some strong impulsion. "You
may name your own fee...." Something had happened, or he was afraid that
something was going to happen. Her mind became engaged with the
possibilities. They might be, would be, interesting. But she did not
like Mr. Brading.

She put the letter down and opened her morning paper. The name which had
been in her mind stood out at the top of the page in a bold headline:

                         The Brading Collection
                      Mr. Lewis Brading Found Shot

She said, "Dear me!" and began to read what the paper had to say about
it. There was quite a lot, but it did not amount to very much. The story
overflowed into two columns, but there was really more about the Brading
Collection than about Mr. Brading's sudden death. His cousin Major
Forrest, coming to see him by appointment, had found him shot dead in
his laboratory. He had fallen across the table at which he was sitting.
A revolver lay beside him on the floor. Major Forrest had at once rung
up the Ledstow police station and sent for a doctor, but life was
extinct. There was a lot about it and about the Collection, but that was
what it amounted to.

After a short interval for reflection Miss Silver dialled Trunks and
gave the private number of the Chief Constable of Ledshire. At this hour
of the morning it would, she hoped, be possible to get through without
delay. Actually, she hardly had to wait at all before a familiar voice
said, "Hullo!"

"Miss Silver speaking, Randal."

At the other end of the line Randal March pursed up his lips in a
soundless whistle. After which he said,

"Well, here I am. What can I do for you?"

"You are all well? Rietta? And the baby?"

"Blooming. Well--what is it?"

"The Brading case."

"And where do you come in on that?"

She would never have allowed such an expression in her schoolroom. Her
cough reproved him.

"My dear Randal!"

"Well, well, what is it?"

"I had been approached a fortnight ago--"

"By whom?"

"By Mr. Brading."

"Why?"

"He was uneasy. He wanted me to come down to Warne. I refused."

"Again why?"

This time the cough was of a deprecatory nature.

"The case did not attract me."

"Well?"

"That is not all, Randal."

He gave a short laugh.

"I didn't think it was."

"No. I had a letter from him this morning."

"What!"

"The postmark is Ledstow, two-thirty, so you see--"

"What did he say?"

"That there had been developments. That he had taken a room for me at
Warne House. That any train I might come down by today would be met. And
that I might name my fee."

This time March whistled aloud.

"And what is your reaction to that?"

She said in a thoughtful voice,

"I have not made up my mind. I believe that Major Forrest is his
cousin's executor."

"Did Brading tell you that?"

"Yes, Randal."

"During a first interview--when you were refusing the case?"

"Yes."

"Did it occur to you that he was anticipating--how shall I put it--what
has just happened?"

She said,

"I could not put it quite as strongly as that. He had made certain
arrangements."

There was a pause. Randal March was frowning. He said,

"I'd like to see you."

She said in a deprecatory voice,

"I thought perhaps I should ring Major Forrest up. If he wishes me to do
so, I could come down to Warne House for the week-end. Without his
endorsement Mr. Brading's commission lapses--I have no status."

March said,

"Yes, I see. Let me know if you are coming down. I think I should see
you."

Miss Silver's call found Charles Forrest in his cousin's study at Warne
House. She had decided that she was more likely to find him there than
at his own address, which she would in any case be obliged to ascertain,
whereas Mr. Brading's number was embossed upon his notepaper.

When she got as far as the exchange a voice said,

"That is Mr. Brading's number. We are putting all calls through to the
club."

Miss Silver said, "Thank you," and waited.

She got Edna Snagge next.

"Major Forrest? Yes, he's here. I'll put you through."

In the study Charles Forrest lifted the receiver. A prim, pleasant voice
repeated his name in an enquiring manner. He said,

"Speaking."

There was a slight introductory cough.

"My name is Miss Maud Silver. I do not know whether it conveys anything
to you."

Charles' expression of weary indifference changed to one of attention.
He said,

"Yes, it does."

"May I ask in what connection?"

"My cousin left a letter--I suppose you've heard?"

"I have seen the morning papers."

"He wished you to be called in--if anything happened. He went to see you
about a fortnight ago?"

"Yes."

"He wanted you to come down then. You refused. He seems to have been
impressed. He says you warned him that he was upon a dangerous course."

"I fear that he disregarded my warning."

"He came home and wrote me a letter which has just been found. He said
that in the event of matters passing beyond his control he would wish
you to be called into consultation."

Miss Silver said, "Dear me!" And then, "I received a letter from Mr.
Brading by this morning's post. He pressed me to come down to Warne. He
said he had reserved a room for me, and that he would meet any train
which I might find convenient."

"Today?"

"Yes, Major Forrest."

Charles' frown deepened in intensity. What on earth had Lewis been up
to, and where did a private detective who sounded like an old-fashioned
governess come in? He would have to see her, of course, and if Lewis had
booked a room for her she might just as well come down. The mess was so
bad that one elderly lady more or less would be neither here nor there.
She might even provide a much needed red herring or two. He didn't see
how she could possibly make matters worse than they were. With these
things in mind he said,

"I should be very glad if you would come down for the week-end, Miss
Silver. What train would suit you?"




                            CHAPTER EIGHTEEN


Miss Silver arrived by the train which had brought Stacy to Ledstow
three days before. Charles Forrest, on the platform, saw her alight with
incredulity. There was no one else who could possibly be the person he
had come to meet, but he found Miss Silver incredible. That is to say,
incredible in this year of grace, upon Ledstow platform, coming down to
investigate Lewis Brading's death. In his nursery days the moral maxim,
"A place for everything, and everything in its place", had been all too
frequently instilled. Miss Silver's place was in a photograph album of
about forty years ago. The rather flat, crushed-looking hat was the spit
and image of one worn by Lewis's mother in a wedding group of that date.
It was of black straw with some ribbon bows at the back and a small
bunch of mignonette and pansies on the left-hand side. The high boned
net front was of the same date, but the dress of grey artificial silk
with its smudged pattern of mauve and black departed from the type to
the extent of having a much more comfortable waistline and being at
least six inches off the ground. The black lisle thread stockings thus
revealed and the black laced shoes were, however, well within the
period. A string of bog-oak beads circled her neck twice. A pair of
eyeglasses were fastened to the left-hand side of her dress by a gold
bar brooch set with seed pearls. There was also a bog-oak brooch in the
form of a rose with an Irish petal at its heart.

All these details presented themselves to Charles as part of the
incredible whole. He couldn't believe in her outside a family album, but
there she was, stepping down from the train with a small well-worn
suitcase in one hand and a handbag and a flowered knitting-bag in the
other.

The day was even hotter than yesterday. It was a relief to leave the
streets behind and come out upon a country road. Then, and not till
then, did Miss Silver give her slight premonitory cough and say,

"What have you to tell me about Mr. Brading's death?"

Charles drove on for about a hundred yards, turned into a lane which ran
inland, and drew up under a large shady oak. Then he said,

"If we're going to talk we might as well be cool. You want to know about
Lewis's death. He rang up yesterday morning round about half past twelve
and asked me to come and see him--just that and nothing more. He
suggested half past three. As a matter of fact I got there rather
earlier. The girl in the office said he was alone, so I went through--"
He paused, looked round at her, and said, "I don't know what you know
about the lay-out."

"Mr. Brading explained it, I think quite clearly."

"Then you understand that everyone going to the annexe or coming away
would go through the hall of the club and past the office--that is,
unless they got through a window in the billiard-room or the study."

"That would be possible?"

"I suppose so. Anyhow the girl in the office said he was alone, and I
went through. There's a glazed passage to the annexe with a very strong
steel door at the end of it which is always kept locked. I take it you
know about the Collection."

"Oh, yes."

"Well, the first thing that struck me was that the steel door wasn't
shut--it was standing ajar. You go in, and there's a small lobby and a
second very strong door. The second door was wide open. I went into the
big room where he shows off his Collection and called. Nobody answered.
There's a door opposite the entrance which leads into a passage. There
are three rooms there--Lewis's bedroom, a bathroom, and a laboratory. I
called again. The laboratory door was open."

Miss Silver enquired,

"Ajar--or wide open?"

"Standing at right angles to the jamb. I went through, and saw Lewis.
There's a table he uses for making notes--about his experiments, you
know. It's an old knee-hole table with drawers on either side. It's on
the right-hand side of the door as you come in, facing towards it. As
soon as I came in I saw Lewis. He was sitting at the table, and he had
fallen forward across it. I came over to him, and saw that he had been
shot through the head a little behind the right temple. His right arm
was hanging down. There was a revolver lying as if it had dropped from
his hand. The second right-hand drawer was open. I knew he kept a
revolver there. I thought he had committed suicide, and I thought he had
sent for me and left the doors open because he wanted me to find him.
One of the less agreeable duties of an executor!"

At this point he met a gaze of singular intensity and intelligence.

"You say you _thought_ that Mr. Brading had committed suicide."

Charles Forrest said,

"The police don't think so."

"Could you tell me why?"

They continued to look at one another. Charles said in a voice that
matched his frown,

"I could. But can you give me any reason why I should?"

Both frown and voice appeared to Miss Silver to denote concentration
rather than resentment. Had it been otherwise, she would scarcely have
answered as she did.

"You do not know me."

"No."

"You have therefore no reason to trust me."

He paused on that.

"My cousin apparently did so. He wasn't much given to trusting people.
In his letter he quotes Randal March as saying that you can be trusted."

Miss Silver inclined her head.

"I must tell you, Major Forrest, that I refused this case a fortnight
ago because I could not approve of Mr. Brading's line of conduct. It
appeared to me to be dangerous in its possibilities, and indefensible on
moral grounds."

One of Charles' dark eyebrows rose,

"Poor old James?"

"He imparted some information about his secretary, Mr. James Moberly."

Charles said quickly,

"James wouldn't hurt a fly--you can take that from me. He got into shady
company when he was a boy--got had for a mug, and Lewis has been holding
it over him for years. He's worked like a black and not been able to
call his soul his own. He isn't capable of standing up for
himself--that, I imagine, is how he got let in to start with--and he
certainly isn't capable of violence."

A smile just touched Miss Silver's lips. Then she looked grave again.

"Mr. Brading spoke of information with regard to Mr. Moberly which would
come into your hands in such a contingency as this. From what you say I
understand that this information has reached you."

Charles took a moment. Then,

"I told you he wasn't much given to trusting people. Poor old James--a
complete dossier, I suppose. No, it hasn't reached me yet. The
solicitors will have it, I expect. And if the police get wind of it,
there'll be the devil to pay."

Her look reproved him.

"But you knew--"

"Lewis dropped more than half a hint, and James told me the rest. Look
here, what I've got to know is, how do you stand with regard to the
police? If they go on thinking that it isn't suicide, there's going to
be quite a lot of suspicion flying about. I'd like to know where I am.
Do I talk to you in confidence, or does everything I say get handed on?
I want to know where I am."

Miss Silver looked at him.

"I am glad that you should have raised the point. I could not, in a
murder case, be a party to concealing any material evidence from the
police. I could not come into a murder case to serve any private
interest. I have been engaged in many such cases and have worked in
harmony with the police, but it is not my practice to work for the
police. In a murder case, as in any other, I can have only one object,
the bringing to light of the truth. It is only the guilty who have to
fear this, the innocent are protected."

There was again that characteristic lift of the eyebrow. He said,

"You find it as simple as that?"

"Fundamentally, yes. What appears to obscure the fact is that so many
people have something to hide, and an enquiry in a murder case has this
in common with the day of judgment, that the secrets of all hearts are
apt to be revealed. It is not everyone who can contemplate this with
equanimity. It is not only the murderer who tries desperately to conceal
his thoughts and actions. And now, Major Forrest, are you going to tell
me why the police think that this may be a case of murder?"

Still frowning, Charles said,

"Yes, I'll tell you."

He had been sitting easily, his hand on the wheel. He leaned back now
into the angle between the driving-seat and the door. Something had been
happening in his mind. The dowdy little governess out of a family
photograph-album sat there in the opposite corner, her hair very neat,
her old-fashioned hat a little crooked, her hands in their black thread
gloves folded primly upon a shabby bag with a tarnished clasp. There she
was, and that was what she looked like. Yet he was feeling the impact of
an intelligence which commanded respect. If that had been all, he would
have found it surprising enough. But it was by no means all. He was
conscious of an integrity, a kindness, a sort of benignant authority. He
couldn't get nearer to it than that. It wouldn't go into words, but it
was there. A good many of Miss Silver's clients in the past had had a
similar experience. But he was not to know that. He only knew that it
would be a relief to talk, to formulate his thoughts, to look at them
through the focus of someone else's eyes.

She had been waiting, now she gave him an encouraging smile.

He said, "Lewis hadn't any reason for suicide--I'm putting it the way it
looks to the police. He had quite a lot of money, he wasn't ill, and he
was thinking about getting married. You didn't know that?"

"No."

"Nor did he a fortnight ago. You wouldn't have thought he was the sort
to go in off the deep end, but it just goes to show that you never can
tell. She's a good-looking red-head, about twenty-five, with a divorced
husband in the background and a flat in my house, Saltings. I've been
cutting it up and letting it off--about the only thing you can do with
big houses nowadays. Her name is Maida Robinson. On the day before his
death--that is, the day before yesterday--Lewis asked her to marry him."

Miss Silver looked alert.

"Did he tell you that?"

"No, she did. He was showing his Collection to a whole party from the
club. I walked home with her afterwards and she told me. She also told
me that he had made a will in her favour."

Miss Silver said, "Dear me!" And then, "Has this will been found?"

"It has, and it hasn't. He went into Ledlington yesterday and signed a
will such as Maida described. She said it was made out on a will-form.
It was witnessed by his bank manager and a clerk, and something was said
about his asking for congratulations before long. But no actual
statement about the contents of the will, which is not to be found,
unless you can count some burnt paper on an ash-tray. There was just one
corner left unburnt, but no writing. The paper corresponds with the
will-forms sold by a Ledlington stationer. Maida bought one there--she
says for herself. She asked Lewis's advice about it, and it ended in his
using it instead."

Charles' voice was non-committal in the extreme, but Miss Silver
received some impressions. He continued in a less careful tone.

"I gather the police have a theory that the destruction of the will
could be a fairly strong motive for murder."

Miss Silver said crisply,

"It might equally be argued that Mr. Brading had destroyed the will and
then committed suicide owing to some disappointment connected with his
projected marriage."

Charles said, "I don't think that cuts a lot of ice with the police.
Frankly, I don't see Lewis shooting himself over a woman--no one who
knew him would. He wasn't such a stick as he looked. He'd had affairs
before this, you know. I don't say he hadn't fallen pretty hard for
Maida, but I just can't see him shooting himself. And that's giving you
my confidence to a fairly marked degree, because if it's murder, I'm
naturally pretty high up among the suspects. I found him, and I had the
best of motives for destroying this new will, since under the old one
I'm the principal legatee. The police love that sort of motive--all nice
and clear and crude. And they're pretty well sure it's murder because of
the fingerprints on the revolver. They're Lewis's, but they're not in
the right places. They think they were made after death. It's an old
trick to fake a suicide by closing a dead man's hand on the revolver,
but it's a ticklish business for the murderer. If you've shot someone,
your own hand is probably not too steady, and you're in the devil of a
hurry." His voice cooled and hardened. "I can imagine that it might be
quite a job to get the prints in exactly the right places--they might
easily slip. The police say that these particular prints have slipped.
That is why they're sure it's murder."




                            CHAPTER NINETEEN


As if he had said all that he meant to say for the moment, Charles
Forrest swung round, started up the car, and backed out of the lane. He
did not speak for the rest of the way, nor did Miss Silver. She had,
indeed, a good deal to occupy her thoughts.

As they passed through the hall of Warne House, Stacy was coming down
the stairs. Reaching the bottom step as Charles approached, it was
natural that he should pause and speak--any casual acquintance might
have done the same. But Miss Silver was instantly aware of a change in
the atmosphere. The words which passed were few and simple. Charles
Forrest's rather sombre gaze rested momentarily on the girl in white.
She was pale. She carried a green-lined sun-umbrella which he recognised
as belonging to Myra Constantine.

He said, "Going out?"

Stacy said, "Yes." And then, "Lilias asked me to tea. She wants me to
go."

There was nothing in the words, but voice and manner were those of
intimates. The whole encounter was so brief that it hardly halted either
of them. Stacy went on and out, putting up her green umbrella in the
porch.

Miss Silver went up to the room which Lewis Brading had booked for her.

When she came down ten minutes later Charles was waiting. He took her
down the passage to the study and gave her tea. It was between the first
and second cups that she asked him about Stacy.

"A very charming girl--very graceful. She is staying here?"

Charles had been wondering why kettles took so long to boil and tea so
long to cool. At her question the mouthful which he had just swallowed
appeared to be even more scalding than he had thought it at the time.
Oh, well, if he had nothing worse to explain than Stacy-- He explained
her with a careful poise.

"She is Stacy Mainwaring, the miniaturist. She is painting our local
celebrity, the rather famous Myra Constantine. We were once married, but
are now divorced--for nothing worse than desertion--and we are quite
good friends. Myra is worth painting you know. She will be a feather in
Stacy's cap."

He told stories about Myra and gave an entertaining account of the other
people in the club until she had finished her tea. Then he took her out
to the annexe and showed her over it.

"The police have finished here. You can go anywhere, touch anything, and
ask as many questions as you like."

She asked a great many--just how he had come in--where he had
stood--what he had seen.

Charles went through it all, as he had done so many times already. If he
wasn't word-perfect by now he never would be. With each repetition the
thing became less real.

When he had finished she said,

"You arrived just before half past three?"

"About twenty past."

"And you came straight through?"

"Straight through."

"And he was dead when you found him. How long had he been dead?"

"I'm not a doctor."

"You served in the war. How long had he been dead?"

"I don't know."

"But you could hazard a guess."

He shook his head.

"I'm not fool enough to rush in."

She was looking at him all the time, standing there beside the table at
which Lewis Brading had died, one hand resting upon it. A bright
overhead light beat down upon the laboratory and its equipment, striking
sparkles from glass and metal, making every object just a little clearer
and more distinct than it would have been by daylight. She gave her
little cough and said,

"At what time did the police arrive?"

"I think it was a quarter to four. But they are not experts either, you
know. The doctor I rang up was out, and the police surgeon didn't get
here till four. He isn't going to swear within half an hour as to how
long Lewis had been dead when he saw him. It was a very hot day."

"Exactly."

She walked round the table and stood in front of it. Lewis Brading's
chair had been drawn back. The table was orderly--blotting-pad,
pen-tray, scribbling-pad, a rack for writing-paper and envelopes, a
large flat metal ash-tray a good deal discoloured, a box of matches. The
knee-hole aperture was flanked by drawers on either side. On the deep
green leather of the table top there was the one dark stain. She said,

"Will you show me just how he was when you found him?"

The thought went through his mind, "This is ghastly." She noticed that
his dark skin showed a change of colour. Without speaking he did as she
had asked, sitting down in the chair, leaning forward until his head
rested over that ominous stain letting his right arm hang down until the
hand was only a few inches from the floor. When it was over she broke
the silence in which this dumb show had been acted.

"Where was the weapon?"

He said shortly,

"Just under where his hand was. As if he had dropped it."

"It was his own revolver?"

"Well--yes--"

There was enough hesitation to make her press the point.

"That has an ambiguous sound, Major Forrest."

He lifted a hand and let it fall again.

"You don't miss much. It's this way. I had two--a pair. I let Lewis have
one of them."

"How long ago?"

"Some time last year. He had something pretty antiquated. I saw it one
day when he had that drawer open, and told him he'd better have
something a little more up-to-date. That's how it happened."

"And he kept it--in which drawer?"

He said, "The second on the right." Then, as she pulled it out, "It
isn't there now. The police have got it."

She said,

"How many people knew that Mr. Brading kept a revolver in this drawer?"

He gave a short laugh.

"I did, James did--anyone might have done. He was rather proud of it,
you know--made a bit of a flourish about being armed. He still had his
own museum-piece in his bedroom."

She pushed the drawer in, took another look at the table, and said,

"That metal ash-tray--is that where the will-form was burned?"

He nodded and said, "Yes."

"Just where was it when you found Mr. Brading dead?"

He moved to indicate the far side of the table.

"Over here at the edge, a few inches from this corner."

"Out of Mr. Brading's reach?"

"As he sat at the table, yes. At least, I suppose he could have touched
it if he had leaned forward. But he wouldn't have burned a paper that
way."

"And the matches--where were they?"

"Just clear of the ash-tray."

"To the left, or right?"

He was facing her across the table now,

"To your left--to my right."

She said soberly,

"You do not need me to underline that, do you? Whoever burned that
will-form was standing at the back of the table as you are standing now.
If it was Mr. Brading, it seems difficult to find a reason for this. It
is quite certain that it was not done by him whilst he was sitting at
the table in his normal position."

Charles said, "No."

There was a little pause. Then she seated herself, drawing up the chair
until it was comfortably placed, taking the scribbling-block, selecting
a pencil. Having done all this, she turned a bright enquiring glance
upon Charles and said very composedly,

"Will you not sit down, Major Forrest? I should like to take a few
notes. You say Mr. Brading appeared at lunch, and then returned to the
annexe. Did anyone see him alive after that?"

Charles had reached for a high wooden stool. He leaned rather than sat
on it, his long legs stretched out before him, his manner as casual as
his attitude.

"Oh, quite a number. According to Edna Snagge--that's the girl in the
office--Lewis had a procession of visitors. They all had to come through
the hall, as I told you."

"Can you tell me who they were, and at what times they came?"

He fished in his pocket.

"Here you are, straight from the horse's mouth--Edna is very methodical.
Lewis came off here after lunch at half past one, and James Moberly
followed him a few minutes later. Now James says he only came over to
fetch a book, and he went straight back to the study and stayed there.
Lewis had given him the afternoon off. That, I gather, is not in
dispute--people in the dining-room heard Lewis tell him he wouldn't be
wanting him again. Well, that's James. Then at half past two Maida
Robinson, Lewis's red-head, came along with a chap called Constable. He
served in the Commandos with me, and he blew in the other day for a long
week-end. He and Maida were going to play tennis and then bathe. I
gather Maida wanted to see Lewis to break it to him that she was off for
the afternoon with another boy friend, but of course she would be dining
with him and he mustn't think that she would ever love anyone else." He
smiled engagingly. "I'm just giving you the gist of what Maida handed
me, you know. I'm not going bail for anything a red-head says, but it
all seems quite likely. Now listen. Maida goes off to see Lewis alone
while Constable kicks his heels in the hall. In about ten minutes Maida
comes back. She says she's left her bag out here and sends Constable for
it. And whilst he's going she steps into the office and rather annoys
Edna by using the house-telephone to tell Lewis that Jack Constable is
on his way. Edna can hear them talking, but she can't hear what Lewis
says, only his voice. But it seems he was annoyed because Maida hadn't
shut the steel door when she went out and Jack Constable had just walked
in. Now that's important, because someone could have slipped in that
way--from the billiard-room for instance. It's not very likely, but it's
possible."

Miss Silver coughed.

"You say from the billiard-room? Not from the study?"

Charles let his eyes meet hers directly.

"James Moberly was in the study, and he wouldn't need to slip in that
way--he had his key."

She inclined her head,

"Pray continue."

"Constable wasn't away five minutes. He came back with the bag, and he
and Maida went off. They didn't play tennis, because they decided it was
too hot, but they went down and bathed. That brings us to a quarter to
three. A little before three o'clock Lilias Grey arrived to see Lewis.
She is my adopted sister. My father and mother adopted her when she was
three years old because they hadn't any children. Then I arrived--what
you might call bad timing. She isn't married, she has a flat at
Saltings. She says she wanted to consult Lewis on a matter of business.
Well, this is her story, and you'll see how it narrows things down. She
says she went along to the annexe, and like Jack Constable she says she
found the steel door open. Now Jack swears he shut it--he'd be likely
to, you know, after Lewis cutting up rough over Maida leaving it open.
But ten minutes later Lilias finds it open again. She says she thought
Lewis had left it ajar for her, and I suppose he had, because he doesn't
seem to have said anything about it when she walked in. She says they
talked for about ten minutes about business. Some shares my mother left
her were falling in, and she wanted to know what Lewis thought about
re-investment. He told her to stick to government securities, and she
said she'd think about it, and came away. She can't remember whether she
shut the door or not--she's rather a vague person. She was out of the
club by ten minutes past three, and just as she was leaving, Hester
Constantine came down the stairs and went along the passage in this
direction. She is Myra's unmarried daughter, a gawky female in the late
thirties, and no one has been able to think of any reason why she should
want to murder Lewis. She says she went along to the study. James was
there like he says, and she stayed talking. About ten minutes later I
came on the scene and found Lewis dead."

Miss Silver looked down at the scribbling-pad with her neat writing.

"Your friend, is he--Major Constable?"

Charles nodded.

"He and Mrs. Robinson left the club at a quarter to three. At twenty
past three you found Mr. Brading dead. You will not give an opinion as
to how long he had been dead, though I think that you must have formed
such an opinion. Miss Grey says that he was alive when she left him. If
that is the case, he could not, when you found him, have been dead for
more than a few minutes. The murderer would naturally have allowed Miss
Grey to get well away before risking the use of firearms. Did anyone
hear the shot?"

Charles shook his head.

"They wouldn't. The place is sound-proof--especially this room, which is
built into the hill."

Miss Silver said,

"Then, Major Forrest, there are these possibilities. If everyone is
telling the truth, Mr. Brading was shot between the time of Miss Grey's
departure and your arrival--a bare ten minutes. During that time nobody
came through the hall except Miss Constantine. She would have had time
to reach this room, shot Mr. Brading, and return to the study. What is
Mr. Moberly's evidence upon this point?"

"He says she came to the study at ten past three, and was there till I
gave the alarm."

Miss Silver looked at him very directly.

"And what does she say?"

"Oh, she says they were there together. They both say that."

Miss Silver coughed.

"Are they friends?"

He hesitated.

"Hester doesn't run to friends much. Myra keeps her family busy."

"The clever, brilliant mother and the repressed daughter. A not uncommon
situation, and one with dangerous possibilities."

Charles gave a short laugh.

"Well, I can't think up any reason why Hester should have it in for
Lewis, and nor can anyone else."

Miss Silver glanced at her scribbling-block.

"Leaving Miss Constantine on one side, and still assuming that everyone
has told the truth--a circumstance very unusual in a murder case--the
most striking evidence is that which concerns the annexe door. It was
not, I imagine, Mr. Brading's habit to leave it open."

"The inner door might be open if he was there. The outer door never."

"I received that impression from the way he spoke of it on the occasion
of his visit a fortnight ago."

Charles nodded.

"There were only two keys. He had one, and James had the other. If
anything happened to Lewis, James was going to be in the soup, so James
could be trusted with a key. Nobody else was. In my opinion Lewis would
no more have left that door open than he would have flown."

"Yet it was left open."

"By Maida, coming away in a hurry for her bathe."

Miss Silver coughed.

"That is the first evidence we have of its being left open, but it is
not the last. After Mrs. Robinson came out Major Constable went back to
fetch her bag. He says he left the steel door shut at a quarter to
three, but Miss Grey found it open ten minutes later. You say that she
cannot be depended on to have shut it when she came away at ten minutes
past three, and you yourself found it open when you arrived at twenty
past. The door is therefore known to have been open for a minute or two
between Mrs. Robinson leaving the annexe and Major Constable arriving
there to fetch her bag. No one passed through the hall at that time
except Major Constable himself, but it would have been just possible for
someone to reach the annexe from the billiard-room and conceal himself
there--in Mr. Moberly's room, the bathroom, or one of the other rooms. A
far more likely time for someone to have concealed himself on the
premises would be during one of the later periods when we know that the
door was open. Miss Grey found it open just before three, and you found
it open at three-twenty. We do not know who opened it, which means that
we do not know how long it was open. Major Constable may be mistaken in
thinking that he had shut it. It closes, I notice, with a spring. He was
in a hurry. It may have stood open for the whole ten minutes before Miss
Grey arrived, and then for a further ten minutes between her departure
and your own arrival. We have no means of knowing. All we do know is
that no one passed through the hall during either of those times except
Miss Constantine."

Charles frowned.

"There could have been someone in the billiard-room--"

"Could there, Major Forrest? When we passed the door just now I tried
it, and it was locked."

Charles said nothing for a moment. His face hardened. His lids came down
until they almost covered his eyes. All at once he stood up, drove his
hands deep into his pockets, and said abruptly,

"That puts the lid on."

Miss Silver looked at him, her head a little tilted on one side, her
expression that of an inconspicuous but intelligent bird which has just
perceived a worm.

"The door was locked yesterday?"

He said, not looking at her,

"The room is being done up. There's a hitch about some of the
materials--a hang-up over the week-end. The men have left their stuff
there."

"Then the windows would have been shut and the door locked yesterday?"

"They may have been."

"It is a point which can be verified."

She tore off the sheet upon which she had made her notes, laid the
pencil back in the tray, straightened the blotting-pad, and rose to her
feet.

"Thank you, Major Forrest."




                             CHAPTER TWENTY


Stacy took the bus to the Saltings corner. She had really only a step to
go from there, but the sun beat upon the shadeless road, and she was
glad of the umbrella which Myra Constantine had pressed upon her--a big
old-fashioned thing, dust-coloured, with a bright green lining.

The trees about Saltings came into view. She turned in at the gate.
Rather like being a ghost this coming back. Ghost stories always took
the wrong point of view. It was all how dreadful for the living to be
haunted, how the flesh crept and the hair rose and the courage failed.
But what about the poor haunting disembodied thing come back to walk
where it had loved and been loved, and now was no more than a shuddering
and an amazement? She felt very much like a ghost as she came out in
front of the big house and walked up the steps.

The front door stood wide. The hall had been stripped, altered. The rugs
were gone from the floor, the display of arms from the chimney-breast.
There was a lift running up through the well of the stairs, rather
cleverly fitted in. Some of the old portraits remained to gloom upon the
scene.

She looked about her. Charles had one of the ground-floor flats. She
found his name, and then came back in a hurry to climb the stairs. The
lift was an automatic one, and she didn't like them very much. Besides,
she was in no hurry to arrive. She had three years to bridge over. This
was to have been her home--no, Stacy Forrest's home. And she wasn't
Stacy Forrest any more. She was Stacy Mainwaring again. It made her feel
a little giddy--as if time had been telescoped--as if she was in two
places at once--as if today wasn't today but something strange and out
of time.

She came to the top of the stairs and found a door with Lilias Grey's
name on it. She was lifting her hand to ring when it opened, and Lilias
was saying,

"But you're late. Do come in. It's terribly hot, isn't it?"

Stacy had wondered what she would say, and what Lilias would say, but it
was all quite easy. She didn't have to say anything--unless you count
the sort of things you say when somebody else hardly stops to take a
breath. Lilias wanted to show her the flat, to talk about the flat to
say how clever Charles had been, how clever the architect had been.

"You see, this was my mother's bedroom--divided to make bedroom and
sitting-room. And quite big enough. I don't care about very big
rooms--do you? It was such a huge room before--but of course you
remember it. And I get the view over the sea from both these windows.
Then, through here, the dressing-room has been divided to make a
kitchenette and a bathroom. I'm sure you wouldn't recognise it, would
you?"

No, she wouldn't have recognised it. In the room which was Lilias'
sitting-room she and Charles had slept. Out here in the chopped-up
dressing-room there was a kitchen sink where his bureau had been. She
had watched in the night and seen him stand there with Damaris Forrest's
necklace in his hand. She felt an intolerable revulsion. Tragedy with
the kitchen sink imposed upon it!

"It's nice, isn't it?" said Lilias Grey.

This kind of conversation continued whilst Lilias made tea, offered
cucumber sandwiches, and played the charming hostess. Stacy could only
tell herself that she had asked for it. It was her own fault, she should
never have come, but now that she was here she had no choice but to
appear the willing guest. As she set herself to the task, it did just
cross her mind to wonder why Lilias had asked her, and just what lay
behind this almost febrile flow of talk. There was too much of it--too
much nervous energy. It was overdone, in the same way that Lilias Grey's
make-up had been overdone. The blue eyes were brilliant, there was
colour in the cheeks, the lipstick was deftly applied, but it was all
just a little too much of a good thing, and in spite of it Lilias looked
her age.

That was the first thing that made Stacy think. The second was that
after nearly half an hour there had still been no mention of Lewis
Brading. In the end when she had put down her cup and said, "No, thank
you", to a quick, "Won't you have some more tea?" she brought in the
name herself. She wasn't going to sit here and let Lilias get away with
pretending that nothing had happened. She waited for the first momentary
pause and said,

"It's a dreadful thing about Lewis."

Lilias lost colour. The rouge stood out upon a suddenly whitened skin.
She said with a shudder.

"Don't let's talk about it. You don't know what it's been like--having
to see the police--and make a statement!"

She had said, "Don't let's talk about it", but now all that nervous
energy flowed into the new channel. Her hands twisted in her lap. Her
fair hair shone like a nimbus.

"I always said something dreadful would happen. All that jewellery was
too valuable."

"But was anything taken?" Stacy's surprise showed in her voice.

"Oh, I don't know. The police don't tell you anything. They just go on
asking their stupid questions. And I was hardly there any time at all. I
just walked in--the door was open, you know. I was going to ask Lewis
about investing some money my mother left me. It was a mortgage that had
been paid off, and I thought that he might know of something good. But
all he would say was, 'Put it into government securities.' You know, he
was like that. He was really almost disagreeable, and I wished I hadn't
come, so I didn't stay any time at all." Her hands twisted. "Just
because he's dead it's no use pretending he was all the things we know
he _wasn't_. I really came away feeling quite upset."

Stacy was wondering why on earth Lilias should have thought of
consulting Lewis Brading. He was not the sort of person to invite that
kind of thing, especially from an adopted relation whom he didn't very
much like. She didn't put this into words, but she went quite near to it
by saying.

"Why didn't you consult Charles?"

Lilias made a jerky gesture. She said quickly,

"Oh, I couldn't--not about _money_."

Stacy felt the colour rise and burn in her cheeks. It was just as if she
had taken an incautious step and felt the ground give way and the smell
of burning come up through the broken crust. She hadn't meant--she
hadn't ever meant to touch that ground again. The burning came up into
her face.

Lilias leaned forward and said in a low, horrified voice,

"I'm so frightened--"

Stacy's nails dug into her palm.

"Why?"

Lilias began to tremble.

Stacy said, "Why?" again. She had drunk two cups of tea but her lips
were dry and parched.

The big blue eyes between the darkened lashes stared into hers. Lilias
said,

"About Charles."

"Why?" She didn't seem to be able to get past that word.

The blue eyes were afraid. You could see the fear brimming up in them,
brimming over. Words came in a whisper.

"If he did it--"

Something right down inside Stacy said, "Nonsense!" It was a very
comforting reaction. She tried what it would be like if she said it
aloud. Her voice came out firm and strong, and it sounded good.

"Nonsense!"

Lilias shuddered. She went on in that silly creepy whisper.

"Oh, Stacy, I'm so frightened. That's why I had to see you--only when
you came it didn't seem as if I could talk about it. But I must talk to
someone. I shall go mad if I don't."

Stacy was being surprised by her own feelings. The thing that had said
"Nonsense!" went on saying it. She looked at Lilias, and felt a lot
older and more competent than the Stacy of three years ago. She thought,
quite dispassionately, that one of those old-fashioned bedroom jugs full
of cold water tipped right over the fair hair, the eyelashes, the
make-up, and all the rest of it would probably be a good plan. Lilias
was making her own flesh creep--perhaps. She wasn't going to make
Stacy's flesh creep any more. Three years ago, yes, but not today. Not
any more. She sat up straight and said in the coolest voice she could
manage,

"You really are talking nonsense, Lilias. I think you'd better stop."

Lilias shut her eyes. The long dark lashes were wet. She said in an
exhausted voice,

"It's only to you--I must talk to someone--it doesn't matter if it's
only to you."

It was no use thinking of tipping jugs of water over people if there
weren't jugs of water to tip. She did the best she could with her voice,

"What is all this? If you've got anything to say, go on and say it!"

The lashes flew up.

"Oh, Stacy--I didn't think--"

"You'd better. It doesn't do to say that sort of thing--to anyone."

"I wouldn't to anyone else. It's just--_Charles_. He's everything to me,
you know--he always has been. It doesn't matter what he's done, he's
_everything_."

Stacy said, "Lilias--"

"I _must_ talk to someone--isn't it better that I should talk to you?
Because even now--even _now_ you wouldn't want to do him any harm."

Stacy said, "No--I wouldn't want to do him any harm."

"Then let me talk to you. I didn't sleep last night. I could only go on
thinking, 'Suppose it was Charles--or suppose they think it was.' "

"Why?"

With a rush of nervous energy, Lilias told her why.

"Don't you see--you usen't to be stupid--I came away at ten minutes past
three, and Lewis was alive. He was sitting at his table and he was
_alive_. Charles came only ten minutes later, and he says he found him
dead. If Lewis didn't kill himself, who killed him? Charles says that
the police don't believe it was suicide. I don't understand all the
reasons why, but they don't believe it. Then who killed him? And why?
There wasn't anything stolen, or any attempt made to break into the
strong-room--besides, who would in the middle of the afternoon, with
people coming and going all the time? I left at ten past, Charles came
at twenty past--there simply wasn't time. And if he wasn't killed for
that wretched Collection, why was he killed?"

Stacy put up a hand. It was curious to feel how cold it was as she
lifted it.

"Look here, Lilias--stop! You can't have it both ways. You started off
by saying you always thought something dreadful would happen--because of
the Collection. And now you say nobody tried to steal anything, and they
wouldn't in the middle of the afternoon anyhow. Then you finish up with,
'If he wasn't killed for that wretched Collection, why was he killed?'
You're arguing from both ends and getting a head-on collision in the
middle. You'd better make up your mind which way you do want to have it
and stick to that."

Lilias beat her hands together.

"It's not like that at all! Of course that's what we must _say_--the bit
about the Collection, I mean. We must all say it, and stick to it. That
someone was hiding, and went in when the door was open. Maida and Jack
Constable must have left it open--they _must_. And we must say that a
thief got in and hid, and shot Lewis, and then hid again when Charles
came." Her eyes widened and stared. "Oh--it might have happened like
that, mightn't it? If we go on saying so--_hard_--"

"Then why don't you? You started off that way, and then you swung right
over and said nobody would try to steal the Collection in the middle of
the afternoon. Why did you say that?"

Lilias' eyes brimmed over.

"Because it's true--because I was just talking to you. The first bit was
only--only what we've all got to say because of Charles. Lewis wasn't
killed for the Collection."

"Do you know why he was killed?"

"Anyone will know if they stop to think. He was going to marry Maida. He
had made a will in her favour--on one of those stupid will-forms. I tell
you I saw it when I was there--it was lying there on the table. He saw
me looking at it, and he said in his most disagreeable voice, 'You seem
interested. That's my new will. I'm afraid Charles won't like it.' "

"Did he tell you he was going to marry Maida, and what was in the will?"

"Of course he did--and in the most horrid sneering way! That's why I
didn't stay. Don't you see what must have happened? If he spoke to
Charles like that--and he _would_--well, there was the revolver in the
drawer."

"You knew where it was?"

"Everyone knew where it was. Lewis wanted everyone to know--he used to
leave that drawer open on purpose. Now don't you see how it must have
happened? Charles saw the will--and the revolver--"

Stacy said, "I think you're talking nonsense."

Lilias had colour enough now. It came up bright under the rouge and
drowned it. Her eyes shone. She said in a high, clear voice.

"Then who burned the will? It didn't matter to anyone but Charles, but
it mattered to him. Why should anyone else burn it?"

"Was it burned?"

"Of course it was! Didn't Charles tell you that?"

"I haven't seen him. He hasn't told me anything."

"He wouldn't tell you that--he wouldn't tell anyone. The police told me.
The will was all burned to ashes on a metal tray. They wanted to know if
I'd seen it--whether it was burned when I was there. And it wasn't--it
_wasn't_. Who burned it?"

Stacy said soberly,

"I don't know. But I do know that you're talking nonsense, and if you
care for Charles you'll stop. I suppose you don't want to put ideas into
people's heads?"

All the colour and fire went out of Lilias. With a quick nervous shudder
she twisted round, laid her arms across the back of the chair, and bent
her head upon them. Her shoulders heaved. A difficult, slow sobbing
began.

It might be well over eighty in the shade, but Stacy had never felt
colder. Some of the cold was fear. She banged the door on that with the
blessed word, "Nonsense!" Some of it was anger--there is a cold anger
more potent than the hot. Some of it was just a chill revulsion from all
this hysteria. After a moment or two she said,

"For God's sake pull yourself together! If you have any real feeling for
Charles you will."

Lilias continued to sob, but she managed to find words as well. Nothing
would ever prevent Lilias from finding words.

"I'd do anything for Charles--you know that. I wouldn't hurt him for the
world. Haven't I helped to cover everything up all these years? Oh, you
don't know what it's been like, or you wouldn't be so unkind!"

This was the sort of thing which could go on for ever. Theme with
variations--and the variations were infinite. When it had all got a
little past endurance Stacy went through to the bathroom and came back
with a dry towel, and a wet face-cloth. Lilias was induced to sit up and
dab her eyes in a delicate, halfhearted manner. The ravages were not so
very dreadful, and it sufficed. The sobbing died down to a catch in the
breath, and the tumbled words gave way to a sighing,

"Oh, I'm so sorry--but you understand, don't you? I couldn't bear it
alone any more, and you're _safe_. Oh, I must go and tidy up!"

Stacy had perforce to wait. Her "I'll go now" was waved away with an "I
won't be a moment".

The moment lengthened to a good many minutes before Lilias came back, a
little pale, a little sad, but quite under control. She told Stacy that
she had done her good.

"One exaggerates things, sitting here all alone with nothing to do but
think. You won't speak of it to anyone--you won't tell Charles?"

"I'm not very likely to be seeing him."

Lilias sighed quite gently.

"You might. He goes to the club quite a lot."

The cold anger in Stacy looked round the door behind which she had shut
it in.

"And I should be likely to walk up to him and say, 'Lilias has just been
telling me she thinks you shot Lewis and burnt his will'!"

The blue eyes filled with tears.

"Oh, Stacy!"

Stacy pushed the anger back and shut the door on it again. She had had
all the scenes she could stand. The one remaining thing to do was to get
away. She said,

"Sorry, Lilias, but you did rather ask for it. I'm not the one who's
been saying things, you know. Good-bye."




                           CHAPTER TWENTY-ONE


Stacy came down into the hall. Well, it was over. And it had been her
own fault for coming. She needn't have come. She had just let Saltings
draw her like a magnet, and she deserved every bit of what she had got.
It was over now, and she needn't think about it again. A horrid niggling
whisper said, "You're going to have to think about it quite a lot."

She came out on to the steps, and felt the sun. It was still very hot.
She stood for a moment wondering if she would put up Myra Constantine's
umbrella. She didn't like the glare, but she was still cold inside. As
she hesitated, a car turned in at the gate and came up between the
trees. Her heart jumped. Charles was the last person on earth she wanted
to see. Or was he?

Before she could make up her mind he was out of the car and running up
the steps. No smile, no greeting, nothing but a hand on her arm and a
quick, "I hoped I'd catch you."

"I'm just going."

"You can't. I want to talk to you. Come along--you haven't seen my flat.
I've got the billiard-room, the butler's pantry, and some of the things
house-agents call offices--all very commodious. Adams did a very good
job of work, I think. Come along!"

She was being taken through the hall again. Charles opened a door, they
went in, and it shut behind them. She had no time to consider the
competency of Mr. Adams. There was a sort of lobby, a bit of passage,
another door, and a section of the billiard-room with two windows to the
garden. It wasn't until they were there that she managed to say,

"I really ought to go back."

Charles said, "No." He walked to the window and looked out. As he stood
there with his back to her, Stacy was aware of currents, feelings,
emotions. She had a panic-stricken desire to run away, but her legs
wouldn't move. Her tongue wouldn't move either. She just stood.

Then the moment passed. Charles turned round and said,

"This is all rather a mess. I'm sorry you've been let in for it, but
there it is."

Legs and tongue became normal again. It was a great relief. She said,

"If there's anything I can do--"

Charles had his frowning look. Not the kind he had when he was angry,
but the kind that meant he was thinking. He said,

"Well, there is. You saw the woman who was with me when I came into the
club just as you were starting out?"

"The little governessy person?"

"Yes. Don't laugh. She's a private detective. Sit down, and I'll tell
you. Lewis went to see her a fortnight ago."

As they sat down side by side upon the sofa, Stacy was aware that she
couldn't have stood for another minute. Her head felt quite empty.

She said, "_Lewis_--" and stuck.

Charles said, "I know--it's incredible, and she's incredible. But it's
happened--she's happened. Lewis went to see her because he was uneasy.
He wanted her to come down. She didn't like him, and she wouldn't. This
morning she got a letter from him saying there had been a development,
and asking her all over again. She put down the letter, took up her
morning paper, and read the headlines. Meanwhile I had a letter from
Lewis too. It was in the top drawer of his desk. It said Miss Silver was
to be called if anything happened."

"Charles!"

He nodded.

"He was uneasy--he had his presentiments? I don't know, you don't know,
nobody knows. He had heard about Miss Silver from Randal March who is
our Chief Constable. She used to be his governess."

"That's what she looks like."

"I know. But she impressed Lewis. She does impress one--somehow. She
showed me his letter, and, believe it or not, she had impressed him to
such an extent that he told her she could name her own fee. How's that?"

Stacy's face expressed the incredulity he expected.

"Lewis said that?"

"He did."

The fact that Lewis Brading had seldom been known to spend a penny upon
any object not connected with his Collection rose imposingly between
them. There was a pause while they contemplated it. Then Charles said,

"So you see! And there's something about her. After giving her tea and
taking her over the annexe I'm rather sitting at her feet myself. Now
what I'm leading up to is this. I want you to tell her what you told
me--about waking up and hearing things in the night."

Stacy looked horrified.

"Charles, I couldn't!"

"Why?"

"Because it couldn't have anything to do with Lewis being shot."

"Why couldn't it? It's just what he told Miss Silver when he went to see
her. He said he slept--too heavily--and woke with the feeling that there
had been someone in the annexe--all vague like that, but he thought he
had been drugged. It fits in."

Stacy's horrified look had changed to one of distress. She said,

"Yes, but--Charles, I think it's something quite different. There's
something I can't tell you. I don't think it would be fair."

"All right, darling, go on being beautifully, perfectly fair. _Fais ce
que doit, advienne que pourra_, and all the rest of it. Let the murderer
get away with it because you couldn't possibly repeat something you
weren't supposed to know! You'll come to see me in the condemned cell,
won't you? Or don't divorced wives count? We shall have to find out."

"Don't!"

He raised his eyebrows.

"I'd much rather not have to. But there it is--if you've overlooked the
fact that I'm the natural, first-class, A.1 suspect, the police haven't.
They're only in the early stages at the moment, and they're being quite
polite, but they think I did it. So if you know anything, and don't
particularly want to score me off--"

She said, "_Charles_--" in an agitated voice.

His manner changed.

"Here's something Miss Silver said. It struck me rather. She said that
most people have something to hide. And that when it came to a murder
case, it wasn't only the murderer who was trying to cover up. Well, you
can see for yourself how that complicates things. If there's something
you know--something you didn't tell me--"

"It hadn't happened then. Look here, I'll tell you what it was, then
you'll see for yourself it couldn't have anything to do with Lewis being
shot."

"Yes, you'd better tell me."

She sat up straight in the sofa corner with her hands in her lap. No
rings on them. She had taken off her wedding-ring. His glance just
flicked the bare third finger. She said rather quick and low,

"Yes, I'll tell you. It was quite a different sort of thing. I found out
what it was after I'd spoken to you. I heard the sound again--at least I
woke up out of rather a frightening dream--I think it waked me. I got up
and looked out of the window. The light came on outside in the glass
passage. It wasn't on when I woke up, then it came on--suddenly. I
thought someone--Charles, it sounds like nonsense, but all along, both
times, I thought someone had come from the annexe into the house."

He shook his head.

"The light can only be turned on and off from the annexe."

"I know. I'm not arguing about that. I'm only telling you what I thought
at the time, because that's what made me go and look down over the
stairs."

"Well?"

"I saw Hester Constantine--"

"My poor child! You must still have been dreaming! No wonder you said it
was a frightening dream!"

"Charles, I'm serious."

"You really mean you saw Hester Constantine come from the annexe?"

"I don't know whether she came from the annexe, or whether James Moberly
did--they might have been in the study. It must have been he who turned
the light on and off--unless you can possibly imagine it was Lewis."

"_Honi soit qui mal y pense_--I can't. Hester Constantine! I think not!"

"Then it was James Moberly. She looked quite different, poor thing--all
lighted up and happy. And she had one of Myra's shawls, a bright
embroidered thing. She--Charles, you can't mistake it when anyone looks
like that. It's--it's frightfully pathetic--those two poor things. Myra
says Lewis has always treated him like dirt and he couldn't call his
soul his own. She didn't see that Hester couldn't either. If they sort
of clung on to one another and tried to get a little happiness--" She
put out her hands to him. "Charles, don't you see how--how savage it
would be if we were to throw them to the police?"

He said, "Poor old James!" And then, "We won't throw him to the police
if we can help it. But I think we'll have to have a show-down. There's
more to it than you know, and if James has been snapping lights on and
off, and letting people into the annexe at night--to say nothing of
drugging his employer--well, I think he'll just have to explain what it
was all about, and he can begin by explaining privately to Miss Silver
and me."

Stacy said, "I feel awful."

He took her hands, held them for a moment lightly and let them go again.

"Nice womanly sentiment, darling. But I'm not prepared to be led away
with gyves upon my wrists because of being too delicate to ask James a
few straight questions."

Stacy's mind swung back. She had said, "Nonsense!" to Lilias, and she
felt like saying "Nonsense!" again, but there was the cold breath of
fear blowing. She didn't know how serious he was, but if he was serious
at all--

Charles said, "I don't actually want to be arrested for murder if I can
help it." Then, before she could say anything, "Being a little morbid,
aren't we? How did the visit to Lilias go off?"

"All right."

"As bad as that! My poor sweet, I thought you looked a bit jaded!"




                           CHAPTER TWENTY-TWO


At about the same time that Charles and Stacy were talking at Saltings
Randal March got out of his car, walked into the hall at Warne House,
and enquired for Miss Maud Silver. Edna Snagge thought him a very
good-looking man. She could admire Charles Forrest with his dark ugly
charm, and she could admire as different a type as Randal March with his
fair hair burned brown, his steady blue eyes, his look of health. She
thought Miss Silver no end lucky to have the two of them coming to see
her one after the other and nothing to bring them so far as she knew.
She went to find her, and received a gracious word of explanation.

"Mr. March? Oh, yes--certainly. He is an old pupil of mine. So kind and
attentive of him to call."

Edna said, "I've put him in the little writing-room. You won't be
disturbed there."

She received a beaming smile.

The little writing-room was on the shady side of the house. On cold,
dull days it had been stigmatised as a gloomy hole. On a hot evening
like this it had its points, but it was never a popular resort. Miss
Silver reflected that their conversation was not likely to be
interrupted.

She found the Chief Constable standing with his back to a funerary
mantelpiece carried out in black marble. The clock matched it, but was
relieved by little gold turrets. A shadowy engraving of what was
probably some famous battle picture was hardly to be distinguished from
the surrounding wallpaper.

Greetings of the most affectionate nature passed, to be followed by
enquiries for his mother--"I was so concerned to hear about her having
had a cold"--and about his sisters, Margaret and Isobel.

Difficult as it was to believe it now, Randal March had been a delicate
little boy, and it was for this reason that he had shared his sisters'
schoolroom. He had also been very much spoilt. Having successfully
routed two governesses, he had regarded Miss Silver's arrival as the
provision of more cannon-fodder. The local doctor had opined that it
would do him harm to be thwarted. Miss Silver, after listening
sympathetically to all Mrs. March had to say, dismissed it from her mind
and proceeded to establish the cheerful discipline which she was
accustomed to maintain in her schoolroom. Randal found his energies
provided with a more interesting outlet than naughtiness. He conceived a
high respect for his teacher which remained in full force down to the
present moment. For her part, though she had never allowed herself to
have favourites and was always scrupulous in her enquiries for his
sisters, it was an unadmitted fact that her affectionate feeling for
Randal was of a more spontaneous character.

Preliminaries over, she seated herself, took out her knitting, and
revealed the inch-wide strip of soft pale pink wool which indicated that
a baby's vest was in process of construction.

Randal March sat down opposite to her and said, "Well?"

She gave a little cough.

"Well, Randal?"

"All right, I'll deal. I'd like to see Brading's letter."

She produced it--from the knitting-bag, a circumstance which struck him
as characteristic.

Leaning forward to take it from her, he scanned the few lines:

    "Dear Madam,

    I am writing to ask you to reconsider your decision. There have
    been developments. The matter is confidential, and I do not wish
    to go to the police--at present. This is a pleasant country
    club. I have reserved a room for you, and must beg you to come
    down immediately. You may name your own fee. If you will ring up
    and let me know by what train you will be arriving, I will see
    that you are met at Ledstow.

                                                      Yours truly,
                                                    Lewis Brading."

March looked up and said,

"What did he mean by developments?"

"I have no idea."

He sat frowning at the letter for a moment. Then he said,

"You only saw him once?"

"That is all."

"Will you tell me what he said?"

She was knitting rapidly. The strip of pale pink wool revolved. There
was a moment before she answered him.

"Yes, I think I must."

With the verbal accuracy which he knew was to be trusted she gave him
Lewis Brading's words and her own. When she had finished he said coolly,

"Well, he seems to have asked for it. You know, this looks very bad for
Moberly. It fits in too. Look here, perhaps you'd like to take some
notes. Here's a timetable of what happened yesterday up to the
shooting." He reached sideways to pick up pencil and paper from the
small writing-table at his elbow.

The knitting was laid down, the pencil poised. He produced a sheaf of
papers from the case beside him, detached one of them, and said,

"Here we are. Brading took the nine-thirty bus to Ledlington. At
ten-fifteen he went into the Southern Bank, asked to see the manager,
and signed a will-form which was duly witnessed by him and a clerk. He
said something about asking for congratulations before long. A lady
called Maida Robinson says he had asked her to marry him on the previous
evening."

Miss Silver inclined her head.

"Major Forrest has told me about Mrs. Robinson. He has also given me a
timetable showing Mr. Brading's visitors during yesterday afternoon."

"Well, that clears the ground--I need only give you the morning. Brading
got back here at eleven-thirty. He went to his study--you've seen it, I
suppose?"

"Yes."

"He was there for about half an hour. James Moberly was with him. One of
the waiters overheard part of their conversation. He dresses it up--says
he was taking Brading some letters which had come in by the second post
and couldn't make up his mind whether to go in or not, because they were
quarrelling. Of course there isn't the slightest doubt that he heard the
raised voices and listened deliberately. He may even have loosened the
catch a bit--it slips rather easily. Anyhow, he's prepared to swear that
he heard Moberly say, 'I can't and won't stand it any longer.' He says
Brading laughed in a nasty way and said, 'I'm afraid you'll have to.'
Moberly said, 'I won't, and that's flat!' Brading laughed again and
asked him what he was going to do about it, and Moberly said, 'You'll
see.' After which this man, Owen, appears to have thought he had stood
there long enough, so he knocked and went in. He says Brading was
sitting at the table and Moberly was standing looking out of the window.
Moberly admits there was a disagreement." March put down the paper from
which he had been reading and took up another. "Here's his
statement--all very watered down and innocuous, as you will see. He
says:

" 'I was in the study at eleven-thirty when Mr. Brading came in. I took
the opportunity of telling him that I would like to resign my post. This
was not on account of any personal disagreement or any dissatisfaction
on either side, but because I found my health was suffering from having
to live under the unnatural conditions which he considered necessary. A
good deal of my work has to be done in the annexe, and I have to sleep
there. The absence of air and light were affecting my health. Mr.
Brading was angry and said he would not let me go. What Owen says he
overheard is substantially correct, but we were not quarrelling. He was
annoyed at my giving notice, and I was sticking to my point. At five
minutes to twelve Mr. Brading went over to the annexe. I let a minute or
two go by, and then I followed him. I had my own key, so I was able to
let myself in. I could hear his voice coming from his bedroom. He was
telephoning, so I stayed where I was--that is, in the passage from which
his bedroom and the laboratory open. I kept at the far end of the
passage, so I did not hear what was said. When he rang off I was going
to go to him, but he asked for another number. I could not distinguish
what number it was, only the tone of the voice. I thought it sounded as
if he was angry. Just at the end of the call I heard him say, 'You'd
better'. Those words were said most emphatically. Then he rang off, and
I went to him and told him that I could not withdraw my notice, but that
I would of course remain until he was suited. I then returned to the
study, and from there went in to lunch. When he had finished his own
lunch he came over to my table and stopped for a moment to say that I
might have the afternoon off, as he would not be wanting me."

March looked up for a moment.

"They apparently had all their meals over here in the club. I asked him
if they usually ate at separate tables, and he said yes, their hours
were different and they both preferred to be independent. I may say that
the staff confirm this. Well, I'll go on now. There isn't much more."

He went back to James Moberly's statement.

" 'I left the dining-room a little later and went over to my room in the
annexe to fetch a book. The steel door was locked as usual, and I used
my key to open it. When I came back to the club a few minutes later I
made sure that it was shut behind me, as I always do. It locks itself
when it is shut, and I am quite sure that I left it locked. I went to
the study and spent the afternoon there reading. I heard the clock
strike three. About ten minutes later Miss Constantine opened the door.
When she saw that I was alone she came in. We sat there talking until
Major Forrest gave the alarm. We were together the whole time. Neither
of us left the room.' "

Miss Silver said,

"The study window looks towards the annexe. Did you enquire whether Mr.
Moberly was in a position to see the glass passage, and whether he
noticed any of Mr. Brading's visitors?"

"Yes, I asked him that, but it doesn't get us any further. He says
people were coming and going, but he was reading and didn't take any
particular notice. The only person he saw was Major Constable. He says
he heard someone running, looked up, and saw him in the glass passage.
He was running from the annexe, and he had something white in his hand."

Miss Silver was knitting briskly.

"Was Mrs. Robinson's bag white?"

"Yes--a big white plastic affair. She had her bathing things in it. I
think it's quite clear that Constable was coming back from fetching it
when Moberly saw him. You say Forrest gave you all those comings and
goings?"

"Yes, he was most helpful."

"Well, Moberly says he didn't see anyone else until Miss Constantine
came in, and after that they were talking."

"What does Miss Constantine say?"

"That she was with her mother until three o'clock, went to her room to
tidy, came downstairs as Lilias Grey left the club, went along to the
study, and spent the time there talking to Moberly, just as he says."

Miss Silver's needles clicked.

"When I asked Major Forrest if they were friends he replied that he did
not think Miss Constantine 'ran to friends much'. The study was Mr.
Brading's room. Unless she had previous knowledge, she could not have
expected to find Mr. Moberly there alone. Did she know that he would be
there alone? Was her visit to him, or was she looking for Mr. Brading?
It was his study."

March made an impatient movement.

"Does it matter?"

She looked at him mildly.

"It might, Randal."

"They both say that they were together between three-ten and
three-thirty. It is, of course, possible that one or both of them are
not telling the truth. In fact I'll go so far as to say that things
don't look too good for Moberly. In which case Miss Constantine may be
lying to protect him, or she may simply have been muddled about the
times. She impressed me as rather a vague sort of person."

Miss Silver said in a considering voice,

"That would not be so easy. The time of Miss Grey's departure is fixed
by Miss Snagge in the office, also the time of Major Forrest's arrival
ten minutes later. It would be difficult for Miss Constantine to be
muddled as to whether Mr. Moberly was in the study when she got there
and for the next ten minutes. You are, I suppose, drawing my attention
to the fact that it was during this time that Mr. Moberly would have had
the opportunity of going over to the annexe to shoot Mr. Brading?"

March nodded.

"According to Miss Grey, Brading was alive at three-ten. According to
Forrest, he was dead at three-twenty. According to Miss Constantine and
James Moberly, they were together in the study during the intervening
ten minutes. According to Edna Snagge, no one came through the hall.
Since you always know everything, I suppose you know that the only other
room opening on to that short length of passage, the billiard-room, was
locked up all day."

Miss Silver said,

"Yes--Major Forrest very kindly verified that."

"Miss Peto, the manageress, says there is only one key, and she had it.
The room keys are not interchangeable. I've had them all tried, and
there isn't one that fits the billiard-room door. So we get this
situation. Lewis Brading is alive at three-ten, and dead at
three-twenty. In that intervening time one of six people killed
him--Miss Grey, James Moberly, Miss Constantine, Charles Forrest, Edna
Snagge, or Brading himself. Some of these are too improbable to be
considered at all seriously. I'll take Brading himself first. The death
was meant to look like suicide, but Crisp was suspicious from the
beginning--Inspector Crisp from Ledlington--you'll remember him at the
Catherine-Wheel, I expect. He's as sharp as a terrier after rats, and as
soon as they got the fingerprints on the revolver he said they were all
wrong. It's the most difficult thing in the world to get a natural print
from a dead hand. The murderer had had a try, and he hadn't brought it
off."

Miss Silver said, "Dear me!"

March gave his half laugh.

"Dear me it is. And that rules out Lewis Brading. Now we'll take one of
the improbables. Edna Snagge. All the times depend on her observation
and statement. She could have walked down the passage, and provided the
steel door was left open by Miss Grey, she could have entered the
annexe, gone through to the laboratory, and shot Lewis Brading. Only
there's no earthly reason why she should. I don't really think we need
consider her. She is a perfectly good, respectable girl on the brink of
becoming engaged to a perfectly good, respectable young man. She wasn't
a legatee under Brading's will, and she had no more to do with him than
with anyone else about the place. In fact she had no conceivable motive
and I only mentioned her because it was physically possible for her to
have done it."

Miss Silver's needles clicked.

"Quite so."

"Then we have Miss Grey, who also seems to have no motive. We have been
in communication with Brading's solicitors, and she had no interest
under his will. Charles Forrest's mother adopted her at a time when she
had no children of her own. Brading's mother was a Forrest, so I suppose
she ranks as a cousin, but you know how those sort of things work out.
She and Brading have lived practically next door to each other for about
thirty years in one of those semi-detached relationships in which there
is neither intimacy nor disagreement--perhaps never enough intimacy to
lead to disagreement. One sees the sort of thing every day. They've
always known each other, and never cared enough to quarrel."

Miss Silver said,

"An excellent description."

He smiled.

"Praise from Sir Hubert Stanley! Well, so much for Miss Grey." He leaned
forward, a slight change in his manner, and said, "Then there's Forrest.
Crisp is rather hot on Forrest. Very zealous fellow Crisp. He points out
that Forrest has a most indubitable motive. The Forrest finances have
been as embarrassed as those of most other landed proprietors. Charles
has managed to keep his head above water and pay his rates by cutting
his house up into flats and letting it piecemeal. Brading's father made
a pile in commerce. Some of it's locked up in the Collection, but
there's quite a lot left, and under the original will Charles Forrest
scoops the lot. Brading's projected marriage and Brading's new will
would undoubtedly be a nasty jar. Crisp points out the obvious with a
good deal of triumph--Brading was shot as soon as he became engaged to
be married and altered his will. And the new will was destroyed. He
thinks that conclusive. I don't go so far as that, but--well, there are
some suspicious circumstances. And then, out of the blue, comes this
business of Moberly's past. That gives him a motive too. Crisp won't
like it of course--the money motive is such an obvious and easy one."

Miss Silver quoted from her favourite Lord Tennyson.

" 'The lust of gain in the heart of Cain', Randal."

"Quite. But we are not all Cains. The normal man doesn't get knocked off
his balance and do murder because a cousin contemplates matrimony. I
must confess to thinking that Moberly had a much stronger motive. To all
intents and purposes Brading was blackmailing him. He had had years of
wanting to get away and being forced to stay. Not so good to be chained
to one's post and under the eye of someone who knows all about it and
doesn't scruple to use his knowledge. It's a strong motive. Whether it
would be strong enough depends on things like Moberly's temperament,
character, and what incentive he had to break away and make a fresh
start. I must tell you candidly that I think it lies between him and
Forrest, with the probabilities rather evenly balanced."

Miss Silver said,

"Major Forrest asserts with a good deal of warmth that Mr. Moberly would
not 'hurt a fly'--I use his words. He was aware of the fact that Mr.
Brading was holding something over him, and he knew what that something
was, but he would not, I believe, have said anything about it if I had
not told him what Mr. Brading had said to me on the subject. He is, I
think, really convinced that Mr. Moberly had nothing to do with his
cousin's death."

March gave a short half laugh.

"He would be if he had shot him himself. And he might have shot him, and
yet not wish to see an innocent man hang. I still think that the balance
is fairly equal between the two of them. But there is a thing which may
tip it down on Forrest's side."

She looked at him across her knitting.

"The destruction of the will?"

He nodded.

"Forrest had the most interest in that--in fact the only obvious
interest. But if we are to consider subtleties, Moberly may have had
some reason of his own for burning the will. He may, for instance, have
hoped for some help or provision from Forrest who had been friendly to
him, whereas he couldn't expect anything from Maida Robinson. It's not
much of a theory, I admit, but a wealthy Charles Forrest might have done
something for him, you know."

"That is true."

"That's five out of my six people. The last one is Miss Constantine. I
hardly think she could be a principal. She may be screening Moberly. At
present there doesn't seem to be any motive for her doing so, but of
course you never can tell. If she is really speaking the truth when she
says that she and Moberly were together in the study for that
all-important ten minutes between Miss Grey's departure and Forrest's
arrival, well, then Moberly is out of it and we are left with Charles
Forrest. We must just go on digging and see what turns up."

"There is nothing missing from the Collection?"

"No. Everything is catalogued in Brading's own hand. We have had a check
over with Moberly and Forrest. There is nothing missing." He paused for
a moment, and then went on again in a slower tone. "There was a diamond
brooch in the open second drawer of the writing-table--a very handsome
one--five big diamonds in a row. Can you make anything of that?"

"Any prints on it?"

"No. Not much surface, you know."

She had her considering look.

"If he had just become engaged to Mrs. Robinson, it might have been
intended as a present."

His expression changed to one of distaste.

"Rather an odd one, but Brading was an odd sort of person. The brooch is
valuable, but it has unpleasant associations. One would hardly have
thought--" He gave a slight shrug. "It's down in the catalogue as, 'The
Marziali brooch--five brilliants of four carats each', and then, 'Guilia
Marziali was wearing it when her husband stabbed her and her lover,
August 8th, 1820'."

Miss Silver said,

"Mr. Brading's tastes were morbid in the extreme." Her needles clicked.
The pink strip had lengthened considerably. She said, "I suppose you
will have had a report on fingerprints. Does it suggest anything of
interest?"

"Did you expect it would?"

"Frankly, no, Randal."

He laughed.

"Well, you would have been right. Brading threw a party on the previous
night to show his Collection. Present Myra Constantine and her two
daughters, Charles Forrest, Lilias Grey, Major Constable, Maida
Robinson, a Mr. and Mrs. Brown--innocuous people with no interest in
Brading and perfect alibis for the time of the murder--Brading himself,
Moberly, and a girl who used to be married to Charles Forrest and now
calls herself Stacy Mainwaring. I suppose you've heard about her?"

"I have met her."

"Seems a nice girl. There doesn't seem to have been any scandal about
the divorce--they just separated, and are now quite good friends."

"So Major Forrest tells me."

"She seems to have been one of the party. And of course everybody's
fingerprints are all over everything."

"Not, I suppose, in the laboratory."

"No. But most of them touched the steel door coming or going, and the
table and chairs in the big room have all the prints. You can tell where
everyone was sitting. But we knew that already. Brading got out his
stuff and had them all round the table watching him show it off."

"What about the other rooms? What about the laboratory?"

He answered the first part of the question first.

"Nothing in the other rooms except Brading's own prints, Moberly's, and
those of the woman who used to come in and clean. In the laboratory,
Brading's and Moberly's all over the place, Constable's on the back of a
chair in which Maida Robinson says she had been sitting. It was across
the table from Brading, and it would have been quite a natural place for
her to be. She says she left her bag there, and if it was on that side
of the table, Constable would be quite likely to take hold of the chair
as he leaned over to get the bag. That's his only print. There are none
of hers, and none of Lilias Grey's. Forrest has the print of his right
hand on the top of the table at the back. He says he stood there and
leaned across when he first came in, to make sure that Brading was dead
before he went round and touched him. There's a print of his left hand
on the back of Brading's chair, and some impressions of his right upon
the corner of the table near where Brading's head was lying. And that's
all."

"No prints on the door?"

"Brading's and Moberly's."

"Not Mrs. Robinson's?"

"No."

"Then it must have been open when she came."

"That's likely enough. He was expecting her, and Edna Snagge rang
through from the office to let him know she had arrived. He came and
opened the steel door for her and took her through to the laboratory."

"I see. Were there no prints upon the ash-tray where the will had been
burned?"

"Forrest told you about that? No, there were no prints on it."

"Or on the handle of the drawer in which he kept the revolver?"

"Only his own."

"And the prints on the revolver, you say?"

"Were made after death."




                          CHAPTER TWENTY-THREE


It was not very long after Randal March had taken his leave that Charles
Forrest's car drew up in front of Warne House. He got out, and Stacy
Mainwaring got out. All very interesting for Edna Snagge, who was just
going off duty. She wondered what it would be like to marry someone and
leave him, and then come down and meet him again as if none of it had
ever happened.

Charles put Stacy in the study and went off to get Miss Silver, whom he
found in the writing-room sitting by the window, enjoying a cool breeze
and considering her late conversation with the Chief Constable. He came
in and said,

"Stacy wants to see you. At least that's putting it rather high--there's
something I think she ought to tell you."

He was impressed by the fact that she asked no questions, merely said,
"I shall be very pleased to hear anything Miss Mainwaring has to say",
and accompanied him to the study without more ado.

Stacy was reminded of interviews with a headmistress. There was the same
dampness on the palms of the hands, the same feeling of being quite
hollow and empty. And then Miss Silver smiled at her and everything felt
quite different. Charles had disappeared, which somehow made things
easier, and by the time they were sitting down and Miss Silver had got
out her knitting the study felt really almost cosy. Stacy found herself
saying,

"There's something--Charles thinks I ought to tell you about--but I
don't know--"

Miss Silver produced a ball of pale pink wool and unwound a length of it
so as to avoid any drag upon the needles. She said,

"You are afraid of hurting someone?"

Stacy gave her a grateful look.

"Yes." Then, after a pause, "It might hurt them--dreadfully."

Miss Silver coughed.

"What you have to tell is connected with Mr. Brading's death?"

"I don't know--it might be--Charles thinks--"

Miss Silver looked at her kindly.

"In a murder case private feelings and reticences very often have to be
sacrificed. If you know something, I think that you should speak. What
is unconnected with the murder need go no further. But you are, perhaps,
not in a position to judge what is, or might be, important evidence--and
to withhold evidence may involve an innocent person."

Stacy said, "Charles--" and then stopped. She looked from the clicking
needles to Miss Silver's face. An extraordinary feeling of reassurance
and relief came to her. She began to tell Miss Silver about seeing the
light in the glass passage turned on, hearing the click of the door, and
watching Hester Constantine come through the hall wrapped in her
mother's bright shawl. Miss Silver knitted and listened. At the end she
said,

"Major Forrest is right. You could not have kept this back."

Stacy said, "I'm so sorry for them. I don't think they've ever had
anything."

Miss Silver coughed in an encouraging manner.

"Pray do not distress yourself. If what you saw has no connection with
Mr. Brading's death, it is, and can remain, their private affair. And
now, perhaps, you would like to slip away. Major Forrest said he would
give us a few minutes and then bring Mr. Moberly here. You will not,
perhaps, wish--"

Stacy said, "Oh, _no_," and fled.

James Moberly came in a little later with Charles Forrest behind him.
Miss Silver's position having been explained, he showed no surprise at
her presence. Everything had become so disturbing, so complicated, so
fraught with unpleasant possibilities, that he no longer had any
expectation of comfort or security. Police, or private detectives,
Inspector Crisp barking at him, or an elderly lady knitting up pale pink
wool--it really no longer seemed to matter, since there appeared to be
nothing but stark ruin ahead.

Charles said, "Sit down, James. I think you've met Miss Silver," and he
sat down, though he would rather have remained standing. Now they were
all sitting, and no one had said anything yet--not anything that
mattered. Presently they would begin. He supposed it would be the same
thing all over again. He sat there in a dull misery and waited.

Charles turned a frowning face upon him.

"Look here, James, I hope you don't mind--for all our sakes we've got to
do what we can to get to the bottom of this business. As I told you,
Miss Silver is here because she is a private detective. Lewis went to
see her a fortnight ago."

James Moberly said, "You didn't tell me that."

"No."

"Why did Mr. Brading go to a private detective?"

Miss Silver said in precise tones,

"He was uneasy. He said that on more than one occasion he had slept more
heavily than was natural, and on waking he received a definite
impression that there had been someone in the annexe."

James Moberly could not have looked paler or more harassed. His face
showed no change.

Charles said, "You understand the implication?"

He gave a slight hopeless shrug.

"That I drugged him? Oh, yes. Why am I supposed to have done that?"

"He did not say. He was uneasy. He wished me to come down and
investigate. I refused. This morning I received a letter from him urging
me to reconsider my decision. The postmark was Ledstow, 2.30 p.m.
Immediately after reading it I read of his death in my morning paper.
Major Forrest afterwards rang up and asked me to come down here."

There was a pause. Then Charles said,

"It's all damned unpleasant. Better get on with it."

He had a reproving glance from Miss Silver. She said,

"Mr. Brading suspected that someone was being admitted to the annexe at
night. I must tell you that this suspicion is borne out by certain
facts. On two occasions the light in the glass passage, which, I
understand, is supposed to burn all night, was for a time switched off.
Someone looking out of a window noticed that the passage was dark and
saw the light switched on again. This person had been awakened by the
click of a latch. The second occasion on which this happened was the
night before Mr. Brading's death. Miss Hester Constantine was observed
to come from the direction of the passage."

James Moberly said nothing. He stared before him.

Miss Silver said,

"The person who saw Miss Constantine was able to describe every detail
of her appearance. She was wearing an embroidered shawl of her
mother's--"

James Moberly said, "Stop!" But when the silence fell he had no more to
say until Miss Silver spoke his name.

"Mr. Moberly--"

He broke out then.

"What are you implying? What is all this about? What have I got to do
with Miss Constantine?"

"That is for you to say. The implication is, of course, quite clear.
Perhaps we should ask Miss Constantine to join us."

He said, "No!" in a dreadful voice. And then, "Not that!"

From staring at Miss Silver, he swung away to fix his eyes on Charles,

"Forrest--"

"Look here, James, this has gone far enough. Don't you think you'd
better make a clean breast of it? The plain fact is, we've none of us
got any private affairs any longer. If you and Miss Constantine have
been meeting here or in the annexe--well, in the ordinary way it would
be no concern of mine, but--don't you see, man, don't you see if you
were fool enough to have her into the annexe--"

James Moberly lifted his head.

"She is my wife."

Miss Silver said, "Dear me!"

He repeated the words defiantly. He had not known that it would be such
a relief to say them.

"She is my wife. We were married in Ledlington a month ago. There wasn't
any way we could meet. We could hardly see each other. You know how it
was, Forrest. Mr. Brading wouldn't let me go. But you mustn't say I
drugged him--I wouldn't do that. He had his own sleeping tablets. I
wouldn't drug him."

Charles laughed.

"My dear James! So you put one of his own sleeping tablets into that
revolting drink which he always took the last thing, I suppose--some
awful malt and cocoa compound. And that wasn't drugging him!"

Moberly went on staring in a tired, obstinate way.

"It was only one of his own tablets. I wouldn't drug him."

Charles lifted a hand and let it fall again. He said,

"Well, well--" And then, "Everyone isn't going to make such a nice
distinction. March won't, I'm afraid."

The look of fatigue deepened.

"Are you going to tell--the police?"

"My dear James what are we to do--you--I--any of us? Suppose we hush all
this up and they nose it out. After all, you can't get married without
quite a number of people knowing about it. How did you do it? ...
Registrar's office in Ledlington? Well then, there you are. Before this
happened it wasn't anybody's business, but now--why, it's simply bound
to come out, and it's going to look a whole lot better for you if you
come forward with the information yourself. After all, it's got to come
out some day."

Moberly said,

"You don't understand. If they know that Hester and I are married, it
puts us both under suspicion. We say we were together here in the study
between the time that Miss Grey left the hotel and the time you arrived.
It happens to be true. We were here. I was telling her what I had said
to Mr. Brading before lunch, and what he had answered. She knew that I
was making a very strong effort to induce him to let me go. I had to
tell her that I had failed. That is the truth. But the police won't
believe it. Because we are husband and wife they will think I could have
gone into the annexe and shot Mr. Brading, and Hester would say I hadn't
left her. They might even say that she--" He broke off with a groan.

Miss Silver had been watching them in an interested manner, her hands
busy with her knitting, her eyes noting every shade of expression. She
now gave a gentle cough and said,

"It is true, Mr. Moberly, that your alibi for the time of the murder
will not appear quite so strong once it is known that Miss Constantine
is your wife. But it is also true, as Major Forrest says, that this fact
is bound to emerge, and that any further attempt at concealment cannot
fail to have a prejudicial effect. If you speak the plain truth, it
will, I believe, carry conviction."

He shook his head, and said without looking at her,

"You don't know--"

Charles Forrest said,

"Yes she does. Lewis told her when he went up to see her a fortnight
ago. He spilled the whole thing--told her all the back history, and that
I was his executor and would get his instructions to hand the dossier on
to the police if anything happened to him."

James Moberly dropped his head in his hands.

"That finishes it." After a pause he spoke again. "Have you handed it
on?"

"The dossier hasn't reached me yet. He didn't keep it knocking about,
you know. It was in his solicitor's safe. Someone will be coming down on
Monday, and I expect I'll get it then. As to whether it goes any further
or not, I never intended that it should. But it's a bit out of my hands
now-- Lewis took it out of them when he went to see Miss Silver."

Moberly looked up, his face dull and wretched.

"Miss Silver--he told you?"

"Yes, Mr. Moberly."

"What? What did he tell you?"

"Mr. Brading informed me that he had a hold over you. He informed me of
the nature of that hold."

"Who else--knows?"

"The Chief Constable."

James Moberly put his head in his hands again. He remained like that,
bent forward over his knees, the long thin fingers running up into his
hair--dark hair falling over the temples, fingers stained from the
laboratory where Lewis Brading had died. All at once he made some sort
of impatient sound, pushed back his hair, and got up. He turned to
Charles.

"I've got to think. I must have time--I can't take a decision like that
all in a minute--it affects my wife. Nobody's ever considered her, but
she's going to be considered now. I don't want to let anyone down, but
I've got to have time to think. You must understand that."

Charles eyed him curiously.

"No one's trying to hustle you."

Moberly did not seem to hear this. He said again, and more vehemently,

"I must have time! It isn't as if I'd only got myself to consider.
You've been my friend. If it was only myself--but it isn't--it can't be.
I'm bound to think about Hester. I can't let her down without putting up
a fight. You must see that."

Charles nodded. He said, "Take all the time you want," and saw him go
over to the door and jerk it open.

He stood there a moment, half turning back as if he had something more
to say, but in the end he went out, leaving the door standing. Charles
went over and shut it. Then he came back and sat on the corner of the
writing-table.

"He's gone out to the annexe. That door into the glass passage clicks
just like Stacy said. Did you notice it?"

"Yes, Major Forrest."

He beat a tattoo with his fingers on the table and said,

"Poor devil! They'll make up a case against him. He has a Past. He has a
Motive. He drugs his employer--I'm afraid the gendarmerie will call it
drugging. He gets married in a very clandestine manner. And his alibi is
now on the flimsy side. All the same he didn't kill Lewis, you know."

Miss Silver gazed at him with mild enquiry.

"Why do you say that, Major Forrest?"

Charles gave his charming smile.

"Because I rather gather that he thinks I did."




                          CHAPTER TWENTY-FOUR


Next day being Sunday, Miss Silver attended morning service at the
little church which stood in the middle of Warne village, very small,
crouched, and old, with its graveyard round it. It had stood there for
seven hundred years, and some of the headstones were so old that they
would have crumbled long ago if moss and lichen had not held them
together. Inside, a little girl worked the bellows for the old-fashioned
organ, and an older girl stumbled through the chants and hymns under the
eyes of a congregation which had seen her grow up and knew that she was
substituting for the school-mistress who was on holiday. The girl was
plump, nervous, and not above seventeen. She got hotter and redder every
moment. No kindly curtains intervened to prevent any worshipper from
being aware of the fact, but on the whole the verdict would be that
Doris hadn't done too bad.

Miss Silver found the service very restful. The simple faith and Norman
blood mentioned in a famous poem by her admired Lord Tennyson appeared
to be happily conjoined in this archaic edifice. No one in Warne had a
voice, but everyone sang heartily. The sermon was delivered in a
conversational undertone by an old man who allowed long, dreamy pauses
to punctuate his discourse, during which he gazed kindly upon his
congregation, not a few of whom had dropped into a gentle Sabbath dose.
It was all worlds and worlds away from murder. Yet as everyone came out
into the August sunshine the Brading case was there, to be discussed,
deplored, and whispered about. "They do say"--"My Annie says"--"There's
a London detective come down"--"I'd nothing against Mr. Brading
myself"--"Well, I always did stick to it that Collection of his wasn't
any better than the Chamber of Horrors" ...

Miss Silver's hearing was very acute. She caught these and similar
snatches of talk as she walked down the cobbled pathway to the lych-gate
which opened upon the village street. She was in its shadow, when a
quick footstep came up behind her and a brisk voice said,

"Are you Charles Forrest's detective?"

Miss Silver turned with some dignity. She was not tall, but she had an
air of authority--she could impress.

She failed to impress Theodosia Dale, who stood under the melting sun in
her thick laced shoes, her iron-grey tweeds, her black felt hat, and
repeated the question.

"Are you Charles Forrest's detective?"

"My name is Maud Silver. I am a private enquiry agent."

Theodosia nodded.

"I thought so. You are staying at Warne House. We can walk up together.
I am lunching there."

They passed out into the street. It was extremely hot, but Miss Dale's
skin showed no sign of moisture. Lewis Brading had been murdered, but
she showed no sign of being affected by that either. If there were
interested glances turned her way they could detect no change in her.
She was Miss Dossie, and she never looked any different winter or
summer. She didn't look any different now. She walked beside Miss Silver
and said,

"You are enquiring into Lewis Brading's death? I should have thought the
police could do that. But no matter--I daresay they are very
incompetent--men usually are. I hear it wasn't suicide. No one would
ever have got me to believe it was. Lewis wasn't that sort. If he wanted
anything he went on till he got it, and once he got it he held on to it.
He would never have taken his own life. What do you think about it all?"

Miss Silver coughed in a restrained manner.

"I could not offer any opinion," she said mildly.

Theodosia nodded.

"The name is Dale--Miss Dale--Theodosia. My friends call me Dossie. I've
lived here all my life, and I'm a nosy old maid. I could be useful to
you, you know. There was a time when Lewis and I were going to be
married. Somebody else would tell you if I didn't myself. It gives me a
point of view."

Miss Silver said, "Yes--" Her tone was a thoughtful one. Miss Dale
interested her a good deal. She would certainly know things which might
be useful--or confusing. If they were to walk to the club together, it
would do no harm to let her talk. It would probably be extremely
difficult to prevent her doing so.

It appeared that Miss Dale had very decided opinions.

"I always told Lewis that Collection of his would be the death of him--a
nasty morbid idea, and one he ought to have been ashamed of. I had a
lucky escape when I had the sense to break off my engagement. Everybody
thought I was mad, but I knew what I was doing. Who killed him?"

"Who do you think killed him, Miss Dale? I am sure you have an opinion."

Theodosia shook her head in an impatient manner.

"I wish I had, but I haven't. I can tell you who didn't--Charles
Forrest."

"Why do you say that?"

"Not his line of country. I've known Charles ever since he was born.
He's got a good disposition. And something else. He's clannish--strong
sense of family. He didn't like Lewis, but he'd a family feeling for
him. He'd have gone to any amount of trouble to rally round in an
emergency. Same with Lilias Grey. Extraordinarily tiresome woman, but
because his mother adopted her Charles will go on giving her a flat and
seeing that she's got an income exactly as if she was his sister--and
that's more than a great many brothers would do. Take that depressed
secretary of Lewis's--nobody would have bothered about him or treated
him as a human being if it hadn't been for Charles. See what I
mean--that sort of person doesn't turn killer. But I shouldn't wonder if
that odious Ledlington Inspector didn't try and cook up a case against
him. I wouldn't put it past him. He and Charles had words about a speed
limit. Charles was run in and fined. Too bad. Crisp is a regular
jack-in-office. Look here, there's a thing you can tell me--about the
revolver. Lewis was shot with a revolver, wasn't he? Do you know if it
was the one Charles gave him?"

"I believe so."

"Well, they can make quite sure about that, you know. That's one of the
things I wanted to say to you. They needn't think they can drag Charles
into it on account of the revolver being his, because he had a pair, and
when he gave one of them to Lewis about six months ago he scratched his
initials on it--L.B. Lewis showed them to me--I can swear to that. So,
you see, they can't drag Charles in over the revolver."

Miss Silver said,

"Thank you, Miss Dale. That is very interesting."

They turned in at the gate of Warne House.




                          CHAPTER TWENTY-FIVE


It appeared that Miss Dale was lunching with Myra Constantine and her
daughters. In her character of a private gentlewoman Miss Silver would
certainly not have consented to being included in the party by someone
who was herself only a guest, but as a detective she made no resistance
when Theodosia introduced her to Myra, to Lady Minstrell, to Hester
Constantine, following up these introductions with a downright, "Ask her
to come and sit with us for lunch, Myra. Too depressing eating alone
after what has happened."

Miss Silver found herself placed between Mrs. Constantine, vast in a
dress brightly flowered with poppies and cornflowers, and a pale,
reluctant Hester, who gave her the sort of glance a nervous horse gives
when he is about to shy and then looked down at her plate.

James Moberly sat alone, as he always did, at the small table by the
door. He and Hester never looked at one another. Each felt the drag of
the other's misery, the other's fear. The room was almost empty. Mr. and
Mrs. Brown had left in a hurry. The golfing men had gone off for the
day. Guests who had been coming for the week-end had cancelled their
bookings.

Miss Silver accepted cold salmon, and found herself engaged in
conversation by Myra Constantine.

"Shocking thing this, and I hope you'll find out who's done it before it
wrecks the club. Lewis had a share in it, you know, and so have I.
Ridiculous, people giving it the cold shoulder. It's not even as if it
had happened in the club. I always did tell Lewis that Collection of his
ought to be in a museum, but he wasn't one to listen--" She broke off to
call the waiter, "Andr--some of that mayonnaise sauce!"

"Madame--"

A silver sauce-boat was proffered. Myra went on talking,

"Stingy with it, aren't you? And everybody ought to know better by now.
What's the good of salmon if you don't have plenty of sauce?" She helped
herself lavishly and turned back to Miss Silver. "That goes for
everything, doesn't it? Salmon, or life, it's all the same--it's the
sauce that counts, and I like plenty." She called across the table.
"Now, Miss Mainwaring, you'll just take a proper help and eat it! No
poking it away under your fork. I don't want Charles to say we got you
down here and starved you. No one's going to make anything better by
going off their food, and what I said to Miss Mainwaring--oh, bother, I
can't go on Missing you, my dear, it'll have to be Stacy and be done
with it. What I said to you goes for Hester too--she doesn't eat enough
to keep a fly. And what good it's going to do anyone starving and making
yourself ill passes me. No matter what happens, we've got to eat, and if
you don't fancy fish, Het, there's cold ham and salad but one or the
other you'll take, and no nonsense about it! Andr--get Miss Constantine
some ham!"

Hester Constantine said nothing at all. A little dull colour came up in
her face and went away again. When the ham was brought she cut it up
into very small bits and pushed them under the salad.

Miss Silver observed in a conversational voice that many people had very
little appetite on such a hot day. Myra speared a slice of cucumber,
added lettuce, potato, and watercress, imposed the whole on a good-sized
piece of salmon, and conveyed it skilfully to her mouth.

"Thank God, I've always been able to take my food," she said. "Makes a
lot of difference, you know. I didn't have enough when I was a growing
girl. You wouldn't believe how hungry I used to be, and have to see the
other girls go off to supper with their young men. Nobody'd look at
me--I was too ugly. And then--" she lifted a glass of shandy-gaff and
drank hugely--"well, then I went on being ugly, but they started looking
and I went out to supper with the best."

Lady Minstrell broke off her conversation with Theodosia Dale to say,
"Mama dear!"

Myra chuckled.

"You go on with your talk, Milly my dear, ever so nice and refined, and
I'll go on with mine. I'm not refined, and never shall be. Never went in
for it, or I daresay I'd have got there just as well as Lottie Loring
that's so high-toned and classy now that she wouldn't walk the same side
of the road with what she was when she got her first kick-off.
Andr--more shandy!"

She turned back to Miss Silver.

"If you're made one way, you get some kind of a nasty twist if you start
turning yourself round to look like something else--does something to
you--like those contortionists. I know, because I had a go at it. Poor
Sid now--that was my husband--he was refined. Didn't want to fall in
love with me, but couldn't help it, if you know what I mean, and once we
were married, the way I dropped my aitches, well it fairly shook him. So
I had a go at it. When Milly was born he wanted a nice refined name, so
we took Millicent--nice and easy to say, and Milly handy when you
weren't feeling grand. And then there was Hester, and he wanted an aitch
to her name so I'd have plenty of practice. It was his idea, you see,
that if I'd got to say a name with an aitch in it every few minutes all
round the clock, it'd break me in properly. So I sat down and thought.
Hermoine was what he wanted, but I said, 'No you don't, Sid
Constantine--not if I know it, you don't! I'm not going to be made a
holy show of every time I call my own kid, so you needn't think it! If
you want an aitch you can have an aitch, but I'm choosing one I can
dodge with. The name's Hester, and if the aitch slips off any time I'm
not thinking, well, Esther's a good name too--in the Bible and all, and
you can't say different.' " She gave her deep laugh. "He was vexed, but
he hadn't a word to say--I saw to that. And it was good practice for me.
I got my aitches that steady I was able to start calling her Het before
she was two years old, only by that time poor Sid was gone, so it didn't
really matter." She took an enormous helping of trifle and called across
the table to Stacy,

"Charles coming over this afternoon?"

Stacy said, "I don't know." She was not pleased to feel her colour rise
under the eye of Theodosia Dale.

"Well, he and that Major Constable have got to get their lunch
somewhere, I suppose. They might just as well have come here and all
among friends--unless they're lunching up at Saltings with Lilias. Or
with Mrs. Robinson. I don't suppose she wants to be left on her own any
more than most of us do when things go wrong. Funny idea that, leaving
people alone because they're in trouble."

Miss Silver coughed mildly.

"Some people really prefer it, Mrs. Constantine."

Myra shook her head.

"Can't understand it myself. When things go wrong you want your friends.
And that's where you find out just what friends you've got. When poor
Sid died and I was left with two kids and not enough money to give him a
proper funeral, do you suppose I didn't want my friends? Or find out
which was the real thing, and which wasn't? There was a man I hadn't
thought anything about--one of the la-di-da up-stage kind--twenty pounds
he sent me, and didn't want anything for it either, which is more than
you can say for some."

It was a little after this that Miss Silver was called to the telephone.
Randal March's voice came to her.

"I'm sorry to trouble you--"

"It is no trouble, Randal."

"That's very nice of you. Is Forrest in the club?"

"I believe not."

There was a vexed sound from the other end of the line, and then,

"I rather want to see him. He's not at Saltings."

"I believe he does not take his meals there. There are no facilities. He
may not have wished to meet everyone here today. It is rather like a big
family party."

"Quite."

Miss Silver said,

"He will, I think, be coming in. He happened to mention that he would be
busy with Mr. Brading's papers."

March said, "Thank you. I'll look in on the chance. There's just a small
point I'd like to ask him about." He rang off.

Charles Forrest came into the club at about three o'clock. He went
straight to the study and sat down at the writing-table.

He had not been there for more than five minutes, when Miss Silver came
in, prim and cool in her grey artificial silk with its pattern of black
dots and small mauve flowers. She wore her bog-oak brooch in the form of
a rose, and the matching string of small carved black beads. Since the
weather was so warm, her stockings were of black lisle thread instead of
wool. Her shoes were a new pair of glac kid with flat Petersham bows.

"I hope, Major Forrest, that I do not intrude."

Charles said, "Oh, no", in the tone which means, "Oh, yes."

"I will not keep you."

He had risen to his feet politely, and now saw to his dismay that she
proposed to sit down. When she had done so he did not resume his own
chair, but remained half sitting, half leaning against the table. It is
the kind of attitude which suggests that no prolonged conversation is
expected. Miss Silver's knitting-bag was upon her arm. He derived some
encouragement from the fact that it remained there. No knitting-needles
appeared, no pink wool. She said,

"I merely looked in to inform you that the Chief Constable rang me up
shortly after lunch. He wanted to know if you were in the club. When I
told him that you would be here later he said that he would come round
on the chance of seeing you."

Charles frowned.

"What does he want?"

"He said some small point had arisen. He had tried to get you at
Saltings."

The frown deepened.

"I took Jack Constable over to Ledbury. It's a rotten week-end for him,
poor chap. Oh, well--" His voice implied, "Is that all?"

Miss Silver answered the implication.

"There is something which I should just like to mention. I walked up
from church with a Miss Dale--Theodosia Dale."

"Our Dossie! Then I don't suppose there's anything left for me to tell
you. She knows all the answers."

Miss Silver permitted herself to smile.

"She was quite informative, and, I think, a good friend of yours. She
gave me a number of reasons why it would be absurd that any suspicion
should be attached to you."

His eyelids came down, narrowing the iris and pupil until they were just
a dark glint between the lashes.

"Does it have to be such a very good friend to believe that I didn't
murder Lewis?"

Miss Silver spoke gravely.

"That is a very imprudent way to talk. I think Miss Dale is really a
good friend. The fact that she is also extremely indiscreet is largely
discounted by her friends being so accustomed to her way of talking that
they no longer attach much importance to what she says."

Charles relaxed into an ironic smile.

"What a hope! She's practically the local yellow press. If she goes
round telling everyone I didn't shoot Lewis, in twenty-four hours there
won't be a soul who doesn't believe I did. Is that all she says?"

"By no means. She made a statement about the weapon. Or perhaps I should
say she asked me a question about it."

"Yes?"

"She wanted to know whether the revolver found by Mr. Brading's body was
the one which you had given him."

"It was. I told you that--I told Crisp--I told the Chief Constable. You,
I presume, told Dossie. And Dossie can go and tell the world!"

Miss Silver gave a faintly reproving cough.

"Miss Dale appeared to think that this might involve you in some
suspicion. She said she could bear witness that you had given him the
revolver, and that there was still further proof in the fact that when
you did so you scratched upon it the initials, L B."

Charles nodded.

"And what is that supposed to prove? Everyone knows I gave him the
revolver--everyone knows he kept it in that drawer. When I found him the
drawer was open and the revolver lying on the floor beside him. I don't
see what my having given it to him six months before is supposed to
prove."

Miss Silver said,

"I do not think that Miss Dale is a very clear thinker."

As she spoke, the door opened and Randal March came in. He said,

"How do you do, Miss Silver?" and then, "Hullo, Forrest! I've been
chasing you. I hope I'm not disturbing anything."

Charles said, "Oh, no." He had risen to his feet. When March had seated
himself, he returned to his former careless attitude, half on, half off
the table.

The window stood wide to the outside air, but no breeze entered. The
book-lined walls darkened the room in a manner not unpleasant on so hot
a day. They gave out a faint aroma of old paper, old leather, quite
perceptible when you first came in but soon ceasing to attract
attention. It passed through March's mind that Brading had been addicted
to singularly gloomy surroundings. He himself liked plenty of light and
air. He looked directly at Charles and said,

"There's a point that's come up about the revolver--I don't know if you
can help us at all. You say you gave it to him. Do you happen to know
whether he had a licence for it?"

Charles lifted a shoulder and let it drop again.

"I haven't an idea. Your guess is as good as mine. But if you want me to
guess, I should say it was most unlikely."

"Can you tell me why?"

"Just the way his mind worked. Some people are sticklers over what you
might call the minor points of the law. Lewis was just the opposite.
Regulations annoyed him--he liked dodging them. My guess is he'd have
argued that he'd a perfect right to keep a private revolver on his
private premises to protect his private property."

"In fact you don't think there was a licence?"

"Oh, I don't get as far as an opinion."

"Well, we can't trace one. If there had been a licence, we could, of
course, have identified the weapon positively. Can you tell me if it had
any distinguishing marks?"

Miss Silver was sitting with her hands quietly folded in her lap. She
had not opened her knitting-bag. She watched the faces of both men
closely. Randal had not come here on a Sunday afternoon to ask Charles
Forrest whether his cousin had taken out a licence for his revolver. She
concluded that she was not the only person to whom Miss Dale had talked.
She thought that Charles stiffened a little as he said,

"What do you mean by distinguishing marks?"

"Just what I said. For instance, initials."

Charles said carelessly,

"Oh, yes."

"What initials?"

"Oh, his own--L.B."

"Engraved?"

"No. I scratched them on the butt when I gave him the revolver."

"Are you quite sure of that?"

"Anyone know about it?"

"I don't know. Anyone might have known. I can't say if anyone
did--except--"

"Except whom?"

"I was thinking of James Moberly--but that's just another guess. May I
ask what all this is getting at?"

"In a minute. You say you put Brading's initials on the revolver you
gave him. It was one of a pair. Did you put your own initials on the
other?"

"No. I should like to know what all this is about."

"You're quite sure you put Brading's initials on the revolver you gave
him?"

Charles stood up.

"Is this the moment where I say I won't answer any more questions unless
my solicitor is present?"

March said gravely.

"You are bound to answer."

Charles walked to the window, turned there, and came back again.

"Oh, I'll answer. Of course I'm sure. If you show me the revolver, I'll
show you where I put the initials."

March said in a completely non-committal voice,

"There are no initials on the revolver with which Brading was shot."

Miss Silver said, "Dear me!"




                           CHAPTER TWENTY-SIX


Stacy was waiting in the hall. She wanted to see Charles--she wanted to
see him dreadfully. There was something going on, she didn't quite know
what. Nobody told her anything, but she could feel all the things they
were thinking, and it seemed to her that these things were becoming more
frightening with every hour that passed. It was like being down below in
a ship overtaken by a storm--you couldn't see anything, you didn't know
what was happening, but you felt the shock of the waves, and you could
hear the wind rising. Things had been happening. Myra's voice had risen
and risen behind her closed door, and then fallen suddenly silent.
Hester had come out of the room looking like a trampled ghost. Then Lady
Minstrell had gone in, and the voice had begun all over again until the
walls shook and echoed with it. Across the way in her own room, with two
doors and a passage between, Stacy felt as exposed as a leaf in a high
wind. And then when the gong sounded for lunch Myra had emerged without
a sign of storm or earthquake, her hair curling violently, her eyes
sparkling with vitality, her air buoyant, her voice rolling with warm
affection as she called to Stacy,

"Bit of a turn-up we've been having. I expect you heard it. Always did
have a carrying voice. I remember Mosscrop saying I could fill the
Albert Hall, and a pity I'd never get the chance. But there it is--it's
given me an appetite for my lunch. Nobody need think they're going to
get me down. Het--you go back and put on a bit of colour! You're not the
corpse, and no need to dress the part. Milly--you see she does it! I'm
walking fine today, and Miss Mainwaring will give me a hand if I want
one. I'm going to see this thing through, and those that think they can
down me--well, there've been others that thought that way before, and
they've had to think again!"

All through lunch she had continued in this dominant mood, and at
intervals she had enquired of Lady Minstrell, of the silent Hester, of
the two waiters, the manageress Miss Peto, of Miss Silver, of Stacy
herself, whether Charles Forrest was expected at the club, and if he
wasn't, why wasn't he, and what was he doing? The telephone had been
employed to wring this information from Saltings, but without success.
When, at about three o'clock, Charles entered the club there was a
severe explosion of wrath at the intelligence that he was closeted with
Miss Silver and the Chief Constable in the study.

Stacy, most unwillingly present, had been glad enough to seize the
chance of escape.

"I'll run down into the hall, Mrs. Constantine, and catch him as soon as
they come out."

So here she was. And how long was it going to be before Myra lost
patience and came down herself? She was perfectly capable of surging
into the study and cutting Charles out under the nose of an entire
police force.

There were chairs in the hall, two or three in a clump, set about little
bright tables. Stacy sat down where she could watch the study door. The
short length of passage lay open to her view, with the billiard-room on
the left, the study on the right, and, straight ahead, the French door
leading to the glass passage. She would see Charles the moment he came
out, and if he stayed behind when the others came away, it wouldn't take
her a moment to reach him. She saw herself running down the passage,
opening the study door, and going in. She couldn't see any farther than
that.

The moments dragged. They were like raindrops on a window-pane, moving
imperceptibly, haltingly, sluggishly joining with other drops to go
sliding down the glass and never come back.

When Stacy had sat there for what seemed a long time, the girl in the
office called to her. Edna Snagge was off duty. This was a pale, plump
girl. Stacy did not know her name, but the girl knew hers. She called
across the office counter,

"There's a call for you, Miss Mainwaring. You know where the box is--at
the back of the hall."

Stacy got up and went to it.

When she was in the box she could no longer see the study door. If
Charles came out of the passage, she would see him, but not if he went
into the annexe. She lifted the receiver and said in rather a breathless
voice, "Hullo!"

The woman who answered didn't sound very friendly. Her tone suggested
words like bombazine and buckram. Stacy didn't really know what
bombazine was, but the tone suggested it. It said,

"Miss Colesfoot speaking. Is that Miss Mainwaring?"

Still a little breathless, Stacy said, "Yes." Just for a moment she
wasn't there. Then light broke. Tony was Tony Colesfoot. Miss Colesfoot
was Tony's aunt--the one she had left him having influenza with on
Thursday night.

The voice went on being stiff.

"I am calling for Anthony. You will, I am sure, be glad to hear that his
temperature is ninety-nine point eight."

"Oh, yes."

"The doctor says he is satisfied, and I can only hope that he is not too
sanguine. He says that Anthony may be allowed a quiet visitor. If you
will come down after tea--"

Stacy's blood began to boil a little. Tony seemed to belong to some
remote period of history, and Miss Colesfoot didn't belong at all.

"I'm so sorry, but I am afraid I can't manage it--" She got as far as
that, and then her heart smote her, because Tony always thought he was
going to die if he had a fingerache. She said hastily, "I'll see what I
can manage tomorrow. May I give you a ring?" and hung up.

Miss Silver and the Chief Constable were just coming out of the passage.
Suppose she hadn't heard them--suppose Miss Colesfoot had made her miss
Charles-- The thought hurt so much that she wondered what had happened
to her. Only four days ago she was all armour-plated and not caring what
happened to herself or anyone else, and now she hadn't any shelter at
all. Everything hurt.

She ran along the passage and opened the study door. Charles was over by
the window looking out. Even from the back of his head she could tell
that he was frowning. She wondered if he was cursing the annexe and
Lewis Brading's Collection. He had that sort of look.

She shut the door very softly behind her and came over to stand beside
him and slip her hand inside his arm. He hadn't heard her come in. He
had the kind of face you wear when you are alone. Stacy saw it for a
moment before she touched him. She had been wrong about the frown. He
wasn't frowning. He looked open, unguarded, young. When she touched him
his face closed up again. He looked down at her and said,

"What is it, my sweet?"

Silly of her heart to race. Charles didn't mean anything when he said
things like that. She ought to give him Myra's message. Instead she said
in a frightened voice,

"What is it?"

"Nothing you can help, darling."

"Charles--_what_ is it?"

He put his arm round her.

"Just one of those things."

"Tell me."

"Lewis wasn't shot with his own revolver."

She said in a bewildered voice,

"How do they know?"

"I scratched his initials on it when I gave it to him. Dossie has been
telling everyone. She seems to have been under the impression that she
was clearing me--I don't quite know why. Anyhow she set the police
looking for initials--there weren't any."

"Is that--bad?"

"It might be. You see, all along I think it stuck in their minds that it
isn't easy to come up beside a man who is seated at his own
writing-table, open the drawer in which he keeps his revolver, and shoot
him out of hand. I know it stuck in mine. If there was a suspicious
bloke on this earth, it was Lewis. It just couldn't have been done."

"How was it--done?"

"Someone brought a revolver in, shot him, and took his away."

"Charles--couldn't it have been suicide?"

"No, my sweet, it couldn't. The fingerprints are all wrong. Besides--"

She pressed closer to him, as if the two of them could be shut in and no
one hear what they said to one another. No one really could have heard,
she spoke so low.

"Charles--did you know--when you found him?"

"That it wasn't his revolver? Yes."

"Whose was it?"

"Mine."

"What did you do?"

"Nothing I could do. March has gone off to collect Crisp. Then we all go
up to Saltings and have a look for the other revolver. I wonder if it
will be there."

She said in a most horrified whisper.

"He was shot--with your revolver--the one you kept?"

"He was."

"Do they know it was yours?"

"I think they've a pretty good idea."

"Charles--who did it?"

"Aren't you going to ask me if I did?"

"Charles--"

"Well, ask."

"No--no--no!"

"Not going to?"

"No!"

He said, "Well, well--" His arm dropped from her shoulders. He may have
heard a step in the passage, he may have heard the handle turn. She
heard nothing except the beating of her heart. But as he moved, she
moved too and saw that the door was opening. Lady Minstrell came a step
into the room and said,

"Oh, Major Forrest, I'm so sorry, but could you come up to Mama? There's
something she wants to see you about."




                          CHAPTER TWENTY-SEVEN


When Charles Forrest went into her sitting-room Myra Constantine was not
in the big padded chair. She was up on her feet and stumping about the
room, catching at the furniture as she went, letting it take her weight
for a moment, and then rolling on again. There was a horrid resemblance
to a bus that had got out of control--one of those brightly coloured
buses. She had just turned at the window end when he opened the door.
She came charging back to the middle of the room, bumped into the back
of a chair, clutched it, and said in a voice like an angry gong,

"What have you been doing? Where have you been? Why didn't you come up
when I sent for you?"

Myra's rages were legendary. Charles had seen her in one before. The
soft answer, so far from turning away wrath, encouraged it to
trample--witness her daughters, Hester stamped completely flat, and
Milly reduced to a perpetual "Oh, Mama--"

Charles immediately glared back and said in a loud, rude voice,

"What the devil has that got to do with you? And who do you think you're
speaking to anyway?" Then he burst out laughing, flung a careless arm
about her, and said, "Come and sit down, old dear! And draw it mild--I'm
not Hester."

Just for a moment he wondered if she was going to hit him in the face.
Then her glare broke, her eyes crinkled at the corners, the big mouth
stretched, and she laughed as heartily as she had stormed. But when he
had got her into the chair she fell silent and tragic, her eyes
brooding, her whole aspect dark and heavy.

"Hester," she said--"that's what I've got to see you about--Hester.
That's a hell of a mess, isn't it?"

He took a moment, and she struck in.

"Look here, Charles--I know, and it's no use pretending _you_ don't.
It's cards on the table now, and I don't mind putting mine down first.
Hester's gone and married James Moberly. And you knew it, and you
couldn't come and tell me--oh, no! Do you call that being a friend?"

Charles had straddled an upright chair. He sat with his arms folded
along the back and looked at her across them.

"Not my business," he said.

The rage had gone out of Myra. Her voice came heavily.

"A bad business--you might have told me--"

"How could I?"

There was a flash from the dark eyes.

"I got it out of her. I'm not a fool--I can see what's under my nose.
She's been mooning about like a lovesick rabbit all this month, but to
tell you the honest truth I thought it was you."

Charles felt a thrill of horror followed by relief. He was in a mess,
but not quite such a mess as that. To have been the object of a fatal
passion on the part of Hester Constantine would just about have put the
lid on.

Myra's big mouth twisted.

"Go on--say it if you want to! She never did have any sense. If she had
she'd have fallen for you. I could have fallen for you myself, as far as
that goes, thirty or forty years ago. But Hester, no--she's got to pick
on James Moberly, another rabbit that can't stand up and fight for
itself any more than what she can. But that doesn't say they won't have
anyone to fight for them. I'm no rabbit!"

His quick dark smile flashed out.

"Much more like a charging rhinoceros."

She burst out laughing.

"Oh, yes, I could have fallen for you, Charles." She dragged out a gaudy
handkerchief and wiped her eyes. "You've not got to make me laugh. It's
all damned serious. You've got to listen to me. I've got things to tell
you--things you won't like, but they've got to be said, and they've got
to be listened to."

"All right--shoot!"

She looked at him out of her big dark eyes. It was a dominant look.

"Hester hasn't got any fight in her, and no more has Moberly. But I
have. He's Hester's husband and my son-in-law, and I'm not having a case
cooked up against him for murdering Lewis, which he never did and
wouldn't have had the guts. Well, I'm not standing for an innocent man
being hanged, and when the innocent man is my son-in-law, I'm just about
going to raise Cain. Have you got that?"

"Admirably lucid."

"I mean it."

"I'm sure you do. What are you going to do about it?"

She sat back in her chair, laid a hand on either knee, and said, "I'm
going to tell you something."

"Go ahead."

She nodded.

"I'm no fool. Lewis had some hold over Moberly--he used to hint as much.
And James wanted to get away. He wanted to marry Hester--God knows why,
but he did. Lewis was mean, and he was a bully. He had a bad nature.
Everyone will say James had plenty of motive for killing him. And he had
the opportunity. He had ten minutes after Lilias went and before you
arrived, and only Het to say that he was with her all the time and never
went out of the study. Mind you, she's speaking the truth. I know Het,
and I put her through it. She couldn't stick to a lie with me pressing
her like I did. She's telling the truth. She and James were there in the
study all that ten minutes, and he hadn't any more to do with Lewis
being killed than what I have. But Hester's his wife--who's going to
believe her? Any woman 'ud swear her husband never left her if it was to
clear him in a murder case. I wasn't born yesterday, and I know how it's
going to look."

Charles said,

"That's perfectly true. But if it's any consolation to you, I'm a pretty
strong challenger. Lewis was shot with my revolver. I had a better
opportunity than anyone, and I'm the only suspect who had any interest
in destroying the will which he had made in favour of Maida Robinson."

"And I suppose you think that's going to make me put it on you! Dossie
says all men are fools, and there's times when I think she's right. Why,
you poor fish, I'd sooner see James hang than you--if it wasn't for
Hester. I'm fond of you--didn't that ever get into your head--honest to
God fond of you. I don't know what people want having
daughters--especially mim-mouthed rabbits. I'd have liked a son, and I'd
have liked him to be like you."

Charles looked at her with an odd mixture of feelings. He was touched,
moved, but still a little detached--able to survey the scene with the
kind of humour which is not so very far from tears. Myra always had been
able to move an audience in just that way. He stepped to her side of the
footlights to take his part in the show, but he was able to bring
genuine feeling to the part as he said,

"Thank you, old dear. You are clever enough to know that I reciprocate."

The big eyes sparkled. She said briskly,

"And now we'll get down to brass tacks. Thursday night, the night before
Lewis was shot, he had us all in and showed us that damned Collection.
I'd seen it time and again, so I was more interested in watching the
people than in looking at his jeweller's window. I watched you for one,
and you were so busy looking at that girl Maida you hadn't eyes in your
head for anyone else."

Charles laughed.

"She was worth looking at."

Myra tossed her head, very much as she might have tossed it at eighteen.

"Oh, she's got what it takes--I'll grant you that. And a nerve--nerve
enough for anything."

"Answer adjudged correct!"

Myra frowned.

"You were looking at her, and everyone else was looking at the
jewellery, and I was looking at your Lilias Grey."

His eyes narrowed.

"And what did you see?"

"I saw her looking at you when you were looking at Maida. Hating you
quite a piece she was."

"Maida isn't anything to me."

She chuckled.

"You liked looking at her all right."

He laughed.

"Who wouldn't!"

"And your Lilias Grey didn't like it a bit. She switched over to the
diamonds. Then Maida put on the Forrest necklace and went swanking off
to look at herself in the glass, and after a bit when she came back we
all got up and moved about. And that's when I saw Lilias pinch the
brooch."

Charles stiffened. His arms lying along the back of the chair pressed
down upon the wood--harder. He raised his eyebrows and said,

"Do you mind saying that again?"

Myra flounced in her chair.

"Come off it! You heard me. Your Lilias Grey pinched what Lewis called
the Marziali brooch--the one with the five big diamonds that the girl
was wearing when her husband stabbed her and the young man she was
carrying on with."

"Do you know, I should so very much prefer it if you didn't keep on
saying _my_ Lilias Grey. She is my adopted sister."

"All right, all right--don't lose your hair! You can call her your
grandmother, or your old-maid aunt, or your girl friend, for all I care.
I saw her take the Marziali brooch and stuff it into her bag."

Charles was pale. He said in a hard voice,

"And why didn't you say so at the time?"

She gave something between a laugh and a snort.

"You'd have loved me a lot if I had, wouldn't you! The whole cast on the
stage, and Miss Lilias Grey unmasked as a thief! Quick curtain!" She
laughed again scornfully. "Believe it or not, I can behave like a
lady--when I try. I can't always be bothered--I grant you that--but I
can do it when I like. So I let everyone get away, and I told Lewis on
the quiet."

There was a horrid little silence. What Charles thought didn't bear
thinking about, but you can't just shut off your thinking the way you
turn off a programme on the wireless. He said quite soon,

"You told Lewis?"

Myra flung out her hands.

"Of course I did. If I hadn't I'd have been a
what-you-call-it--accessory after the fact, wouldn't I?"

"How did he take it?"

"Oh, quiet--very quiet." She chuckled. "Said he wasn't surprised, and I
needn't say anything, he'd deal with it."

Yes, that sounded like Lewis all right. Charles could hear the way he'd
have said it--dry, with the kind of nasty dryness like grit, rubbing the
skin, getting into the eyes, catching you on the raw. His chin was down
upon those folded arms. Lewis had said he would deal with it. Had he
dealt with it, and how? Somebody had dealt with him.

"Give you any idea of what he meant to do?"

"I didn't wait--I'd had enough. I don't mind people when they let off
steam and you wonder how much of the furniture they're going to break.
It's your quiet ones that get me. I never did like to see a cat go after
a bird--soft, you know, and kind of slithery. If I'd got anything handy
I'd throw it. Lewis could be like that if he'd got a down on anyone. I
tell you what--I never did like Lilias and never shall, but I got pretty
near being sorry for her after I'd told Lewis. I mean I'd have given her
a good tongue-lashing myself, but Lewis was nasty, if you know what I
mean, and I thought I wouldn't care about being in her shoes."

"Did he say what he was going to do?"

"No, he didn't. It's pretty plain what he did do. He rang her up and
told her to come and see him three o'clock Friday and bring she knew
what with her. And so she did." Myra fixed her eyes on him in their
darkest stare. "She came along down at three. I don't know whether she
brought the brooch or not. Suppose she brought something else. She says
she left him alive. Suppose she didn't."

"I don't think we'll suppose anything of the sort."

"Then the police will. Do you think I'm going to hold my tongue and let
them put the murder on James, or on you? I'm not going to, and that's
flat! She had a motive, hadn't she? She had taken that brooch, and he
was going to be nasty about it. Oh, yes, he was. I know Lewis, and I
wouldn't have been in her shoes. Suppose he said he was going to
prosecute. I don't say he'd have done it, but she wasn't to know that.
Suppose she thought she was for it."

Charles said,

"The will was burned. She hadn't any motive for burning the will."

She shook with laughter.

"She'd have loved that girl Maida to have the money, wouldn't she! It's
not Maida's fault if everyone doesn't know Lewis's new will was going to
leave her the whole blooming pile. And it was lying there on the table.
Wouldn't Lilias have been a chump if she hadn't put a match to it? If
the money came to you, she'd get her whack, wouldn't she?"

Charles said,

"Suppositions aren't evidence. I think I've had enough of them." He got
up. "March and Crisp are calling for me any minute now."

Her face changed.

"Arresting you?"

"Not yet. Just going along up to Saltings to have a look-see."

She stared.

"What for?"

"The other revolver. I've no idea whether it's there or not. I can't
make up my mind what is going to incriminate me most."

"I don't know what you're talking about."

"Oh, it's as simple as mud. I had two revolvers. When I gave one of them
to Lewis I scratched his initials on it. Everyone knew he kept it in his
drawer. When he was found dead everyone jumped to the conclusion that
he'd been shot with that revolver. He hadn't. He was shot with the other
one--the one I kept. And thanks to our admired Dossie, the police have
just tumbled to it. So March and Crisp and I are going up to Saltings to
look for the other one--the one that ought to have been in Lewis's
drawer."

Myra took hold of the arms of her chair and heaved herself up. She took
a plunging step forward and caught at him.

"Charles--you're not going to let yourself go down the drain for that
worthless slut!"

He said, "Hold up, old dear."

"You mean shut up. But I won't! She's not worth it, and you needn't
think I'll stand by and see you do it, because I won't! Piling up the
evidence against yourself and sticking it under their noses--you damned
fool! You needn't tell me--that girl's never been straight. I know a
wrong 'un when I see one, and that girl Lilias is a wrong 'un. Broke
your marriage up, I shouldn't be surprised--"

He was trying to get her back into her chair.

"Myra, I must go."

She clutched him.

"Now Stacy's a nice girl--nothing low about Stacy. And that's the sort
that gets easy taken in by a wrong 'un. Fond of her, aren't you?" His
mouth twisted.

"So-so."

She burst out laughing and came down thump into her chair.

"Get along with you for a liar! All right, I mean it--you can go. And
remember what I've been saying, because I mean that too."

He was at the door with his hand out to open it, but he turned back.

"Myra, for God's sake hold your tongue!"

She blew him a kiss and said,

"Tooraloo!"




                          CHAPTER TWENTY-EIGHT


Randal March came back from Ledlington with Inspector Crisp sitting
beside him, a small case across his knees. Randal had compared him to a
terrier. He does not care about the breed but it has its uses. The
resemblance sprang to the eye. There was the wiry hair, the pricked
ears, the look of alert efficiency. In one respect the terrier has the
advantage. He is not afflicted with class-consciousness, whereas in the
Inspector's case it provided him with a conviction that a section of his
fellow-citizens were out to down him and that if he didn't keep a pretty
sharp lookout, they might succeed. At the sight of Charles Forrest
emerging from Warne House with a certain air of not being in any hurry
his hackles rose. He said, "A cool hand", in the voice which always
sounded just a little angry, and the Chief Constable nodded and said,
"Oh, yes."

Then Charles got into the back of the car and they drove away.

Saltings stood up in the eye of the sun. They left the car and went in,
and through to Charles' flat. He might have been the careless host with
a couple of friends.

"Bedroom, sitting-room, kitchenette, bathroom. Used to be the
billiard-room and things like pantry and offices. Not a bad bit of work
for the architect. Adams is a clever chap. Well, it's all yours--you can
do anything you like with it."

March was not feeling particularly happy. There are moments when being a
policeman runs counter to one's instincts. He frowned and said,

"Where did you keep that revolver?"

They were in the sitting-room. Charles indicated a bureau of pleasantly
mellowed walnut. The flap was down, displaying pigeonholes. Behind the
diamond panes above were shelves with painted china birds and figures--a
parrot, a canary, green linnets, a charming Industry, and an even more
charming Indolence lying asleep in a porcelain chair with ruffled
ringlets and one slipper dropping off whilst a kitten played with the
spool which had fallen from her hand. Crisp set them down as gimcracks.
He thought the less of Major Forrest for possessing them.

"In one of these drawers?" he said.

There was an elegantly wrought panel on either side of the central
pigeonhole. Charles slid a hand into the hole, slipped a catch at the
back of it, and brought the panel away, and with it a narrow upright
drawer.

"It used to be here," he said.

Crisp made haste to take the drawer from him.

"Nothing there now," he growled.

Charles smiled very pleasantly.

"As you say."

"Does the other side open the same way?"

Charles opened it. There were some papers, a bunch of keys. There was no
revolver.

"It's not there."

Charles said, "No. Did you expect it to be?"

"Didn't you?"

"No. I'm quite methodical--I've always kept it on the other side."

"And the ammunition?"

"I hadn't any."

"Why?"

"I hadn't used it since the war."

"Was it loaded?"

There was a pause before the answer came.

"I don't know."

Crisp made an impatient movement, an impatient sound.

"Really, Major Forrest!"

Charles said in a quiet, even tone.

"Well, I don't. It may have been. I came home wounded from France. When
I got out of hospital the war was over. My kit had been sent down here.
I shoved that revolver behind the panel with the other one. I didn't
look at it again until I had the pair of them out and gave one to Lewis.
That's all I can tell you."

"You gave one to Mr. Brading, and you kept the other. Where is the
other?"

"I've no more idea than you."

The dark eyes had a faint sparkle. Randal March caught it. He said,

"Just when did you see it last?"

Charles frowned.

"I couldn't say."

Crisp said, "Did you see it when you found Mr. Brading's body?"

"Meaning he was shot with my revolver? What do you expect me to say to
that?"

"I'm asking you whether you recognized the weapon which was lying on the
floor by Mr. Brading's body when, according to your statement, you came
into the laboratory and found him dead."

Charles gave a short laugh.

"Do you suppose I was fool enough to touch it? What would you have said
if I had? I'd something else to do. I suppose, like everyone else, I
took it for granted that it was his own revolver, and that he had fired
it himself."

Crisp came back sharply.

"You say you thought it was suicide?"

"I suppose that was my first impression."

"Do you mean you've changed your mind?"

"I changed my mind when I heard the police evidence about the
fingerprints. It agreed with what I knew about my cousin. He was not at
all likely to commit suicide."

There were three long drawers in the bureau. Whilst these questions and
answers were going on Crisp had the top drawer out and was sorting
through its contents. He worked quickly and neatly. He had everything
out, and he put everything back. Then he started on the second drawer.
Half-way through he said,

"The revolver with which Mr. Brading was shot had no initials on it."

"So I understand."

"But it has a peculiarity--rather a more noticeable one than the
initials would have been. Can you tell me whether this missing revolver
of yours has any peculiarity?"

"I don't know what you mean by a peculiarity. It has a scrape on the
butt."

"How did it get that?"

"German bullet."

"Narrow escape for you?"

"For my father. In the first world war. The revolvers were his."

"Would it surprise you to hear that the revolver found by Mr. Brading's
body has a scrape such as you describe?"

"Meaning Lewis was shot with my revolver?"

"Is that really news to you, Major Forrest? If you saw the revolver
lying there beside him you'd have noticed that scrape, wouldn't you?"

"I might have done. It would depend which way it was lying."

"It was lying with the scrape uppermost--I saw it at once. But it wasn't
until we got the information about Mr. Brading's initials being on his
revolver that the scrape became important. You now admit that the
initials were on the revolver you gave him, and the scrape on the one
you kept for yourself."

"There's no question of an admission in either case. Both are facts, and
rest on statements which I have made."

Crisp finished with the second drawer and pushed it home, Randal March
said,

"Can you make any suggestion as to how your revolver came to be used for
this crime?"

"None whatever."

Crisp was at work on the third drawer. March said,

"The bureau is not kept locked?"

"Oh, no."

"And the flat? I noticed that you did not use a key when we came in. Do
you usually leave the door unlocked?"

"When I'm in and out--oh, yes. I should lock it if I was going to be out
all day or after dark. This week it has been open rather more than
usual. I had a friend staying with me, Major Constable. Actually, I put
him in an empty flat upstairs--I've only one bedroom here--but he has
had the run of this place, and naturally I haven't locked the door."

"I see."

Crisp gave a sharp exclamation. From the corner of the bottom drawer he
produced what looked like a mass of crumpled paper. Holding it, he was
aware of weight, of a hard core. He pulled at the paper, and a revolver
dropped out upon the floor. They all looked at it.

The paper was tissue paper. Crisp used a fold of it to pick the revolver
up. He held it delicately by the muzzle and looked at the butt. Then he
held it out to the Chief Constable.

"Here we are, sir--L.B. as plain as print. I think Major Forrest has got
to explain how this revolver comes to be hidden in his drawer."

March said, "Would you care to make any explanation, Forrest? I must
warn you that what you say may be taken down and used in evidence."

Preliminaries to arrest. So it had come. He found it almost a relief. If
they arrested him he would at any rate not have to interview Lilias.
Quite a large share of the relief came from that. He would have time to
think, to see how things shaped. He would see a solicitor. Meanwhile--

He looked at March and said,

"I don't know how it got there. It's the revolver I gave my cousin. I
didn't put it there."

Crisp, kneeling on the floor, had opened the case he had brought. He
took out an insufflator and blew powder on to the revolver. Charles
watched with interest. The powder spread, hung in the air, settled. It
lay on the metal surface in an even film. Crisp blew on the film. It
scattered. The surface remained unmarked. He turned the revolver over
and repeated the process. The same thing happened. He said in a
disgusted voice,

"Wiped as clean as a whistle!"

March said, "Is it loaded?"

Crisp broke the breach.

"Every chamber full, sir. Like to make any comment on that, Major
Forrest?"

Charles shook his head.

"It's my cousin's revolver. I suppose he would keep it loaded."

The telephone bell rang. Charles turned with a shrug, picked up the
receiver, and heard a slight preliminary cough.

"Miss Silver speaking. Is that Major Forrest?"

He said, "Yes."

"Is the Chief Constable there?"

"He is."

"Then may I speak to him?"

He turned to March with the receiver in his hand.

"It is Miss Silver. She would like to speak to you."




                          CHAPTER TWENTY-NINE


Myra Constantine had been adjured to hold her tongue, but she had no
intention of doing so. The minute Charles had gone she rang through to
the office and demanded that Miss Silver should be found and informed
that Mrs. Constantine would like to see her. Since it transpired that
Miss Silver had left the club with the expressed intention of taking a
stroll, there was some necessary delay--not unduly prolonged, because
the stroll had really taken her no farther than the shady end of a large
and well-stocked garden, but long enough to exasperate a never very
patient person.

On receiving the message Miss Silver replied that she would be
delighted, and proceeded, knitting-bag on arm, to the sitting-room where
she was being awaited.

"How kind of you, Mrs. Constantine."

Myra was in her big padded chair. There was the light of battle in her
eyes. She said grimly,

"Charles Forrest wouldn't think so. He's just been telling me to hold my
tongue, but I'm damned if I will."

Miss Silver coughed. She reprehended the use of strong language. If she
had not been so deeply interested she might have made this clearer. As
it was, she allowed the interest to appear whilst holding the
disapproval in check.

Myra nodded vigorously.

"If you see someone trying to commit suicide, don't you try and stop
them? Next door to murder if you don't--that's what I say. And if
Charles hasn't any more sense than to go hushing things up and getting
himself into Lord knows what sort of a mess, and all for as worthless a
girl as you could find--"

"You interest me extremely."

Myra nodded even more vigorously than before.

"I thought I should! And time somebody did get interested in stopping
Charles Forrest making a fool of himself, if you ask me. Who was the
fellow who used to ride about on a starved-looking horse trying to push
down windmills with a spear?"

With her knitting half in and half out of her bag, Miss Silver submitted
the suggestion that Mrs. Constantine might be thinking of Don Quixote, a
name which she pronounced in the British manner.

"That's him! Poor Jimmy Downes painted a picture of him, spear and all.
Used to be a friend of mine donkey's years ago--Jimmy, I mean, not the
Quixote man. Nice chap. Drank himself to death. I didn't think much of
his pictures, but he liked talking about them, and this Don Quixote, he
used to talk about him a lot. Might have been Charles, only a lot older
and half starved--this Quixote man, I mean, not Jimmy." She stopped,
chuckled, and waved an explanatory hand. "I've got a bit mixed, but the
way Jimmy told it this chap went blundering into one thing after another
thinking he was going to help people, and all he did was to do himself
in at the end--and I'm not standing by and letting Charles do that. If
people do things they've got to stand up to them and take the blame.
What's it going to do to them except rot them through and through if
they let someone step in and take what ought to be coming their way? I
don't say Lilias Grey shot Lewis Brading, but I do say she pinched a
diamond brooch on the Thursday night when he was showing his Collection,
for I saw her with my own eyes. She pinched it, and she went off with it
in her bag. And when I told Lewis on the quiet, which I did, he said to
leave it to him and he'd see to it."

Miss Silver said, "Dear me!"

Myra's conversation had arrested her attention to such a marked extent
that she had not even now engaged her knitting-needles, but remained
holding them in the correct position with a strand of pink wool
suspended upon the raised forefinger of her left hand. After she had
said, "Dear me!" she took a fresh breath and remarked,

"A very handsome brooch with five large diamonds set in a row."

Myra goggled.

"Gosh! How do you know?"

Miss Silver inserted the right-hand needle into a pale pink stitch and
began to knit.

"A brooch answering to that description was found on Mr. Brading's
table--in an open drawer, to be exact. It is, I believe, known as the
Marziali brooch."

"Then she brought it back!" Myra struck the arm of her chair with a
clenched fist "He rang her up. Het says Moberly heard him talking on the
telephone."

"When was this?"

"After they'd been talking in the study. It was just before lunch on the
Friday--the day Lewis was killed."

Miss Silver inclined her head.

"Yes. Mr. Brading went into the annexe and put through two calls. In his
statement Mr. Moberly says that he followed him in order to compose
their dispute. Mr. Brading was telephoning from his bedroom, and Mr.
Moberly says he was waiting at the laboratory end of the passage. He
heard one call finish and another begin. I have wanted to talk to him
about these two telephone calls. It seems to me that they may be of very
great importance, and that there may be something which he might care to
add to his statement. He speaks of Mr. Brading's tone being an angry
one, and admits to having heard the words, 'You'd better'."

Myra struck the chair again vehemently.

"That's right! He'd been talking to Lilias--telling her to come down
after lunch and bring the brooch along. 'You'd better!' " She laughed.
"I'd say he was right! He'd got it in for her--I could see that when I
told him she'd taken the brooch. He wasn't surprised, you know--that
stuck out all over--but he was nasty. I've known Lewis a long time. I
was a lot older, but I suppose I could have married him if I'd wanted to
a matter of twenty years ago, but I wouldn't have taken it on for all
his money twice over. He'd got a nasty cruel streak. I don't know why he
and Dossie broke it off, but she was well out of it. You can take it
from me anyone would have been well out of Lewis Brading. He was cold
and he was cruel, and it's my belief he was going to make things very
nasty for Lilias Grey."

Miss Silver was knitting briskly. Her needles clicked. She said,

"Cruelty breeds cruelty."

Myra looked at her. She brought her voice down to something very near a
whisper.

"Lewis was shot with Charles' revolver, wasn't he? Not the one Charles
gave him, but the one he kept for himself."

"Who told you that, Mrs. Constantine?"

"Charles did, just now. He said the police were taking him off to
Saltings to see if the one with Lewis's initials was there."

Miss Silver gave a deprecatory cough.

"It is most inadvisable that that should be repeated."

Myra jerked a massive shoulder.

"Who's repeating it? You know, and I know--I suppose we can talk about
it between ourselves. I want to help Charles the same as you do. That's
what you're here for, isn't it?"

Miss Silver gazed at her with austerity.

"I do not undertake a case in order to help this person or that. I look
for the truth in order that justice may be done. This will help the
innocent."

Myra gave an angry laugh.

"And do you think Charles Forrest isn't innocent? You know damned little
if you do!"

"Mrs. Constantine!"

"All right, all right! You shouldn't get my donkey up. Anyone who could
think Charles would shoot his cousin because he was afraid he was going
to be cut out of his will, well, they'd be too much of a fool to be any
hand at finding out what was truth and justice."

Miss Silver gave the sudden charming smile which had won her the trust
and confidence of innumerable clients.

"You are a very good friend, Mrs. Constantine."

Myra chuckled.

"I'm not so bad. Look here--this thing about Lilias--I told Charles, but
you can't trust him to use it. That's why I'm telling you. Lilias Grey
pinched that brooch, and Lewis rang her up and told her to bring it
back. Suppose that wasn't all he told her--suppose he said he was going
to prosecute. He mightn't have meant to do it, but that wouldn't stop
his holding it over her--if you knew Lewis you'd understand that. He
meant to rattle her. Well, she'd have been rattled all right, wouldn't
she? Suppose she took Charles' revolver and came up where Lewis was
sitting at his desk. She'd have the brooch in her hand, and she'd put it
down and he'd bend forward to pick it up. Easy to shoot him that way.
She'd put the pistol in his hand and hope everyone would think it was
suicide. And she'd burn the will because it wouldn't suit her to have
that girl Maida coming in for the money. And she'd take Lewis's
revolver, the one with his initials on it, and be off. And afterwards
she'd say she'd left him alive. How's that for a case?"

Miss Silver knitted thoughtfully.

"You have put it in a very lucid manner."

Myra made an impatient movement.

"If it was put to the police, would they arrest Charles Forrest?"

"Not, I think, without further investigation."

She picked up the ball of pale pink wool, ran the needles into it, and
put her knitting into a flowered chintz bag, all with a quiet
deliberation.

Myra found it exasperating. She said,

"What are you going to do about it?"

"If I may use your telephone, I will put through a call to Major Forrest
and find out if the Chief Constable is with him at Saltings."

She gave the number, standing primly by a writing-table littered with
correspondence, magazines, library books, a geranium which had been
moved from the open window to be out of the draught, and two vases
exuberantly full of cut flowers. She heard Charles' answer with relief,
and was presently addressing Randal March.

"Miss Silver speaking. I am very glad to find that you have not left."

"I was just about to do so."

"Then I am fortunate. I hope that you have not decided upon any definite
course of action. Something of importance has emerged. I feel that it
should be considered without delay, and before any decision is taken."

There was a pause before he said,

"Very well, I will look in."

Miss Silver coughed.

"You will not, I think, regret it," she said, and rang off.




                             CHAPTER THIRTY


Randal March gazed in some exasperation at his Miss Silver. Affection
for her had survived his schooldays. His respect for her character and
his appreciation of the quality of her mind increased steadily with the
years which had from time to time brought them to close quarters over
some case on which they were both professionally engaged. But there were
moments when he found her faculty for suddenly giving a case some
completely new turn very exasperating to the natural man. He had no
desire, of course, to round off a case by ignoring an inconvenient fact,
but Miss Silver's talent for producing inconvenient facts was sometimes
felt to be excessive.

He came out of Myra Constantine's sitting-room a good deal disturbed.
Now, in what had been Lewis Brading's study, he gazed at Miss Silver and
said,

"Look here, is all this on the level?"

Miss Silver was knitting placidly. These little pink vests were for her
niece Dorothy's second child--a niece by marriage, and the wife of Ethel
Burkett's brother. After ten years of childless marriage--such a
terrible disappointment--Dorothy had last year had a little boy, and
they were now hoping for a girl. She looked across the pale pink wool
and said with mild reproof,

"My dear Randal!"

"Well, you never know with these stage people. They can't help
dramatizing themselves and everyone else. If Mrs. Constantine saw Miss
Grey take a diamond brooch on Thursday evening, why does she hold her
tongue about it for three days and then come out with it pat when one of
the chief suspects turns out to be her son-in-law? You don't need me to
tell you the whole thing smells uncommonly like a red herring."

Miss Silver found the simile distasteful.

"Mrs. Constantine certainly has a vivid and dramatic personality, but I
formed the opinion that she was giving an accurate account of what she
had observed on Thursday evening. All her mental processes are quick and
vigorous. That makes for correct observation, and if an incident is
correctly observed it is likely to be correctly described. As to why she
did not speak of this incident before, the answer is that she did speak
of it, and to the person to whom such a statement was due. She informed
Mr. Brading on Thursday evening that Miss Grey had taken the Marziali
brooch."

March threw up a hand.

"She says that she informed him!"

"I think there is confirmation of what she says. Why did Miss Grey come
and see him on Friday afternoon? I have made enquiries, and I find that
she has never visited him in this way before. She is often at the club.
She and Mrs. Robinson and Major Forrest have a great many of their meals
here. Miss Grey was one of the party who visited the annexe when the
Collection was shown on Thursday evening, but she has never been known
to pay Mr. Brading a visit there by herself. Yet she went there on
Friday afternoon. Mr. Brading put through two telephone calls just
before lunch that day. Mr. Moberly says in his statement that an angry
tone was employed, and that he heard the words 'You'd better!' I think
it is no unfair inference that Miss Grey was being told that her theft
was known, and that she was expected to return the brooch. There may
have been a threat of exposure either then or later. But to come back
from inference to fact--we know that Miss Grey did come down from
Saltings to visit Mr. Brading in the middle of that very hot Friday
afternoon, that she was alone with him for a little over ten minutes,
that we have only her own word for it that he was alive when she left at
ten minutes past three, and that the Marziali brooch was subsequently
discovered in the open second drawer of his writing-table. Do you not
think that Mrs. Constantine's statement receives a good deal of support
from these facts?"

"All right--she told Brading that Miss Grey had taken the brooch.
Brading rang up and put it across her. She brought it back, and she came
away. There's no evidence to show that she shot him. Why should she? It
was a family affair. He wouldn't expose her."

Miss Silver said,

"I am not so sure. He was a cold and vindictive man. If you think of his
conduct with regard to Mr. Moberly you will probably agree with this
estimate of his character. Then did you notice that when Mrs.
Constantine told him that Miss Grey had taken the brooch she said that
she did not think he was surprised? I noticed particularly that she
repeated this observation when she told her story to you. It was just
one of those little things. I watched for it, and it came out just as it
had done when she was talking to me."

He looked faintly startled.

"You think it important?"

"Oh, yes, my dear Randal. If Mr. Brading was not surprised, it was
because he knew very well that Miss Grey had this failing. When Mrs.
Constantine told Major Forrest of the incident, I do not gather that he
showed any surprise either."

"When did she tell him?"

"Just before she told me. He was, I understand, neither angry nor
surprised, but merely very much concerned that the story should not be
repeated."

"And what do you deduce from that?"

"That it was not the first time that something had had to be hushed up.
Perhaps on this occasion Mr. Brading led Miss Grey to suppose that he
was not prepared to hush up the theft of the brooch. She might have felt
driven to a desperate course. I do not say that she was. I do say that
she could have brought Major Forrest's revolver from Saltings and shot
Mr. Brading with it."

"You mean it was physically possible."

"She would have known where the weapon was kept. You say Major Forrest's
flat was not locked. She could have had access to it. She could have
taken Mr. Brading's own revolver away with her and put it where you say
it was found, in the bottom drawer of the bureau."

"Yes--she could have done all that."

She said,

"There is another point. It is one which engages my attention very
strongly. Miss Grey has been accused of theft. She has been summoned to
return the stolen property. She is no stranger, but a member of Mr.
Brading's family circle. The interview which took place was bound to be
of an extremely painful nature. Family scenes are apt to be not only
painful but prolonged. Do you suppose for a moment that this one would
have lasted for only ten minutes? I am perfectly persuaded that Mr.
Brading would have no intention of making things easy for her. Remember,
he was not surprised at what had happened. He told Mrs. Constantine to
leave it to him and he would deal with it. You heard her say that she
had never liked Miss Grey, but Mr. Brading's look and manner made her
feel sorry for her then. I feel quite sure that Mr. Brading meant to
make Miss Grey feel sorry for herself, and I am tolerably certain that
he meant to take more than ten minutes over it."

"That's not evidence."

"Of course not, Randal. But I think it should be enough to induce a
painstaking search for evidence. A further interrogation of Miss Grey is
indicated, and I think that Mr. Moberly should be pressed as to those
telephone conversations. You have, of course, taken up the matter with
the telephone exchange?"

"Yes. It was a busy time--no one remembers." He gave a short laugh. "You
know, Crisp isn't going to be a bit pleased. He thought he'd got the
case in the bag."

"You have not arrested Major Forrest?"

"No. He's over in the writing-room with Crisp. I shall have to detain
him unless something comes of this. Now do we go up and call on Miss
Grey, or do we have her down here?"

Miss Silver's needles clicked in a very decided manner.

"My dear Randal, you will do just what you think best. But if you ask
me--"

"I do. You know how the feminine mind works, and I don't pretend to."

She said,

"You cannot divide minds into sexes. Each human being presents an
individual problem. But since you ask me, I think it might be as well to
send, let us say, Inspector Crisp for Miss Grey, and to interview her in
Mr. Brading's laboratory. If she were asked to show you just what she
did on Friday afternoon--what her movements were, where she stood or
sat--it should, I think, be possible to discover to what extent she is
telling the truth. The discovery that the theft of the brooch is known
will naturally shake her a good deal."

March got to his feet. He said,

"All right--we'll try it that way."

"You will send Inspector Crisp?"

"Crisp is with Forrest. We were just going to take him to the station
and charge him when you rang up. I'm not justified in letting him out of
sight unless this turns out to be something."

"You left him here while you went to Ledlington to fetch the Inspector."

"That was before Lewis Brading's revolver turned up at Saltings, and I
had Jackson on duty outside. If Forrest had tried to steal a march on us
he'd have been stopped. I can send Jackson for Miss Grey."

Miss Silver was putting away her knitting.

"I think I have seen him, a pleasant-looking young man. I should prefer
that you sent Inspector Crisp."

"Whom nobody could describe as pleasant! Ruthless--aren't you?"

She picked up her pale pink ball.

"I want the truth, Randal."




                           CHAPTER THIRTY-ONE


There are days when time seems to be suspended. Stacy had seen the Chief
Constable's car drive away with Charles. She had seen Miss Silver
receive Myra Constantine's summons and repair to her sitting-room. After
an interminable stretched-out interval she had seen the Chief
Constable's car come back. It stopped, and three people got out--March
himself, who came upstairs to join Myra and Miss Silver, and, from the
back of the car, Charles and Inspector Crisp. Her heart jumped. They had
gone away with the Inspector sitting in front beside the Chief
Constable, and Charles at the back, but they returned like this. She
made herself face what it meant--what it must mean. They wouldn't let
Charles sit by himself any more. They had arrested him, or they were
going to arrest him. Crisp was there to see that he didn't get away.

She saw them come into the house together, and looking down over the
well of the stairs, she watched them pass through the hall in the
direction of the writing-room and out of sight.

She had been all this while on the bedroom floor, moving between her own
room and the stairs. Immediately opposite the stair-head a dressing-room
had been done away with to widen the corridor and bring in light and
air. A long window looked out over the porch and took the breeze and the
distant glitter of the sea. When Stacy stood at this window she could
watch who came and went. If she moved to the stair-head she had only to
lean upon the rail to see what passed below. If she walked to the end of
the corridor she could see the glass-roofed passage to the annexe and
hear the voices that rose and fell behind Myra's sitting-room door. She
could hear the voices, but not what they said. Sound reached her, but no
words.

Once, as she walked back along the passage, Hester Constantine stood at
her open door. She looked like a dead woman who had dragged herself from
her grave to listen, her head bent, one hand on the jamb. She was
straining to catch the sound from the room across the way. She and Stacy
looked at one another. Then Hester's free hand came up and touched her.

"Who's there?"

"The Chief Constable."

"Why?"

"Charles--"

Hester drew a long breath and stepped back. It didn't matter to her
whether Charles Forrest was hanged or not. She shut her door.

Stacy went back to the window over the porch. It was then that she began
to think about going down to the writing-room. If she went down she
would see Charles again. She didn't see how they could stop her. Even if
he was under arrest, she might be able to speak to him, and she would at
least see him again. It began to matter more than anything else in the
world.

When the door of Myra's sitting-room opened and Miss Silver came out
with the Chief Constable she felt an agonizing pang, because she thought
that she had lost her chance. She stood rigid in the recess and heard
Miss Silver say,

"If you can spare me a little time--no one will disturb us in the
study."

She let them go down, leaned over the balustrade to watch them out of
sight, and then ran down herself. Where the time had lagged endlessly,
it was now slipping away--the last remaining time in which she could see
Charles, touch him, hear him speak. She ran, and came into the
writing-room with quickened breath and colour in her cheeks.

Charles stood on the hearth with his back to her, apparently engaged in
the contemplation of the gloomy battle picture which lowered from the
chimney-breast. He had a turn for quotation, and was thinking that it
would be aptly described by that passage in the Bible which speaks of a
confused noise and garments rolled in blood--"Every battle of the
warrior..." No, he wasn't sure if he'd got it right now. These things
came floating up out of your mind like jetsam.

He was thinking quite dispassionately that it was odd to be worrying
about a quotation while you were waiting to know whether you were going
to be arrested for murder, when he heard the door fly open and turned to
see Stacy come running in. She pushed the door to behind her and came to
him, breathing quickly, her colour wavering, her eyes wide and startled.

"Charles!"

Inspector Crisp came forward from the strategic position which he had
been occupying midway between the door and the window with an eye to
each. Stacy hadn't even noticed him. She didn't notice him now. She held
on to Charles with both hands and looked at him with all her heart in
her eyes.

Crisp forced himself upon the attention with a brisk, "I beg your
pardon, Miss Mainwaring--"

Stacy did not look at him or speak to him. She said under her breath,

"Send him away."

If Charles's voice was not quite steady when he answered her, it was due
to the fact that the emotions have a way of being interchangeable in
moments of stress. The interval between laughter and tears can be
traversed without intention. He said,

"I'm afraid he wouldn't go."

"Miss Mainwaring--"

Stacy went on taking no notice. She held on to Charles with desperation.

"They haven't--arrested you?"

He looked over her head at Crisp, the angry terrier to the life, with a
rat just out of reach.

"I believe not--technically. But we are on debatable ground. What would
you call it, Crisp? Detained for further questioning is an expression I
seem to have read in the papers. Or am I on the way to the station to be
charged? That also has a familiar ring."

The tone did nothing to sweeten Crisp. He said in his stiffest and most
official manner,

"I must ask Miss Mainwaring to leave."

Charles said, "All in good time. If I'm not actually arrested, you know,
I have an idea that I still have a few rights." He dropped his voice for
Stacy's ear. "You'd better go, you know."

Her hands clung.

"Are they going to arrest you?"

"We're on the way. I gather that a red herring has crossed the path. It
may or may not divert us."

"Miss Mainwaring--"

Stacy continued to take no notice.

"If they--if they do it--will--will they let me come and see you?"

"Do you want to?"

"Charles!"

"Nasty sordid business, you know. I sit at one end of a table and you
sit at the other, and a warder listens in."

"Major Forrest, will you kindly ask Miss Mainwaring to go. I've my duty
to do."

"I don't think it extends to putting her out by force, does it? And so
far moral suasion doesn't seem to be getting us anywhere." He dropped
his voice again. "You'd really better go, Stacy. This is trying us a bit
high, don't you think?"

"You?"

"Me."

She said, "I'll go", and took her hands away so suddenly that he thought
she had lost her balance and would fall, but before he could touch her
she had steadied herself. Her colour was all gone. She said, "Goodbye--"
in an exhausted voice which hardly reached him. Then she turned round
and went out of the room.

Crisp held the door and shut it after her rather forcefully. No one
could say that he had banged it, but it had that effect. Stacy had not
looked at him when she came. She did not look at him as she went. He
might not have been there.

When he turned round from not banging the door Charles Forrest was once
more standing with his back to him looking in the direction of the
battle picture on the chimney-breast, but this time it is to be doubted
whether he really saw it.




                           CHAPTER THIRTY-TWO


Lilias Grey pulled back the curtains from her sitting-room windows. The
sun was off them now, and there was the beginning of a breeze from the
sea. The day really had been stiflingly hot, but in the next hour or two
the air would freshen. She went over to the door and opened it to make a
draught in the room. It was a grievance that her flat opened directly
from the sitting-room upon the corridor. In his downstairs flat Charles
had a nice little lobby entrance. She had not seen, and never would see,
why she could not have one too. Facts adduced by Mr. Adams, the
architect, made no difference to this point of view. It was, and
remained, a grievance. On a hot day like this, of course, there was a
certain advantage in being able to achieve a through draught.

She came back from the door to stand by the window again. It had been
such a very long day. Charles had not been to see her. She felt angry
and resentful because he had not been. She had seen him for a moment in
the hall on his way out to lunch with Major Constable, and that was all.
She wouldn't have seen him then if she hadn't heard Major Constable go
down and followed him, because of course she guessed at once that
Charles would be taking him out to lunch. She felt a grievance about
that. Charles hadn't asked her to come too. She would have said no of
course. If anyone saw her, they might think it strange so soon after
Lewis's death. Oh, no, she wouldn't have gone, but she would like to
have been asked. No one would think anything of Charles and Jack
Constable having lunch together in Ledbury--even nowadays men were much
freer than women--but it would not be prudent for her to be seen at an
hotel or a restaurant until the funeral was over. She would have to go
to the funeral of course. However hot it was, she would have to wear her
black coat and skirt, because she had nothing else that would be
suitable. Fortunately it wasn't very thick, but it was wool--and in this
weather! But she would have to wear it--and at the inquest too.

All the time these thoughts were going through her mind they were
getting nearer to the inquest. She would have to go to it, and be sworn,
and give her evidence. When she got to this point everything in her
shook and was confused. That was what frightened her about the inquest.
She would have to stand up in that sort of box with a ledge in front of
it and read the oath from the printed card they gave you and give her
evidence. The room would be crowded, and everyone would be looking at
her. The black coat and skirt was becoming. It threw up her fair hair.
She could wear the little black hat which hardly hid it at all--just
that flattering tilt over the eyes, and the scrap of veil to soften the
brim. She had a comforting picture of herself standing there, rather
pathetically slim and fair, doing her best to be brave. Then the
shaking, and the fear came back. Suppose this horrid frightened feeling
came over her when she was giving her evidence and she got confused and
didn't know what to say. It had all been such a horrid shock. And no one
came near her. Charles didn't come near her.

She stared out the window. There wasn't a cloud in the sky, or a shadow
on the sea.

Someone was coming up the stairs--a man. Charles? Major Constable? The
sound came in through the open door. She turned round and went to it,
and saw Inspector Crisp step up on to the landing.

In the annexe the stage was set when Crisp brought her in. The glass
passage was like a furnace, just as it had been on that dreadful Friday
afternoon. To step from all that heat and glare into the room which
Lewis Brading had designed for his Collection was to lose a good ten
degrees of heat and to drop into what seemed for the moment to be
darkness. Only one light burned high up, and the black-hung walls
muffled it. Lilias Grey caught her breath, checked, felt Crisp's touch
on her arm, and went on again. He said, "This way, Miss Grey," and they
came into the lighted passage beyond.

The door of the laboratory was ajar. Crisp opened it and stood aside for
her to enter. All the laboratory lights were on. The room seemed
dazzlingly bright, like a room in a hospital--white walls and ceiling
and a chill upon the air.

She turned to the right as she came in, and saw the Chief Constable
facing her across Lewis's table a dozen feet away. He was sitting where
Lewis had sat. Away on his left there was a little dowdy woman with some
pale pink knitting in her lap. That would be Charles' private detective.
Somehow the sight of her, sitting there looking so exactly like
somebody's governess, was a relief. The cold, fluttering sensation which
had been making her feel quite sick began to subside. It was tiresome to
be dragged down here on a hot evening, and with no reason given except
that the police wished to check up on some of the statements which had
been made. But there was nothing to be frightened about. Her nerves were
just playing her tricks, and no wonder after the shock she had had. It
was all just a routine matter, as common-place and ordinary as the dowdy
little governess person sitting there knitting up pale pink wool.

March said, "Come in, Miss Grey. There are just a few questions I must
ask you. Crisp, will you be ready to take notes?"

The fluttered feeling returned. Very foolish of course--just her nerves.
Randal March was a good-looking man. He had been Superintendent at
Ledlington before he became Chief Constable. He looked like a country
gentleman--big, fair, becomingly bronzed.

The Inspector had settled himself and taken out a notebook. It was these
formalities which made you feel nervous. And no need for them that she
could see. Why couldn't Mr. March just call on her in her own
drawing-room? So much more suitable. He said quite politely, but in what
she could only call an official voice,

"Now, Miss Grey, I have your statement here. I am sorry to trouble you,
but it will help us if you will just run through the whole thing again.
By the way, I don't know if you have met Miss Silver. She is a private
enquiry agent. Mr. Brading approached her in the first instance, and she
is now representing Major Forrest. If you have no objection, I should
like her to be present."

"No--no--of course--I mean, I don't mind at all. Charles told me."

"Then if you don't mind, Miss Grey, I should like you to go back to the
door and come in again. I want you to imagine that I am Mr. Brading
sitting here. And then I want you to do and say what you did and said on
Friday afternoon."

Miss Silver had thought Miss Grey very pale when she came in. She became
perceptibly paler now.

"Oh, I couldn't--I don't really think--"

"I would like you to try, Miss Grey. If what you say in your statement
is correct, I do not quite see why you should make any objection."

She put her handkerchief to her lips. Behind the linen screen she
moistened them.

"I'll do what I can--"

She went to the door, still holding the handkerchief. As she turned to
repeat her entry, March stopped her.

"Had you a handkerchief in your hand?"

"No--no--oh, no."

"We will try to be as exact as possible, so will you put it away. You
had that bag?"

"Oh, yes."

"In your left hand?"

"Under my arm."

"Well then, you came in. What did you do?"

She tried to remember what she had said in the statement. The words were
there, written down, but between those words and her recollection of
them there rose the picture that was never far from her mind. Her lips
were so dry that she had to moisten them again. She didn't know what to
say--but she must say something, or they would think--they would think--

She came half way to the table and stammered,

"I don't know--you're making me nervous. I suppose I said, 'How do you
do?' "

"And Brading?"

"I suppose he did too."

"And then? What did you do?"

"I can't remember every single thing."

"Just do your best. Show me what you did next."

She came the rest of the way, nervous, hesitating, her eyes on March.
When she reached the table she stood there. Her hand came out and closed
on the table edge.

Crisp looked at her sharply. He had been thinking all this a piece of
tomfoolery, but now he wasn't so sure. He had an accurate mind, and he
remembered her statement. It said that she came in and sat down to the
table and talked to Mr. Brading about a bit of business, which is what
she would have done if she had had a bit of business to talk about.
Well, now she had been asked to show just what she did, and she hadn't
so much as looked round to see if there was a chair, she just came up to
the table and held on to it.

The Chief Constable said,

"You were touching the table like that?"

She let go of it in a hurry.

"No--no--I don't think so."

"Well, try and stick to just what you did on Friday. Did you stand like
you're doing now?"

A feeling of panic came to her. She tried to remember just what she had
said.... Something about talking to Lewis--sitting down and talking to
him. She said as quickly as she could get it out,

"No, no, I sat down."

"Where?"

There had been a chair. Every time she shut her eyes she could see the
table, and Lewis. There had been a chair--a little to the right of where
she was standing now. She moved a hand and said,

"There."

At a look from the Chief Constable Crisp got up and set a chair where
she was pointing. She was very glad to sit down.

March said,

"And then?"

"We began to talk about business. I had come to ask him about investing
some money."

That was what she had said in her statement. She was doing all right
now. If she stuck to that, they couldn't trap her. She had only got to
say that bit about a mortgage falling in, and wanting Lewis to advise
her about investing the money. She began to say it.

When she was about half way through she saw that Miss Silver was looking
at her. Such an odd look. Not unkind, not exactly stern. More as if she
was sorry about something. Her voice began to falter.

"He said--to put it--into government--securities--"

"And then?"

"That was--all. I mean--of course--we talked about it a little--"

"What did you say?"

"Oh, just--what did he think would be best--that sort of thing."

"And what did he say?"

"To put it--into--government securities--"

"That was all he said?"

She felt relief. They were coming to the end. She had got through. She
said,

"Oh, yes."

"Nothing about the Marziali brooch?"

She gazed at him with dilated eyes. Her tongue crept out and touched her
lips.

"I don't know--what you mean--"

"Don't you, Miss Grey?"

She shook her head.

Miss Silver put down her knitting and came over to her. She had a glass
of water in her hand.

"I think you had better drink this, Miss Grey."

The water was held to her lips. She drank. Some of it spilled. She drank
again. Miss Silver set the glass down on the table and said in a kind,
firm voice,

"Now you must listen to the Chief Constable."

March said,

"On Thursday evening you were present with a number of other people in
the outer room of the annexe when Brading showed his Collection. The
Marziali brooch is listed as part of it. It has five large brilliants,
and it is of considerable value. Mrs. Constantine deposes that she saw
you take it away in your bag. What have you to say to that?"

"Oh--it isn't true--" She reached for the water, gulped a mouthful, and
almost dropped the glass upon the table.

March continued in an even voice.

"Mrs. Constantine says she waited till everyone was gone and informed
Brading of what she had seen. She says, Miss Grey, that he did not
appear to be surprised, but stated that he would deal with the matter.
He telephoned to you, did he not, just before lunch on Friday?"

She said in a choking voice,

"It was about the investments--about my coming down to see him--"

"Now, Miss Grey, you need not answer unless you wish to. I have to tell
you that anything you say may be taken down and used in evidence. And I
must tell you that this statement of Mrs. Constantine's and your own
attitude bring you under very strong suspicion in regard to Mr.
Brading's murder. He had reason to believe that you had stolen a
valuable brooch. He had sent for you in order to deal with the matter.
You came, and you saw him. You brought back the brooch, because it was
found in this drawer, which was standing open. If he threatened you with
exposure, you had a strong motive. The weapon with which he was shot was
brought from Saltings. The weapon which was in his drawer was taken back
to Saltings--"

She cried out, "Stop--stop! I didn't!" She clutched Miss Silver's arm in
a bruising grip. "Don't let him! Make him stop! I didn't!"

Miss Silver detached the clinging hands in a perfectly kind but firm
manner. For his part, Randal March, who had sometimes wished her away,
was at this moment quite unfeignedly glad of her presence. Hysterical
women were the devil.

Miss Silver said in her voice of authority,

"Pray calm yourself, Miss Grey."

"But I didn't--I didn't touch him--or the revolver! I couldn't! Things
like that frighten me to death! Oh, you don't think I shot him! Mr.
March, you can't--you can't think I shot him!"

He made no reply. Miss Silver said,

"Miss Grey, you must please control yourself. If you are innocent you
have nothing to fear. If you wish to make any explanation--"

"He won't listen to me! No one will listen! You won't believe me! Oh,
can't you make him listen!" She was sobbing in a helpless terrified
manner.

Miss Silver put a hand on her shoulder.

"Anything you have to say will be listened to. You will not be compelled
to speak, or pressed to do so, but you are perfectly at liberty to make
a statement. Inspector Crisp will write down what you say. Afterwards it
will be read over to you, and you may sign it if you are willing to do
so. No pressure of any kind will be put upon you. Now just take another
drink of water, and make up your mind if there is anything you wish to
say."

Lilias put out a shaking hand for the glass, drank between sobbing
breaths, and set the glass down again. Some of the water had spilled and
was running down her chin. She dabbed at it with her handkerchief and
said,

"Oh, Mr. March, I didn't shoot him. He was dead when I came."

There was a definite feeling of shock in the room. Miss Silver said,
"Dear me!" Standing beside Miss Grey, she observed her with the closest
attention. She was no longer collapsed and unstrung. It was as though
the shock produced by her words had had the effect of steadying her. She
was trembling a little, but she no longer sagged in her chair. She had
ceased to sob.

Randal March said,

"Do you wish to make a statement to that effect?"

"Yes--yes--of course I do. I must. I can't let anyone think--oh, it's
horrible!"

"Brading was dead when you came into this room on Friday afternoon?"

Her words came with feverish energy.

"Yes, yes, of course! Don't you see, that's why I couldn't tell you what
he said, or what I said. He was dead. It was the most horrible shock
I've ever had. I just came into the room, and he was dead."

Miss Silver came quietly back to her seat and took up her knitting. Miss
Grey was quite steady now. She would not become hysterical again. This
one most startling admission made, the rest would be easy. She quoted a
French proverb to herself--"_Ce n'est que le premier pas qui cote._"

Randal March was going over the arrival in the annexe.

"Who let you in, Miss Grey?"

"The door was ajar," she said.

"Did that surprise you?"

"Yes--no--I thought Lewis had left it like that for me."

"Was there a light inside?"

"Yes--like it was today."

"Only one light burning?"

A shiver went over her.

"Yes--it was dark coming in--"

"Was the passage beyond lighted?"

"Yes--just like today."

"And the laboratory?"

The shiver again.

"Oh, yes--dreadfully bright."

"Tell me exactly what you saw when you came in."

Inspector Crisp was writing it all down, but she didn't mind. She
couldn't get it out fast enough now that she had begun.

"I came round the door, and just for a minute I thought he was asleep.
His head was down on the table. I came a little nearer and I saw that he
had been shot."

"Why didn't you give the alarm?"

She said in a queer slow voice.

"I--don't--know. It was--a shock. I just stood there--I didn't seem to
be able to move."

"But that passed--you did move?"

She said, "Yes, I went to see if he was--dead."

"Will you show me just how he was lying."

"His head--was just on the edge--of the blotting-pad."

March pushed back his chair and got up.

"I should like you to come round and show me just how the body was
lying."

She came round the table and showed him, taking up very exactly the
position in which Lewis Brading had been found.

"Thank you, Miss Grey."

She went back to her seat, and he to his.

"The right arm was hanging down?"

"Oh, yes."

"Did you see the weapon?"

"It was lying there on the floor--as if he had just dropped it. I
thought he had shot himself."

"Did you know of any reason why he should shoot himself?"

"Oh, no."

"But you thought it was suicide?"

"Yes, I did."

"Then why didn't you give the alarm?"

"I--I--"

"Miss Grey, the first shock had passed. You had begun to reason. Your
mind was sufficiently active to formulate the theory that Brading had
committed suicide. Your natural course would be to run over to the house
and give the alarm. Why didn't you do so?"

Her hands were picking at her wet handkerchief.

"I was afraid."

"Why?"

"I was afraid they'd think--" She stuck there.

"You were afraid they would think you had shot him?"

She caught her breath.

"Well, you did think so, didn't you?"

"Because a very strong motive had emerged."

Miss Silver addressed the Chief Constable with polite formality.

"Pray forgive me--may I ask Miss Grey a question?"

"Oh, certainly."

She looked across the pink wool and said,

"Had you any reason to suppose that this motive would appear? When, Mr.
Brading talked to you on the telephone, did he tell you that Mrs.
Constantine had seen you take the Marziali brooch?"

There was a moment when March feared a recurrence of the hysterical
sobbing. But it passed. Lilias Grey said, "Oh!" on a note of outrage.
Then she drew herself up and had recourse to words instead of tears.

"Myra Constantine is a vulgar, interfering old woman. She thinks
everyone has the same low motives as herself. And Lewis has always
listened to her. He was _most_ unkind, _most_ unfair." She tried for,
and actually achieved, an air of dignity. "_I borrowed_ the brooch
because it interested me very much and I wanted to make a sketch of it.
I was thinking of writing some articles on jewellery. I didn't ask
Lewis, because he was sure to make difficulties. I meant just to make a
joke of it and return the brooch next day. And then he rang up and was
_most_ disagreeable. And of course I knew Myra would make mischief about
it if she could. So when I found Lewis dead like that I thought it would
be much simpler if I just slipped away and didn't say anything."

It was at this moment that March really began to believe that she was
speaking the truth. Only the natural processes of a completely
inconsequent mind could have produced so perfect an example of unreason.
He could not bring himself to believe that it could be simulated. He had
to make an effort in order to focus his own thought again.

"You made up your mind that you would just go away and say nothing?"

She said in quite a pleased voice,

"I thought it was the best thing to do."

What a woman! Well, he must get what he could out of her.

"Now, Miss Grey, you were here for about ten minutes. What did you do
after you had made up your mind to say nothing?"

"I put the brooch into that second drawer. It was open."

"Was there a revolver in the drawer?"

"No--it was on the floor."

"Did you see a second revolver anywhere?"

She looked surprised.

"Oh, no. I'm sure he only had the one."

"Well, you put the brooch in the drawer. What else did you do?"

A startled expression came and went. It was so slight, so fleeting, that
only Miss Silver noticed it.

"I don't know what you mean."

"You have ten minutes to account for. I don't think you have accounted
for them yet. What did you do after you put the brooch in the drawer?"

This time he was aware that she was rattled. She said,

"I came away."

March shook his head.

"Oh, no, not immediately. You have that ten minutes to account for.
Perhaps I can help you. Did you see a metal tray on the table?"

"I--I don't know--I may have done."

"Come, Miss Grey, I think you must have seen it. Where was it?"

"Over--over there." She pointed to an empty space on his left hand.

"Was it empty?"

"I--I think so."

March said, "You see it's all coming back. Just go on trying. Did you
see Brading's will?"

She said, "Oh!" like someone who has missed his footing.

"Did you see it, Miss Grey?"

She stared at him helplessly and burst into tears.

Miss Silver laid down her knitting and said very firmly indeed,

"Miss Grey, if you do not tell the truth you will, I believe, bring very
serious trouble on yourself. I think you did see Mr. Brading's will. I
believe that it was lying there on the table. You saw it, and you read
it. It made you very angry to think that Mrs. Robinson would come in for
all that money. I do not suppose that you reasoned any further than
that. If that will were destroyed, the money would come to Major
Forrest, and if the money came to Major Forrest, you would certainly get
a share of it. Shall I tell you what you did? The will-form was not very
large. You took out your handkerchief and you lifted the metal tray
across to the far right-hand corner of the table. You were collected
enough to remember that you must avoid leaving fingerprints. You laid
the will-form on the metal tray, and you struck a match--since you smoke
you would probably have matches in your bag."

"How do you know that I smoke?"

Miss Silver said,

"I asked Mrs. Constantine. You struck a match, set light to the
will-form, and watched it burn. That is what you did, did you not?"

Lilias threw out her hands. The shredded handkerchief dropped to the
floor.

"Oh--oh--oh!" she cried. "How did you know?"




                          CHAPTER THIRTY-THREE


"Well, what do you make of that?"

March was alone with Miss Silver. They were in the laboratory. Lilias
Grey, at Miss Silver's suggestion, had been invited to retire to Lewis
Brading's room, where there was a very comfortable couch. An elderly
chambermaid had been placed in charge of her. Miss Grey made no
objection. She had cried a good deal, but dried her eyes when it was
suggested, also by Miss Silver, that she might care to have a cup of
tea. Crisp went away when she did, leaving March alone with Miss Silver.
She was considering how difficult it was to disentangle the lie that was
half a truth from the truth that was half a lie. She recalled with
admiration the lines in which Lord Tennyson had dealt with this fact.
Leaning back in one of those low armless chairs which she preferred, she
continued to knit. She answered March's question with another.

"What do you make of it yourself?"

He lifted a hand and let it fall again.

"It all depends on whether she is telling the truth. Is she?"

"I think so, Randal."

His voice took a cynical tone.

"All that rubbish about the brooch being borrowed, and wanted to make a
sketch of it?"

Her needles clicked.

"Oh, no, of course not. That was just a smoke-screen. She is the type
who will never look a fault in the face and admit to it. It is the
common shop-lifting type. They must excuse what they do, put a good face
on it, and keep their self-respect. It is a kind of muddled thinking
which corrodes the whole character. Miss Grey exemplifies it at every
turn. She stole Mr. Brading's brooch, but I am quite sure that she did
not shoot him."

He was inclined to agree. He said,

"Your reasons?"

She was knitting with a certain brisk cheerfulness.

"My dear Randal, this crime was very carefully premeditated, very
cleverly plotted. It bears the marks of a clever mind working swiftly
and ruthlessly--quick to turn circumstances to account. Can you see Miss
Grey's mind operating in any such manner? Pray consider the situation in
which she found herself. She had robbed Mr. Brading. He had found her
out. She knew that Mrs. Constantine was aware of her theft. Mr. Brading
had rung up to tell her she must bring the brooch back. She did so. Do
you suppose for a moment that she had provided herself with a weapon and
had come down here with the intention of shooting him? I do not suppose
that she has ever handled a firearm in her life. With her capacity for
self-deception it would be impossible for her to believe that Mr.
Brading really meant to expose her. She expected an unpleasant scene,
but not that he would proceed to extremities. Had he convinced her that
she was in real danger, she would have had recourse, not to Major
Forrest's revolver, but to Major Forrest himself. She would have
informed him in a deluge of tears of the cruel and unsympathetic
attitude which Mr. Brading was taking up. I can assure you, Randal, that
she is--though for different reasons--quite as incapable of shooting
anyone as I am myself. The sight of Mr. Brading's dead body terrified
her, and, true to her type, her sole idea was to pretend that nothing
had happened. She does not think clearly or intelligently at any time.
Under the influence of shock she does not really think at all. She acts
from instinct and habit. I am sure it did not occur to her that by
stating Mr. Brading was alive when she left him she would be throwing
suspicion on Major Forrest."

March said dryly,

"She was capable of sufficient thought to destroy the will."

Miss Silver shook her head in a very decided manner.

"Not thought, Randal--instinct. Her whole course of conduct shows her to
have been strongly acquisitive. She read the will, and saw that Mr.
Brading had left everything to Mrs. Robinson. She had only to strike a
match in order to counteract what must have appeared to her to be a
monstrous injustice. You have seen her and heard her. Is it not
perfectly clear that she would consider such a course to be quite
justifiable?"

"Oh, she would justify anything."

"Exactly."

After a moment he said,

"If you're going to take her evidence, it clears Charles Forrest. That's
what you came down here to do isn't it?"

Miss Silver did not rise. She said sedately,

"I came down here to serve the ends of justice and to discover the
truth. You know me too well to believe that I could have any other
motive."

He smiled.

"You have just produced an extremely able piece of special pleading."

Her cough conveyed reproof.

"You asked for my opinion. I have given it."

He sat for a moment, chin in hand, studying her.

"It has not occurred to you that there might be quite another
explanation for, shall we say, this variation from Miss Grey's original
statement?"

She returned his look with bright intelligence.

"What explanation do you suggest?"

"She is Forrest's adopted sister. She is supposed to be devoted to him.
As you have said, she is not a very clear thinker. At the time that she
made her statement it would not occur to her that to say she left
Brading alive at ten past three would be liable to throw suspicion upon
Forrest, who says he found him dead at twenty past. When she does begin
to realize it she is frightened, and when she finds that Forrest is on
the brink of arrest she comes out with this story of Brading having been
dead when she got here just before three."

Miss Silver smiled in a perfectly amiable manner.

"That is quite ingenious, Randal, but it will not do. In the first
place, I do not suppose for a moment she knew that Major Forrest was in
danger of being arrested. In the second, she did not come out with the
statement about finding him dead. She was surprised and startled into
admitting it. And in the third, I really do not see Miss Grey thinking
of anyone's interests in an emergency except her own."

"You think she was surprised into making that admission?"

"Certainly. I was watching her very closely when she came in. Did you
not see how she checked involuntarily as she came in sight of the
writing-table? She checked. Her eyes dilated. She stared at you in a
horrified manner. She found it difficult to advance. I was quite sure
then that she had seen Mr. Brading lying there shot. You asked me
whether I thought she was telling the truth when she admitted this was
the case. I think the fact that she was doing so is corroborated by her
description of the position of the body. It was correct in every detail,
was it not?"

He nodded.

"Forrest might have told her that."

"It is not very likely. He would not describe such a distressing scene
to a person of so hysterical a temperament."

"Well, I agree with you there. I am not sure that I do not agree with
you all along the line, in which case Forrest is in the clear." He
smiled. "You are a very efficient advocate."

The pale pink vest revolved. She said,

"Major Forrest does not need an advocate. The facts speak for
themselves. Have you considered, Randal, that the changing of the
revolvers is an actual proof of his innocence?"

"My dear Miss Silver!"

"If you have not considered it, pray do so. Mr. Brading's visitors on
Friday afternoon all came from Saltings. Any one of them might have
obtained possession of Major Forrest's revolver, the one with the scrape
on it, and have exchanged it for the one which had been given to Mr.
Brading and which bore his initials. Since Mr. Brading's revolver was on
the spot--and it is agreed that this fact was generally known--why was
it not used for the murder? As an attempt was made to pass the death off
as suicide, we must agree that Mr. Brading's own revolver was not used
because it could not be used. The murderer would have been unable to
take it out of the drawer and fire it at the very close quarters
necessary to support the idea of suicide. He, or she, had therefore to
provide another weapon, and, in the event, to use it. But, alone amongst
those four visitors, Major Forrest had no need to provide himself with
another weapon. He could have stood by his cousin's side, turned the
conversation to the revolver he had given him, and found some pretext to
open the drawer and take it out. It would all have been perfectly
natural and easy. Major Forrest could have shot his cousin without
arousing the slightest suspicion. He did not need his own revolver, and
he is a good deal too intelligent to have employed it."

March was looking at her very intently.

"Someone employed it. Who are you suggesting?"

"Someone who could not count on getting hold of Mr. Brading's own
revolver. Someone who planned the whole thing very carefully, but was so
hurried in the performance that the fingerprints which were to convince
the police that Mr. Brading had committed suicide slipped and were
smudged. Someone who was obliged to remove Mr. Brading's revolver and
leave the other because Mr. Brading's revolver was fully loaded and
there is simply no place in this room where he could have got rid of a
shot."

March put up a hand.

"My dear Miss Silver!"

She smiled at him kindly but with gravity.

"It is all true, is it not? Whilst you are thinking it over I would
suggest that you send for Mr. Moberly."

His brows drew together.

"Moberly?"

She said,

"There are one or two questions I should like to ask him. I have
abstained from putting them until I could do so in your presence."

He said, "Moberly--" again in a meditative voice. And then, "Oh well, I
don't mind seeing Moberly myself. He's got the wind up, and we may get
something out of him. I've an idea there's something to get."

He picked up the house-telephone and spoke into it.

After he had laid it down again he turned round smiling a little and
said,

"Observe--I send for him first and ask questions afterwards. What do you
want to ask him about?"

She said,

"The letters which came by the second post on Friday."

"What letters?"

"You will remember the waiter's excuse for having overheard part of a
conversation between Mr. Brading and Mr. Moberly. He said he was
bringing in Mr. Brading's letters."

He looked at her with a faint shade of surprise.

"Is there any reason to suppose--"

"I think so." She was knitting steadily and briskly, her small neat
features composed, her aspect purposeful. "You see, one of those letters
was from Mrs. Robinson."

"How do you know?"

"I asked the waiter."

March was frowning.

"Would he know her writing?"

"Oh, yes--he seemed to be quite familiar with it. She has been here a
great deal. She has written letters and given them to him to put in the
post-box. It is down by the gate."

"But--"

She inclined her head.

"I know, Randal. Mrs. Robinson was here until fairly late on Thursday
evening. She was one of the party to whom Mr. Brading showed his
Collection. She walked home along the cliffs with Major Forrest. This
letter must have been written after she reached Saltings. That is why it
interests me. I find that there is a pillar-box about a quarter of a
mile from Saltings where a lane comes out upon the main road. Anything
posted there after five in the afternoon would be collected early next
day and delivered locally by the second post. This would count as a
local delivery. I am indebted to Miss Snagge for these particulars. She
sorted the letters when they came in on Friday, and she corroborates
Owen in saying that one of Mr. Brading's letters was from Mrs. Robinson.
I think we are entitled to conclude that it was written after she got
back to Saltings."

He said, "Oh, well they were engaged. People do that sort of thing."

She said rather sharply,

"I think there is more in it than that. Mrs. Robinson walked home with
Major Forrest. He has said that she told him Mr. Brading had asked her
to marry him and had executed a will in her favour. You will observe the
form of her communication--he had asked her to marry him. I think it is
possible that she had not up to that time given him a definite answer."

"He wouldn't have signed a will in her favour if she hadn't."

"Then perhaps it was merely that she herself was still hesitating. I
must tell you that Mrs. Constantine, who is very acute, and Miss Dale,
who is an indefatigable gossip, have both been at some pains to inform
me that Mrs. Robinson is very much attracted by Major Forrest."

March laughed.

"And you believe everything you hear?"

She said primly, "I do not find that at all difficult to believe. Major
Forrest is an extremely attractive man."

"And what conclusion do you draw from that?"

"None at present. But that is where I hope Mr. Moberly may help us. She
had that walk with Major Forrest, and then she wrote and posted a letter
to Mr. Brading. After he had received it he put through two angry
telephone calls. We know that one was to Miss Grey. We do not know
whether the other was to Mrs. Robinson. I suspect that her letter was
either a refusal or a definite acceptance. In neither of these cases
does it account for what followed."

March nodded.

"Look here, I think we'll have Forrest in before we see Moberly."

He spoke into the house-telephone again.

"Just keep Mr. Moberly back till I ring. And ask Major Forrest to come
over."

Charles Forrest came into the room rather wondering what he was going to
find there. Crisp had left him some time before, but he had been asked
to remain in the writing-room, and he had done so. There seemed to be
some constabulary activity. From the window sounds reached him of
comings and goings. Opening the door, he could observe a policeman in
charge of the house-telephone. Stacy was not in sight. He shut the door
again and remained alone with his own thoughts until summoned to the
laboratory, where he was received by Miss Silver with a smile, and by
the Chief Constable with a pleasant "Come and sit down, Forrest."

The last thing he had expected was to be taken through that embarrassing
walk with Maida, but he came out of it without going beyond what he had
said in his statement. She had told him that Lewis Brading had asked her
to marry him, and that he had made a will in her favour. The will was to
be signed next day. They had discussed the whole thing. He had remarked
that she would not find his cousin very easy to live with, but he had
been very definitely under the impression that she intended to accept
him. When March said, "You didn't think she had already done so?" he
replied, "Well, as near as makes no difference."

It was at this point that Miss Silver put her first question.

"Did you know that she intended writing to him that evening?"

He didn't know where all this was getting them. He said,

"She did write to him."

March exclaimed, "You know that?"

"I posted the letter."

"Do you mind telling us just what happened?"

Charles looked the surprise he felt.

"Nothing happened. After we got in I wrote a letter myself and was going
out to post it. Maida was on the stairs with a couple of letters in her
hand. I offered to post them for her, and she gave them to me. That was
all."

"Any conversation?"

He was frowning. No harm that he could see in repeating what she had
said. He let them have it.

"She gave me the letters and said, 'Well, you're going to have me for a
cousin', and I said, 'And very nice too'."

"You're sure she said that?"

"Oh, yes."

"Then you took it that the letter she gave you to post was her
acceptance of Brading's offer?"

"Of course."

March thought, "Well, that's that. So it wasn't her letter that made
Brading angry, and we're barking up the wrong tree."

Miss Silver gave a gently interrogative cough.

"There were two letters, Major Forrest?"

"Yes, two."

"Did you notice to whom the second letter was addressed?"

"Oh, yes. It happened to be uppermost--I couldn't help seeing it."

"And to whom was it addressed?"

For the life of him March couldn't see what she was getting at. He heard
Charles say,

"To a friend of hers, a Mrs. Hunt."

"Did you notice the address?"

"Oh, she's a Londoner. She's been down once or twice. I couldn't tell
you the exact address. If you want it you can get it from Maida."

Miss Silver coughed again, this time in a deprecating manner. She
pursued her questions.

"Is Mrs. Hunt an intimate friend?"

Charles laughed.

"Oh, I should think so. The kind you'd be bosom friends with after a bus
ride--hearty, genial--more or less all over everybody."

March let it go at that.

"Well, I think that's all we wanted to know. I had better tell you that
there have been--developments. I must ask you just to stay in the club
for the moment, but apart from that there is no reason why you should
not behave as usual."

Charles took this with rather a straight look.

"Meaning that I'm not under detention any longer?"

"Meaning just what I said."

"Do you know, I should rather like an explanation."

March frowned.

"Miss Grey has made a statement."

He saw the dark face harden.

"What has she said?"

"That Brading was dead when she got here."

That Charles was completely taken by surprise was beyond doubt. He said,

"_What!_"

"That is what she says. If she is to be believed, it would of course
exonerate you."

"Lewis was dead when she got here--"

March said, "Go away and think it out."

Charles got up.

"Where is she?"

It was Miss Silver who answered him.

"She is lying down. One of the chambermaids is looking after her. She
was a good deal upset."

He took himself out of the room in frowning silence.




                          CHAPTER THIRTY-FOUR


James Moberly came into the laboratory with the air of a man who has
braced himself to meet disaster. Whereas in the ordinary way he stooped
a little, he now held himself stiffly upright. Miss Silver smiled at him
as he came in. The tone in which she invited him to be seated recalled
her schoolroom days. March, glancing from her to Moberly, wondered just
what she took him to be--the tongued-tied boy paralysed with
shyness--the ingenious one ready for emergency with a lie--the dunce who
does not know his lessons--the idler who has scamped his work--or the
mutineer who defies authority? Next moment he was recalling Moberly's
story and setting him down as the boy who has blotted his copybook.

Miss Silver said,

"Pray sit down, Mr. Moberly. You must, I am sure, be even more anxious
than we are to have this distressing affair cleared up. I believe that
you may be able to help us, and the Chief Constable is very kindly
allowing me to put some questions to you in his presence."

James Moberly said nothing. There was a chair on the far side of the
table. He sat down upon it without relaxing those taut muscles or
appearing to afford himself any ease. With a slight preliminary cough
Miss Silver addressed him.

"Will you take your mind back to Friday morning, Mr. Moberly. Mr.
Brading had been out, and he had returned. Just before twelve you were
having an interview with him in the study."

He said in a dry, stiff voice,

"I have made a statement about that interview. I haven't got anything to
add to it."

She continued to smile in an encouraging manner.

"I shall not ask you to do so. Your conversation with Mr. Brading was
interrupted by a knock on the door. A waiter of the name of Owen came
in, bringing some letters which had arrived by the second post. Mr.
Brading took the letters, and the waiter retired. Did you happen to
notice what letters there were?"

"Not at the time. I had my back to the room."

"But you did notice them afterwards?"

"Yes. Mr. Brading was at his table. I turned round and came back. The
letters were lying there. There were two of them. One looked like a
local bill, and the other was from Mrs Robinson." He spoke in short
jerky sentences, his voice under constraint.

March said, "Sure about that? You knew her writing?"

"Yes--it is very distinctive."

"Did you see Mr. Brading open the letters?"

"No. He referred to the conversation we had been having about my wanting
to leave. He said, 'I don't want to hear any more about it. The matter
is closed.' Then he picked up Mrs. Robinson's letter and went over to
the annexe."

Miss Silver said,

"You followed him, did you not? How much time had elapsed before you did
so?"

"Between five and ten minutes. I could not accept what he said. I could
not accept that the matter was closed. I went after him to tell him so,
but that of course I would remain for a reasonable time until he was
suited."

"Did you in fact tell him these things?"

He hesitated. The nervous strain under which he was labouring became
more apparent. He said at last,

"I had no opportunity."

"You say in your statement that he was telephoning when you came into
the annexe--he was using the instrument in his bedroom and the door was
open. You say that you retired to the end of the passage beyond the
laboratory door in order to avoid overhearing his conversation. Why did
you not simply enter the laboratory?"

Moberly's eyes went past her. He said,

"I don't know."

She laid down her knitting for a moment and leaned towards him, her
hands on the pale pink wool.

"Mr. Moberly, I am going to beg you to be frank. In your statement you
say that Mr. Brading made two calls, that the tone of his voice was
angry, and that only two words reached you. They were, 'You'd better!'
Pray consider whether the time has not come when you should tell us what
you really heard."

"Miss Silver--" His voice broke off on something like a groan.

She gave him another of those encouraging smiles.

"The truth is always best, Mr. Moberly. I know that you heard more than
you have admitted."

He said, "Yes", still in that groaning voice. And then, "What was I to
do? I knew that I was suspected--he had taken care of that. He used to
tell me to pray for his long life, because his death would ruin me
whatever way it came. I thought, 'The less I say, the better for me. It
will only look as if I was trying to put the blame on someone else.' And
I did not like her very much. Everyone knew that."

March said, "Miss Grey?"

James Moberly shook his head.

"Oh, no. That was later. When I first went in he was talking to Mrs.
Robinson."

"How do you know?"

"He used her name." The strain had gone out of his voice. It was just
tired and toneless.

"Go on."

"It was the first thing I heard--'My dear Maida!' I went away down the
passage. I didn't wish to overhear. But then I stopped. It was his voice
that stopped me, because he was speaking to Mrs. Robinson, but his
voice--"

He had been sitting forward, shoulders hunched, hands between his knees.
Now he straightened a little and looked at them. It was a look full of
remembered pain. He repeated the last two words.

"His voice--that's what stopped me. He was speaking to her the way he
used to speak to me when he wanted to--remind me--to hurt. It was the
way he had been speaking to me in the study when I told him that I
wanted to leave." A kind of shudder ran over him, his eyes went blank.
He said half under his breath, "He knew how to hurt."

Miss Silver said,

"Yes, there was a love of cruelty."

He turned to her with a startled expression.

"He liked hurting people--he liked hurting me. It made him feel what a
lot of power he had. He liked that. But he was in love with Mrs.
Robinson. When I heard him speak to her like that I was afraid. I
wondered what had happened. I listened--it doesn't sound nice, but
that's what I did--I stood there and I listened."

March said, "What did you hear?"

"I told you. He said, 'My dear Maida!' in that voice. Then there was a
break--she was saying something. And he said, 'That is most interesting.
Do you expect me to believe it? You can come down here this afternoon
and say it all over again. Then you can judge for yourself just how much
ice it cuts.' Then he laughed and said, 'My dear Maida!' again, the same
as before--'My dear Maida! You put those two letters in the wrong
envelopes, and there's an end of it! Your 'Dear Poppy' may be interested
in what you wrote to me, but I assure you it's nothing to the interest I
feel in what you said to her. Perhaps you have forgotten the terms in
which you were pleased to describe me. You can revive my memory when I
return you the letter this afternoon. I should also like to show you the
will I signed this morning. I should like you to watch its obsequies.
There's many a slip 'twixt the cup and the lip, isn't there?' Then he
rang off and gave Miss Grey's number. I went farther off down the
passage. I didn't want to hear what he said to her--I'm not an
eavesdropper. All I did hear was that his voice went on being angry, and
once he said, 'You'd better!' That's all I heard."

March said, "Are you prepared to write all that down and sign it?"

He nodded.

"I have done so. I wrote it down on Friday night whilst it was all fresh
in my mind. My wife has the paper. I gave it her to keep in case--"

"Then it did occur to you that this was evidence of the first
importance?"

He shook his head.

"I don't know. I wanted to safeguard myself. I didn't want to accuse
anyone else. I was afraid of what might have happened when Mr. Brading
and Mrs. Robinson met. But then Miss Grey said that he was alive when
she left him at ten minutes past three."

March looked at him hard.

"She doesn't say that now. She says she found him dead."

James Moberly stared back at him for a moment. Then he gave a groan and
put his head in his hands.

March said, "I'd like to have that statement, Moberly."

When he had gone out March turned to Miss Silver. She sat there
knitting, the second pink vest almost finished. She might have had no
more on her mind than the impending baby and its outfit. He contemplated
the clicking needles, the small busy hands, the unruffled demeanour. He
may have been recalling how she knitted her way through the case of the
Poisoned Caterpillars in which she had saved his life, or that much more
recent case in which his own deepest feelings had been involved, and
from which he had emerged with a wife.[A] He may have been thinking
merely of the case in hand. He said,

"Well, it looks as if that ace of yours has taken the trick. We'll have
to have Constable and Mrs. Robinson here and put them through it. If she
did it, he must have been in it up to the neck."

"Oh, yes, Randal. It must have been very carefully planned."

"Do you think Maida Robinson did the shooting?"

"I fear so. I fear that she came here meaning to do it. Mr. Brading
intended to show her the will he had made in her favour and to destroy
it in front of her eyes. She came here determined to prevent his doing
so. She had Major Forrest's revolver in that large white bag under her
bathing-dress. Mr. Brading meant to punish her. He meant her to read the
will before he destroyed it. It would be quite easy for her to come up
beside him and lean forward to look at it. He would suspect nothing. His
mind was full of the desire to punish and humiliate her. She shot him
like that, dropped the revolver on the floor, took his own revolver out
of the drawer, put it in her bag, and came away, leaving the bag behind
her. Her part is done as far as the annexe is concerned. She comes
through the glass passage into the hall, exclaims that she has left her
bag, and sends Major Constable back for it. Now observe, Randal. I told
you that the murderer had been hurried. Major Constable has to be very
quick indeed. You must remember his training in the Commandos. He has it
all planned, all timed, but all must be done at lightning speed. I feel
sure that he would not trust Mrs. Robinson to remove her own
fingerprints, or to place Mr. Brading's upon the revolver. It is there
that hurry betrays him--those fingerprints are not quite right. He has
to be absolutely certain that Mrs. Robinson has left nothing that will
compromise her. He would have to wipe her fingerprints from the drawer
as well as from the revolver and substitute Mr. Brading's. And in the
middle of all that Mrs. Robinson rings through from the office, and he
has to answer her and provide a man's voice which will pass with Miss
Snagge for Mr. Brading's. You will remember that she heard no words,
only a man's voice answering Mrs. Robinson. I feel sure that that scene
must have been very carefully timed and rehearsed. The telephone
receiver here was probably protected by a handkerchief--it must bear Mr.
Brading's fingerprints and no others. And with all this, Major Constable
must be absent for no longer than was necessary to fetch Mrs. Robinson's
bag and perhaps say a few polite words. The margin for safety was an
extremely narrow one, and every second's delay would cut it down. A very
bold and carefully premeditated crime."

March said, "An extraordinarily cold-blooded one."

She said, "Yes. Crimes perpetrated for money are usually coldblooded.
There is an element of deliberate choice which is absent from the crime
of passion."

He said, "But Constable--what brings him into it? They were the barest
acquaintances."

Miss Silver said,

"Do you believe that? I find myself unable to do so. You will remember
that I have not seen either of them, but from what I have been able to
gather, there was--I hardly know how to put it--an effect of
intimacy--perhaps suggestion would be a better word. Major Forrest
remarked to me that his friend had 'fallen hard' for Mrs. Robinson.
Stacy Mainwaring said they seemed like old friends. Mrs. Constantine
concluded quite bluntly that they were having an affair. I think you
will find that there is some link, some previous contact. That sort of
thing is very hard to disguise, and it must be remembered that the
absolute necessity for disguising it arose quite unexpectedly and with
great suddenness. They have not appeared together anywhere since Mr.
Brading's death."

March said, "I'd forgotten you hadn't seen them. She is--rather
beautiful. It's hard to believe--"

She looked at him with a faint pitying smile.

"Oh, my dear Randal!" she said.

-----

Footnote A:

See _Miss Silver Comes to Stay_.




                          CHAPTER THIRTY-FIVE


Stacy had been sitting in the farthest corner of the hall when Charles
went by to the annexe. She could not bear to be upstairs or in any of
the rooms in case-- Thought stopped there, because what lay beyond was
too frightening. She couldn't give it words.

She held up a paper, and hoped that the people who came and went would
think that she was looking at it. She saw Charles go by without looking
to left or right. He was alone, and she took what comfort she could from
that.

After a moment she got up with the paper in her hand and came to where
she could see the length of passage between the billiard-room and the
study, and the door leading to the glass passage beyond. At the far end
she could see Charles just going into the annexe. That meant that they
had sent for him again. If there was no one in the study, she could wait
there until he came back and find out what was happening. You could see
the whole of the glass passage from the study window, so she would know
when he was coming back, and if he was alone, she could find out what
was happening.

She went quickly to the study door and opened it upon an empty room, the
writing-table stripped and tidy, the chairs in order, the window wide to
the summer evening air. She stood there looking out, waiting for Charles
to come back. The time dragged. There seemed to be no end to its slow
passage.

When he came at last he was, as he had gone, alone, his face frowning
and intent. She ran to the door and opened it. And then he was coming
through out of the glass passage, and she couldn't get her voice above a
whisper to call to him.

"Charles--"

The sound seemed to fail. She couldn't think that it had reached him,
but he saw her, leaning against the jamb in her white dress. He said her
name, took her back into the study, and shut the door.

She found a small choked voice.

"What's happening?"

His arm was round her shoulders.

"No gyves on the wrists for the moment. No one quite so hot on arresting
me as they were an hour ago. Even Crisp appears to have other interests.
But it mayn't last. Let's make the most of it and go and have some food.
It must be after seven."

Stacy took no notice. She had turned to face him. She pulled at his
coat.

"What's happening? You're not telling me. I must know."

He stood frowning down, a hand on her shoulder.

"Lilias has made a statement. She says he was dead when she got there at
three o'clock."

The colour rushed into Stacy's face.

"That lets you out!"

"If they believe her."

"Don't they?"

"I wouldn't like to bank on it. I don't know whether I believe her
myself. That's the trouble--she's such a damned liar."

"Is she?"

He could only just hear the words.

"Oh, from the nursery. Didn't you know?"

All her bright colour ebbed. Her hand fell from his coat. She said,

"No--you never told me."

He was watching her closely.

"Why should I tell you?"

There was no answer. Her eyes were dark and startled.

He said again, "Why should I tell you? Would it have made a difference
if I had?"

"Charles--"

"All right--I'm going to tell you now. It wasn't the sort of thing one
wanted to talk about. I don't know how many people have guessed, or
known. We've always put our heads in the sand and hoped for the best.
And everyone loved my mother--her friends stood by her. Some people do
stand by their--friends."

It was like a knife going through her when he said that. And that was
just what he meant it to be, because she hadn't stood by him, she had
panicked and run away. Whatever she said or did, that was something he
couldn't forget. She didn't say anything.

He went on.

"You know Lilias was adopted. My mother wanted a child--they'd been
married some time. She saw Lilias and fell in love with her--she was a
very pretty child. Then three years later I came along. I expect that's
what started the rot. You see, she had been the centre of attention, and
then all at once she wasn't. She was the adopted child, and I was the
real one. It wasn't that my mother changed towards her--she didn't. At
least, not any more than any mother changes when she has two children
instead of one. But the situation changes. The first child isn't the
only one any more--it has to share. Well, that's always been the bother
with Lilias--she wants the centre of the stage, she wants the limelight,
she doesn't know how to share. When she couldn't have what she wanted
she tried to grab it. She started showing off to get noticed--it's a
thing lots of children do. My mother tried to check it, but it got
worse. There were one or two very bad patches. She told lies, and she
took things. She was going through a plain stage and she wasn't getting
much notice. Then in her teens she got very pretty again and it stopped.
We thought it was going to be all right. Then she had an engagement that
went wrong, and another--rather stupid affairs--and it all started
again. I think it helped to kill my mother. Then there was the war.
Lilias went into the hospital at Ledlington, and then to a convalescent
home for officers. She dramatized it all a lot and got no end of a kick
out of it. Then the war came to an end and everything was deadly flat
again. And that's where we were three years ago. I hoped when I
married--but it didn't turn out that way."

All this time his hand was on her shoulder. Now it became a grip under
which she couldn't move. Holding her like that, he said harshly,

"Just what lies did she tell you about me?"

"Lilias?"

"Yes, Lilias. You were very quick to believe her, weren't you? Well, now
we're going to have a show-down. What did she say to make you go off as
if I'd got the plague?"

Stacy had never been able to imagine herself telling Charles what Lilias
had said. It had always seemed to her that the shame of it would be
dreadful enough to kill them both--not physically perhaps, but to kill
all that mattered in them and between them. But now all the barriers
were down. It was just as if her tongue didn't belong to her--as if it
didn't matter what it said. Mattering, and caring, and being ashamed
were gone by. She spoke in a low, quiet voice,

"Lilias said you took things--money, or anything that would bring money.
She said you had always done it, and she and your mother had to put the
things back and hush it up."

"And you believed her--just like that?"

"I don't know. She had been hinting ever since we came--a little bit
here, and a little bit there. We hadn't been married a month. I didn't
know much about people, and I didn't know much about you. I don't know
whether I would have believed her or not. I was
frightened--angry--jealous. Oh, I don't know what I would have believed.
You had gone up to town to see solicitors and people about Saltings. I
knew you wanted to keep it and didn't see how you could. Lilias wanted
me to promise that I wouldn't tell you what she said. I wouldn't. I said
I had a headache and went to bed. It was true, you know--it ached
dreadfully. I meant to stay awake and tell you when you came in, but I
went to sleep. I had a dream, and I woke up. There was a light in your
dressing-room and your door ajar. I got up to go to you--"

"Yes? What stopped you?"

She said, "Nothing--" It was more an exhausted sigh than a word. The
picture rose so plain--the lighted room, and Charles at the bureau with
the necklace in his hand.

His bruising grip was on her shoulder. He said,

"What happened?"

She took a long shuddering breath.

"I looked in. You were standing by the bureau. You had Damaris Forrest's
necklace in your hand. Lewis showed it to us in his Collection. I saw it
in your hand."

He laughed without mirth.

"And instead of coming in and saying what about it you went back to bed
and pretended to sleep, and cleared out at cockcrow next morning! It
never occurred to you that you might give me a chance to explain?"

She looked at him then, her eyes wide and dark with pain.

"I don't think you know--what a shock--it was. I couldn't think at all.
I wanted to get away--and hide." She looked aside. A burning blush came
up to the roots of her hair. "I--I was so--ashamed."

He said, "I see. You didn't think much about me--did you?"

"No. Charles, let me go!"

"In a minute. We've got to have this out."

He had both hands on her now, hard and heavy.

"Charles--"

"We've got to have it out. Look at me!"

She raised her eyes.

"No--don't look away! Just keep on looking at me and tell me the truth!
You left me because you thought I was a thief, and you believed that I
had stolen the Queen Anne necklace. Do you still think so?"

She did look at him. She said,

"No."

"Why?"

"I'm not so young or so stupid as I was--three years ago."

"You don't think Lilias was telling the truth?"

"Oh, no!"

"And the necklace?"

"I don't know. You didn't steal it."

"Quite sure about that?"

Her voice was steady and composed now.

"Quite sure."

He took his hands off her shoulders and stepped back.

"All right, then I'll tell you. The necklace is a Forrest heirloom.
Lewis never had it. His mother was a Forrest, so I let him have a copy
made for the Collection. It was the copy you saw when he showed us his
stuff. The necklace was at the Goldsmiths and Silversmiths being
cleaned--for you. I brought it down with me, and I got it out to have a
look at it. I thought if you woke up, I'd give it to you then. My
mistake! When you cleared out I let Lewis have it for eight thousand.
He'd always wanted it, and I used the money to reorganize Saltings--I
didn't want to sell if I could help it. There you have it. Rather a
stupid business, don't you think? Well, come along and have some food."

She stood where she was, very pale again.

"Charles--"

"What is it?"

"You couldn't--forgive me?"

He gave her the most charming of his smiles, just tinged with malice.

"But, my sweet, of course. All valuable experience, and no harm done."

She knew than that it wasn't any good. You can't have a thing, and throw
it away, and just whistle it back again. And she had done it
herself--she couldn't blame anyone else. She turned to the door, and
felt Charles' light touch on her arm.

"Food," he said. "Let's pray they haven't run out of ice."




                           CHAPTER THIRTY-SIX


It was about half an hour later that Inspector Crisp arrived back at the
club with Mrs. Robinson and Major Constable. A police sergeant drove
with Major Constable beside him, while Crisp sat behind with Mrs.
Robinson and kept his eyes open. Nothing had been said, except that the
Chief Constable would be glad to see them at Warne House. So far from
evincing any reluctance, both had appeared to welcome the suggestion.
Mrs. Robinson in particular had quite brightened up. "I don't suppose
he'll keep us long, will he, and then we can get a decent meal. And no
one can say anything if we've been sent for, can they?" A rhetorical
question to which Crisp had not felt obliged to reply. Cool hands, the
both of them, was what he thought, and he'd best keep his eye lifting.

He took them through to the study by instructions. The Chief Constable
had been having something on a tray with that Miss Silver. They had
finished, and the waiter was just coming away as Crisp turned into the
passage. He opened the door, stood aside for Mrs. Robinson and Major
Constable to go in, and on a look from the Chief Constable came in
himself and shut the door.

March was at the writing-table. He asked them to sit down, speaking
gravely and pleasantly. The room felt cool with its north window wide
and a breeze coming in. Maida was in black--something thin with open
sleeves which showed how white her arms were. She wore very little
make-up, and needed none. As she sat down she opened a lizard-skin bag,
fished for a cigarette-case, and flicked it open. She chose a cigarette
and turned to ask Jack Constable for a light, all very deliberately, as
if she were going through a scene in a play. March, watching her,
wondered if that was how it seemed to her. She tilted her chin, drew at
her cigarette, and let out a little cloud of smoke to spread and hang in
the air.

"Well, Mr. March," she said, "What is it? I hope you're not going to be
too long, because I'm starving. I haven't had a decent meal for two
days. I've no cook, and I didn't like to shock people by coming
out--though what good you do anyone by sticking indoors and moping, I
can't see."

The deep, full voice took some of the edge off the words. She sat easily
in the chair which had been set for her, pulling it out of the straight
and leaning an arm upon the back. Her bright hair shone in the room.

Miss Silver was looking at Jack Constable. He too sat easily, but he was
not smoking. He looked the plain, blunt soldier, florid and sunburned in
his open-necked shirt and flannel slacks. There was nothing to show that
he differed from thousands of other young men who had been through the
war. Broad-shouldered and well set up, with rather more than the usual
allowance of good looks, and perhaps rather less than the usual
allowance of brains.

And then, as if he felt that direct enquiring gaze of hers, he turned
and gave her a long, cold look. Just for a moment her busy needles
checked. She revised her first estimate of Major Constable. That look
had betrayed him. The bright blue eyes had a steely tinge. There was a
brain behind them, keen, capable, ruthless. The impression was
instantaneous and indelible. If there had been a shadow of doubt in her
mind, it was removed. She pulled on her pale pink ball and continued to
knit.

March said,

"I have asked you to come here because two statements have been made
which throw rather a different light upon Mr. Brading's death."

Maida's shoulder lifted.

"Well, I suppose you have to keep going on about it. But, what's the
use--he's dead. After all, I'm the person most concerned. I've lost a
husband--and a fortune. Look here, perhaps you can tell me. He made that
will in my favour, and he signed it. Won't I have a chance of getting
what he meant me to have if I bring a case? Jack says not, but I don't
know--I should think--"

Jack Constable said,

"I didn't say you hadn't got a chance. You'll have to consult a
solicitor--that's what I said. She will, won't she?" He addressed March,
who said,

"We'll keep to the point if you don't mind. Miss Grey has made a
statement to the effect that Brading was dead when she went over to the
annexe at a few minutes to three. Since you were both with him just over
ten minutes before that time, you can see that your position is very
materially affected."

Maida drew at her cigarette and blew out the smoke.

"Lilias would say anything," she said in a drawling voice. "The world's
champion liar. Haven't you found that out? You will, you know. A nice
spot of limelight--that's all she wants."

March went on as if she had not spoken.

"Your position is affected. I have to tell you that anything you say may
be taken down and used in evidence."

Crisp sat down near the door and took out notebook and pencil. Jack
Constable stared.

"But it's all too ridiculous. You don't mean to say you think
Maida--why, I saw him after she did!"

"What I said was addressed to you as well as to Mrs. Robinson."

Jack Constable continued to stare.

"But, my dear man, it's crazy! I went back to get Maida's bag, and
everything was absolutely O.K. Why, he spoke to her on the telephone
while I was there."

"Somebody spoke. It is you and Mrs. Robinson who say that it was Mr.
Brading. Miss Snagge only heard a man's voice. The police case will be
that it was yours."

Constable said slowly,

"The police case--you've got as far as that, have you?" He threw back
his head and laughed. "I say, you must be pretty hard up for evidence!
Perhaps you wouldn't mind telling us what motive we're supposed to have
had. Maida had just got engaged to him, and he'd made a will in her
favour. I didn't know that, mind you, I only heard about it afterwards.
And then she's supposed not only to have bumped the poor chap off, but
to have destroyed the will. A damned good case, I must say! Makes a lot
of sense, doesn't it?"

March looked at him steadily.

"It makes quite good sense, Constable. It was Miss Grey who destroyed
the will."

Maida withdrew her cigarette to say,

"Lilias is crazy. I've thought so for a long time. I expect she shot
him."

"Why should she shoot him?"

"I don't know. Why should I? I'd every reason not to."

"Had you, Mrs. Robinson? We can go into that if you like. I think you
wrote two letters on Thursday evening--"

The hand with the cigarette moved towards her lips again.

"What if I did?"

"One of them was to Brading."

She drew in a mouthful of smoke and let it out again slowly.

"I was engaged to him, you know. One does write to one's fianc."

"You wrote a letter to Brading, and Forrest posted it."

"Certainly."

"There was another letter--to a Mrs. Hunt."

"How very incriminating!"

March said, "I'm afraid so. You see, you put them into the wrong
envelopes."

She just stared at him.

"_I what?_"

He said in a measured voice,

"You put the letter which you had written to Mrs. Hunt in the envelope
addressed to Brading. He got it by the second post on Friday, and he
went into the annexe and rang you up. Moberly overheard his side of the
conversation. You know best what was in the letter you wrote to your
friend Mrs. Hunt. Moberly heard Brading say, 'You put those letters in
the wrong envelopes, and there's an end of it. Perhaps you have
forgotten the terms in which you were pleased to describe me. You can
revive your memory when I return you the letter this afternoon.' And
then something about wanting you to watch the obsequies of the will he
had signed that morning, and a bit about there being many a slip between
the cup and the lip."

Jack Constable was watching her. She said scornfully,

"Moberly! He'd say anything! He's in a jam himself. Naturally, all he
wants is to put it on someone else." The cigarette went to her lips
again.

It was at this moment that the telephone bell rang. March picked up the
receiver and listened. To the rest of the room the voice of Sergeant
James speaking from the office was a baritone murmur. To March it
conveyed the intelligence that there was a lady in the hall asking very
urgently for Mrs. Robinson.

"Name of Hunt, sir--Mrs. Hunt."

March said in a non-committal voice,

"Say what she wants?"

Sergeant James cleared his throat. What he considered the lady wanted
was to go home and sleep it off, but he didn't like to say so to the
Chief Constable. He compromised on,

"Well, she's calling for drinks, and she says she wants Mrs.
Robinson--something about a letter, sir. There are two men with her."

March said, "All right", and hung up. He scribbled on a bit of paper and
handed it to Miss Silver.

"Perhaps you wouldn't mind taking this on."

She read it with grave attention, put it into her knitting-bag with her
needles and the pale pink wool, and left the room. The whole thing had
taken very little time.

Crisp finished writing and glanced up. Jack Constable looked as if he
was going to say something, but it did not get said. Maida went on
smoking. As March addressed himself to her again, Miss Silver emerged
upon the hall and was aware of commotion. The Chief Constable's note had
informed her that Mrs. Hunt would be there. She had no difficulty in
identifying her. She was, in fact, making her presence felt in an
extremely vivid and spectacular manner. There was a good deal of her,
encased in cherry-coloured chiffon, with several rows of artificial
pearls reposing upon an enormous bosom. She had masses of black hair,
and eyes that had to be seen to be believed--so big, so dark, so
rolling. She carried a white diament bag, and she was decidedly more
than half-seas over. It was a pity that March was not there to watch the
meeting between her and Miss Silver, but it had an appreciative audience
in Charles and Stacy, who were coming out of the dining-room.

With an introductory cough Miss Silver addressed the ebullient lady, who
had just remarked in a singularly carrying voice that if everyone _was_
dead and buried in this forsaken dump, she meant to have a drink "if I
have to raid the bar to get it".

Miss Silver said, "Mrs. Hunt, I believe."

She received an expansive smile.

"That's me--Poppy Hunt. Call me Poppy--everyone does. Are you the
manageress? Because if you are, I tell you what--the service is damned
bad. Five solid minutes I've been here and can't get a drink. Three of
us, and all our tongues hanging out! Meet the boy friend--meet my
husband. And we all want drinks."

The boy friend was a thin, haggard man with a gloomy eye. He had reached
the melancholy stage and was propping himself against the office counter
with the air of one who would welcome almost any kind of death.

In contrast, Mr. Hunt was not drunk at all. He had a worried,
inefficient look, like an ant that has strayed from the nest. He gazed
through crooked pince-nez at his wife and murmured, "Perhaps a little
soda-water, my dear--"

Miss Silver said with great firmness,

"Come and sit down at this table, Mrs. Hunt. I believe you were
enquiring for Mrs. Robinson."

Poppy let herself down with a run which shook the proffered chair.

"That's right," she said. "I want a drink, and I want Maida, and I can't
get either. What sort of a dump do you call this anyhow?" It was said
quite without rancour. Drunk or sober, there was no ill will in Poppy
Hunt.

Miss Silver said,

"Your order will be attended to. Is Mrs. Robinson expecting you?"

Poppy laughed.

"Not a bit of it! Surprise for her--joke, if you know what I mean--best
joke you ever heard. Here--she writes to me, and I'm away. Letter goes
home, but I'm not there, so my hubby brings it along with him when he
comes to pick me up this morning. Me and the boy friend, we were off at
my sister's. Ledbury--that's where she lives. Nice little place. All
friends together--usual crowd--plenty to drink. Well, Al brings my
letters along, and when I open Maida's, what d'you think?" She had her
elbows on the orange table. A chin or two were propped on stubby hands
glittering with rings. "Best joke ever! What d'you think she'd done? Put
the wrong letter inside! There it was on the envelope, 'Mrs. Al. Hunt'.
And inside it was, 'My _dear_ Lewis', and saying she'd have him! I don't
know when I laughed so much!"

She was laughing now, swaying backwards and forwards, and the chair
creaking with her weight.

"Bit of a mix-up, I don't think! Me getting 'My _dear_ Lewis', and him
getting 'Dear Poppy', and Lord knows what about his being a dry old
stick but the best she could do! So I said to my hubby, 'What's the
odds? No distance to Saltings. We'll take her on the way back--chip her
head off--all have drinks together.' And then she wasn't there. 'Well,'
I said, 'never say die. She'll be at that club she's so fond of. We'll
get her there, and we'll get the drinks too.' And here we are!"

She repeated the last phrase slowly. There was the effect of something
running down. And then with a hiccuping laugh she was off again.

"Funny, isn't it? I'll say it is! Because if she put in _his_ letter to
me, well, what's the odds she put in _my_ letter to him? And Lord only
knows what she said in it!" She pulled herself up with a jerk, staring
at Miss Silver. "I'm not saying what she said, mind you, because I don't
know, but if it's anything like what she's said before, it's going to
take a bit of explaining. All out to get him, of course, and I don't
blame her. Money's money, and a girl's got to look out for herself. So
let's hope she didn't say the half of what she's said before." She
paused, stared owlishly and shot a final dart. "And I tell you
what--half 'ud be a hell of a lot too much."

Miss Silver said, "Have you seen a paper today?"

She got another stare.

"Don't read the papers. We'd a thick night. Here--isn't that drink
coming?"

Miss Silver said in a very determined manner.

"You did not see a paper today. Did you see one yesterday?"

Poppy Hunt sat up straight with a hand on either arm of her chair.
Everything rocked a little--and they wouldn't bring her a drink. She
said more in sorrow than in anger,

"Never--read--papers. Lot of--tommyrot. Where's Maida?"

Miss Silver rose to her feet.

"I will take you to her. Where is the letter you spoke of?"

There was a rummage in the diamant bag. The contents spilled. A
lipstick rolled one way, a compact the other. Mr. Hunt, who had been
hovering, went down on his hands and knees to pick them up. The boy
friend continued to prop the office counter, his melancholy still
farther advanced along the road to coma.

Miss Silver stooped, secured a rather bright blue envelope, and said
briskly,

"Come, Mrs. Hunt, I will take you to Mrs. Robinson."




                          CHAPTER THIRTY-SEVEN


In the study the Chief Constable was engaged in marking time. He had
left a particularly delicate and difficult hand to Miss Silver to play.
He did not doubt her ability to get as many tricks out of it as was
humanly possible, but he found it hard to keep his mind from straying.
He had just finished a series of questions to Major Constable, designed
to elicit previous knowledge of Charles Forrest's revolver and of the
place where it was kept. They were answered with a frank nonchalance
which appeared to rob them of their importance.

"But of course I knew he had a revolver. He used to yarn about
it--belonged to his father--saved the old man's life--all that sort of
thing. Did I know where he kept it? Well, there you have me. Drawer in
the bureau, I think, but I wouldn't like to swear to it. Just one of
those things you take for granted, and if anyone asks you all the whys
and wherefores you're stumped."

Nothing could have been more open and ingenuous.

Maida Robinson tossed the stub of a cigarette in the direction of the
waste-paper basket. It struck the edge and fell back upon the carpet.
Without giving it a glance she lit another.

March addressed Jack Constable.

"How long have you known Mrs. Robinson?"

He laughed.

"How long is it, Maida?"

The tip of the cigarette glowed. She held it away.

"Oh, back in the war sometime--a few dances, a few drinks--"

"And how well did you know each other?"

"Like I said."

"Nothing more?"

Jack Constable's blue eyes stared.

"Is that meant to be offensive?"

"Not unless you take it that way."

Maida waved a hand to clear the smoke between them.

"What are you getting at anyway? Because Jack and I run into each other
now and again, we are in some ridiculous plot to kill Lewis? Use your
head, Mr. March! I've danced with quite a lot of men in my time, and had
drinks with them too. I married one of them, and I was sorry enough for
that. Well, I got my divorce, and I was going to marry Lewis. I'm not
going to pretend I was in love with him, and it wouldn't cut any ice
with you if I did. I liked him all right--he wasn't such a bad old
stick. And he was in off the deep end about me. Look at the way he
rushed and made that will. Now is it likely I was going to throw all
that away?" She laughed and drew on her cigarette. "It's all nonsense
about those letters. Moberly made it up to save his skin. Everyone knows
how Lewis bullied him, poor wretch. I always told him he'd push him too
far some day. But suppose it was all true, and Lewis was in a rage with
me--he wasn't, you know, but just suppose for a moment that he was." She
gave that low laugh again. "Why, I could have talked him round in five
minutes. I didn't need to shoot him--he'd have eaten out of my hand.
You're just being silly."

March said,

"That would depend on what you said in your letter to Mrs. Hunt--the one
Brading got by mistake."

She said, "There wasn't any letter", and the door was flung back to
reveal Poppy Hunt.

It was Poppy herself who had flung it. The smell of alcohol and scent
enveloped her. She stood swaying on the threshold in her red dress. The
room with its north window darkened by the hill looked shadowy to her.
The smoke of Maida's cigarette hung in the air. Her mind was hazy with
drink. Everything was blurred at the edges and a little out of the
straight. There were people there--a man at a desk--another man--a
policeman--but still no drinks--

Miss Silver came past her and put the blue envelope into Randal March's
hand. It was addressed to Mrs. Hunt, and it had been opened.

He had just slipped out enough of the sheet which it contained to read
the words, "My _dear_ Lewis", when Poppy saw Maida--the bright hair
first, and then the hand with the cigarette, the thin black dress, the
eyes.

The eyes stared at her. Horrid and pale the girl was. Come to think of
it, she'd never seen Maida pale before--always a lot of colour and no
need to put it on.

It was all gone as Randal March leaned forward with a sheet of rather
bright blue paper in his hand.

"Mrs. Hunt has brought you the letter which you put into her envelope by
mistake."

The words touched everything off. Poppy Hunt held on to the jamb of the
door and saw things happen. Somebody called out, "The window!" Somebody
threw a chair. A regular rough house, that was what it was, and Maida
jumping out of the window and legging it, and a man going after her. She
began to let out a succession of piercing screams.

It was Jack Constable who had shouted and thrown the chair. He had
thrown it in Crisp's face, caught him half-way to his feet, and knocked
him sprawling. March saw a second chair coming and dodged, but it got
his shoulder, spun him about, and checked him. When he reached the
window Maida was out of sight and Jack Constable rounding the corner of
the house.

March went out over the sill and after them, whilst Crisp was getting to
his feet with the blood running down his face and taking the other way
out along the passage and through the hall.

They came to the porch more or less at the same time. Crisp saw his own
police car go sliding down the drive. The blood dripped into his eyes,
but it didn't need that to make him see red. Take the police car, would
they, that he'd left all turned and ready to go! And, nothing to go
after them in but the Chief Constable's Vauxhall, which was facing the
wrong way. They wouldn't get away of course, but they'd give them a run.
And the out and out nerve of it, that's what got him!

He threw himself into the car, and while the Chief Constable turned it
he cleared the blood from his eyes with an angry hand and shouted
instructions to Constable Jackson.

"Tell James to ring all stations! Give the number of the car! It's to be
stopped and the occupants detained! You, Hewett, jump in behind!"

And then the bonnet of the car swung round and they were off down the
drive. As they cleared it and ran into Warne, the police car was just in
sight on the long, slow hill climbing up on the other side. Bound to
take that way, and bound to run through Ledstow. It was after that it
would be tricky.

March looked sideways and said, "All right, Crisp?"

"Yes, sir--only a cut."

"You look like another murder. Here, Hewett, get a handkerchief round
his head and keep the blood out of his eyes. You can do it from behind
there."

The police car was out of sight, gone over the brow of the hill and
running for Ledstow. March said,

"They won't stop them there, and they've got a fair start. What will
they do next? They won't risk Ledlington--all those narrow streets, and
the alarm out. I'd say they'd turn inland out of Ledstow and take the
old smugglers' road that runs through Cliff past the Catherine-Wheel--a
straight run with nothing you can call a turning till you get away from
the cliffs and go inland again, a good four miles. They'll reckon to
gain on us there and get rid of the car when they are in amongst the
lanes. At least that's what I should do in their place."

"They won't get away," said Crisp in a dogged voice. His head was being
tied up, and Constable Hewett was being extraordinary clumsy over it.
All the first-aid classes in the world couldn't produce fingers when
what a chap had got by nature was a couple of bunches of awkward thumbs.
He said, "That'll do!" in an infuriated voice and shook his head exactly
like a terrier coming up out of the ditch where he had failed to catch a
rat.

They came through Ledstow at a speed that brought heads round to look at
them. As they shot by the police station, a constable waved them to the
Ledlington road, which is just beyond. The smugglers' road takes off in
a couple of miles, running between hedges until it comes back to the sea
at the village of Cliff, and from there runs bare and exposed on the
mounting line of the coast.

On the rise past the Catherine-Wheel of smuggling reputation they saw
the car again. March said, "We've pulled up on them," and Crisp said,
"Not enough."

After that neither of them spoke. The needle of March's speedometer ran
up to sixty-five, trembled there, and climbed point by point to seventy.
The black car in front of them went down over the brow of the hill and
out of sight. At sea level there would be a choice of three diverging
lanes--a two to one chance of missing and being missed.

They came to the top of the road themselves, and saw the long incline
run down on the edge of the cliffs, falling with them to soft, broken
country with trees and hedgerows. They had caught up on the stolen car,
but as Crisp said, not enough. It was a third of the way down, and might
be out of sight for long enough to slip into one of the three lanes
beyond the bend at the foot if they could make the turn in time. With a
clear road they could.

But the road wasn't clear. A lorry came grinding up on the crown of the
road. In a flash Crisp was leaning well out on his side, showing his
uniform, pushing up his hand like the arm of a semaphore. March began to
brake. The lorry driver hesitated, looked at the two cars rushing down
towards him, thought of getting off to the side of the road, saw Crisp's
frantic signals, the police uniform, and checked. With Jack Constable
roaring at him like a bull, he stopped there in the middle of the road.
He didn't like being roared at. He stopped and got ready to jump.

But there wasn't any need. Jack Constable measured the gap on either
side with his eye. He would have taken any chance, but there wasn't one.
He laughed, and Maida screamed. Then he put the car at the cliff. She
screamed again as they went over.




                          CHAPTER THIRTY-EIGHT


It was going on for nine when Charles Forrest was called to the
telephone. Rumours had been drifting back to Warne House. The police had
left in a hurry. Major Constable and Mrs. Robinson were said to be dead.
Their car had gone over the cliff and smashed on the rocks below. It was
a collision with a lorry. It was a collision with the Chief Constable's
car. It was suicide.

In the middle of all this Charles had to go and listen to Lilias, who
needed someone to whom she could explain how pure all her motives had
been, and how little one could expect to be understood or appreciated in
a world peopled by unsympathetic characters like the Chief Constable. He
heard with relief that he was wanted on the telephone and proceeded to
the study, where he took the call.

"March here. I'm speaking from Ledlington hospital. Can you come out at
once? I expect you know who shot Brading. They made a dash for it in a
police car and got blocked on the cliff road. Constable put the car
over. He's dead. She isn't--yet. We want a statement, and she won't make
one unless you're there. Be as quick as you can--there mayn't be much
time.

March was waiting for him at the hospital.

"She's broken her back. Perfectly clear in the head, and no pain. They
say she can't last the night, and it may be sooner. We're bound to have
that statement, and she wouldn't say a word until you were here."

Up a stair, along a cool antiseptic corridor, and round a screen.
Maida's bright hair on the pillow. Not a mark on her face. Her eyes
looking a long way off. They came back to see him.

There was a chair by the bed. He sat down.

She said, "Charles--"

Her hand moved a little. He took it. It was cold. She said,

"They want me to make a statement."

"Yes. Will you?"

"I wouldn't till you came. I don't trust them. You'll tell me--is Jack
dead?"

"Yes--he was killed at once."

"I'm dying?"

"Yes."

"Sure--it's not a trap?"

"That's what they say."

She shut her eyes for a moment.

"All right--"

A police stenographer slipped in round the screen, sat down on the other
side of the bed, took out his notebook. Maida opened her eyes and said,

"I shot Lewis--you know that. I wouldn't have done it if he hadn't said
what he did. We planned it--after we knew about the letters--but I don't
know that I'd have done it--really--not when it came to the point--I
don't know. He said--oh, well, I've got a temper--I had the revolver in
my bag--I came up close and shot him. He thought I was going to look at
the will--it was there on the table--but I shot him."

Her voice was low and steady, but there wasn't enough breath to carry it
for more than a few words at a time. She held his hand. After a moment
she said,

"Are they writing it down?"

"Yes."

"I don't care--it doesn't matter now. It was Jack's plan--from the
beginning. We'd been in jobs before. I came down--to get in with
Lewis--because of the Collection. That was the first idea--to get away
with the stuff. Then Lewis--fell for me--in a big way. I told Jack I
could--marry him--it would be better that way. He didn't like it--at
first--but he agreed. He liked me--a bit--himself." She shut her eyes
again. The cold fingers moved in the warmth of his hand. Then her lashes
lifted. "Liking people is--the devil. That's what--queered the show. Not
Jack, but me. You came along--and--I liked you. If you had liked me--we
could have--made a go of it. I'd have sent Jack--away--and let Lewis and
his Collection go--down the drain. I as good as told you so--when we
walked back together--on Thursday night. But you weren't having any.
It's that girl, I suppose--the one you were--married to--"

Charles said, "Yes."

She gave a faint ghost of a laugh.

"That's--the way--it goes. It doesn't matter--now--but I was mad--at the
time. I went in and--blew off steam--writing those two letters--one to
Lewis saying--I'd have him--and the other to Poppy Hunt saying--just
what I--felt about it. And I put them in the--wrong envelopes. I'd had a
drink or two--and I was mad--with you." She moved her head a little on
the pillow and said, "Oh, well--"

A nurse came round the screen and felt her pulse. When she had gone away
again Maida said,

"Lewis got my letter--by the second post--on Friday. He--rang me up. He
was mad. He said he'd--signed his will, and I'd better come down
and--'assist at its obsequies'. I thought that meant he
wouldn't--destroy it--till I came. I thought--perhaps--I could talk him
round--but Jack said no. He--made the plan.
It--all--went--quite--smoothly--"

There was a long pause. She lay with her eyes open, looking past Charles
as if he wasn't there. The nurse came again and stood there. The
statement was read over to Maida. She made a mark. Charles and the nurse
witnessed it. The nurse slipped away. The stenographer went too, trying
not to make a noise. Time went by. Only her eyes moved. They turned on
Charles, and seemed to see him. She said slowly,

"Do you think we just--go out?"

"No."

After some time she spoke again.

"Then--what?"

"I don't know--pick up the bits and go on."

Her lip twitched. It was something like a smile. She said,

"Some bits--Lewis--Jack--" And then, "I'd like you to--see me out. Your
hand is--warm--"

It was three in the morning when he came out of the hospital and drove
back to Saltings alone.




                          CHAPTER THIRTY-NINE


The inquest was over. Wilful murder and suicide in the case of Jack
Constable. Wilful murder and accidental death in the case of Maida
Robinson. Charles gave his evidence, interviewed lawyers, interviewed
James Moberly, interviewed Miss Silver.

"I don't know what to do about Lilias, and that's a fact."

Miss Silver looked at him kindly. They were in the study. She was well
away with a third vest and knitting briskly.

"She has had a severe shock. She will, I think, be a good deal more
careful for some time to come. I have seen her and talked to her. I hope
that I may have made an impression. Not only has she herself formed the
habit of covering up her faults, but those around her have done so too.
She has desired to attract attention to herself, to transfer her faults
to others, and has sought to be loved and esteemed for qualities which
she does not possess."

It was sententious, it was almost pre-Victorian, it was a survival of
the great Moral Age. Even in the middle of one of the stickiest days of
his life Charles was able to admire where he could not emulate. He could
only say,

"That's about the size of it. But where do we go from there?"

Miss Silver coughed in a gently encouraging manner.

"She requires more interests, occupations--something which would give
her the satisfaction of feeling that she can win approbation in a
legitimate manner. If she has any talent, any capability, let her
develop it and use it for others."

The only thing that Charles could think of appeared painfully
inadequate.

"She worked with the Red Cross during the war, but that has rather faded
out. And before that she used to play for a dancing-class--something to
do with the village institute--I don't know--"

Miss Silver beamed upon him.

"That would be admirable for a start. Give her all the encouragement you
can. And now, if you will forgive me, I am going over to see Mrs. March.
Such a charming person."

"Yes, I've met her--Pallas Athene."

She was putting away her knitting.

"A most appropriate nickname. 'A daughter of the Gods, divinely tall--'
as Lord Tennyson puts it." She rose to her feet and extended her hand.
"I shall be leaving tomorrow. I do not know if this is goodbye or not."

Charles didn't know either. He hadn't seen Stacy yet. He had wanted to
see all these other people first and get clear of them before he saw her
again, and then--well, that was just where he couldn't look ahead.

Miss Silver was referring in a grateful and dignified manner to "your
very generous cheque". It was necessary to respond. He did so in all
sincerity.

"I owe you more than I can possibly repay. March has made no secret of
it."

She smiled.

"He is always more than kind. May I say, Major Forrest, that I wish you
every happiness?"

He let her get away, and rang the bell. The waiter who came was Owen.
The man who had brought those letters in on Friday--talk of haunted
houses! He said,

"Could you find Miss Mainwaring and ask her if she can spare me a few
minutes?"

The door shut him in again with his thoughts. Every house where things
have happened is a haunted house. But in all old houses everything that
can happen has happened already--and again--and again. Birth and
marriage and death, good and evil, and the drifting thoughts of men--an
old house sees them all. Lewis and Maida and Jack Constable, James
Moberly and Hester Constantine, Myra, Lilias, Miss Silver, Stacy and
himself--they were part of the pattern of this generation. There had
been other generations, there would be more to come--"All the rivers
flow into the sea, but the sea is not full." If you make too much of
your own bit of the pattern--

From where he stood he could see the annexe, blind in the shadow of the
hill. He thought about getting windows knocked in those blank
walls--good big ones. The club could do with the extra rooms. Get light
and air into the place--they'd let you have permits for that all right.
Disperse that horrible Collection--some of the things to museums, the
better stones sold separately. Get rid of the associations and they'd be
like any other bits of stone. What a damnable thing for a man to have
made the centre of his thoughts--grubbing in old crimes, raking up their
follies, their passions, their agonies. Get rid of it all--let in the
light. He began to plan where the windows would go.

Stacy came in. She had shadows in her eyes and under them. The white
dress made her look pale--but perhaps it wasn't the dress--

He was over by the window. She came up close and stood there, waiting
for him to speak. All the feeling between them was sad and quiet. At
last he said,

"Well, it's all over."

"Yes--Miss Silver told me."

He went on in an abstracted voice.

"I gather the police won't do anything about the will. Even if Maida had
lived and not been suspected of having anything to do with Lewis's
death, there was really no one except herself who had actually read it.
I think she would have found it very difficult to establish any claim on
the estate. As it is, there is no one to make one--and of course nobody
is allowed to benefit by a crime. Lilias practically admitted that she
had destroyed the will, but she didn't sign anything, and if there were
any question of taking proceedings, she would simply deny the whole
thing. Everyone knows she burnt the will, but if she were to say the
police bullied her into hysterics and she didn't know what she was
saying--well, there would be plenty of evidence about the hysterics, and
a nasty double-edged sort of case for the police to handle. Counsel
could make out at least as strong a probability that the will had been
destroyed by Lewis, or by me. They won't touch it. Nobody's been done
out of anything, and they'll just let it go."

There was a long silence. Then Stacy said,

"Charles, you look so tired."

"I was up most of the night."

"With her?"

"Yes. How did you know?"

"Edna Snagge's sister is a nurse at the hospital."

"I see."

Then she would know that he had sat there hour after hour holding
Maida's hand until she slipped away. It came to him that this was where
he would know whether they could take up their life together again or
not. There was no emotion between them--just tiredness, and sadness, and
a kind of groping in the dark. If she understood, the groping hands
would meet, they would find each other. If she didn't understand, there
were no ways so wide as those in which they must walk apart.

She said, "Were you--fond of her?"

"Not like that."

She took that simply. She said,

"She was fond of you. I'm glad you were there."

The groping between them had stopped. Everything cleared. He said,

"She didn't feel anything. I held her hand--"

Stacy said, "I'm glad."

He put his arm round her, and they stood like that for a long time. Life
began to come back--life and feeling. It was like the blood running back
into a numbed limb. There was a tingling and a pain, a pressure of
feeling and emotion, a sense of something flowing in. At last he said,

"Why would you never see me?"

"I was ashamed."

"Of what?"

"I cared--so much--"

"Rather an odd reason, don't you think?"

His arm dropped from her shoulders. His hand moved to touch hers. He
could feel that she was trembling. She did not look at him, nor he at
her. They looked at the blank walls of the annexe and at the shadowed
hill. They did not see these things. They saw three wasted years which
need never have been, three years when they might have been together.
Stacy said in a voice which shook as her hand was shaking,

"If I'd seen you--if you'd touched me--I shouldn't have cared if you'd
stolen a million necklaces. That's what made me--so ashamed."

The hand that was touching hers turned and caught it in a grip so hard
that it hurt.

"Well, what about it now? Have we wasted enough time, or haven't we? And
what happens next time Lilias lets her imagination loose on me--do you
swallow everything whole and let us in for another divorce?" He let go
of the hand and put his arms round her. "Well?"

"Charles--"

"Yes, I'm Charles, and you're Stacy. But the question is, are you Stacy
Mainwaring, or Stacy Forrest? Every time I've heard someone call you
Miss Mainwaring I've wanted to hit them over the head."

Stacy stopped trembling. It was extraordinarily heartening to hear
Charles say things like that. And then she had a picture of Charles
hitting a waiter over the head with a dinner plate, and she began to
laugh. She said, "Oh, Charles!" and she laughed, and the tears ran down
her cheeks. And they kissed and held one another tight. The empty years
were gone.




                           TRANSCRIBER NOTES


Mis-spelled words and printer errors have been fixed.
Inconsistency in hyphenation has been retained.






[End of The Brading Collection, by Patricia Wentworth]
